Links

Showing posts with label films. Show all posts
Showing posts with label films. Show all posts

Tuesday, May 22, 2018

TUESDAY - May 22, 2018 - ZAN screening at Diet Members' Office Bldg of the Lower House - Public welcome!


ZAN: In Search of the Last of the Okinawa Dugong will be screening tomorrow, Tuesday, May 22, at the Diet Members' Office Building of the Lower House in Tokyo

Tokyo-based Irish director Richard Grehan and producer/narrator Yu Kisami's beautiful, award-winning documentary is a tribute to the scientists, environmentalists, and local Okinawans who have spent the past 2 decades working to save Henoko's dugong and coral reef ecosystem, Okinawa's most important natural cultural heritage site. Through their insights, ZAN shows us the meaning of the Okinawan value of "Nuchi du Takara" (All life, including the life of nature, is precious).

Earlier this month, the Center for Biological Diversity, a co-plaintiff in the Dugong Lawsuit, screened ZAN in Berkeley, in conjunction with a letter Okinawa Governor Onaga sent to the US Dept of Defense (DoD) requesting that DoD consult, under the U.S. National Historical Preservation Act [NHPA], with the Okinawa Prefectural Government regarding the impact on the dugong from the planned offshore expansion of US military training base in Henoko

Last week ZAN was one of the featured selections at the Endangered Species Film Festival in Missoula, Montana. 

After tomorrow's screening at the Diet, there will be a discussion with the director, Rick Grehan.

Please contact umi@nacsj.or.jp to reserve your seat.
Date: Tuesday, May 22 17:00-19:00
Place: Diet Members' No.1 Office Building of the Lower House
Capacity: 60 people

Application/inquiry: Tel: 03-3553-4102 Email: umi@nacsj.or.jp

5月22日(火)、衆議院議員会館にて『ZAN』の特別上映会が開催されます!一般の方々も参加が可能です!
辺野古新基地建設にかかわる問題について、1人でも多くの国会議員に現状を認識いただくため、衆議院議員会館で『ZAN』の特別上映会が開催されます。上映後、リック・グレハン監督との意見交換も合わせて実施されます。
・日時:5月22日(火)17:00-19:00
・場所:衆議院第一議員会館1F 国際会議室(最寄り駅:東京メトロ永田町・出口1)
・参加費:無料
・定員:60名(お申し込み下さった方に16:30からロビーで入館証を配布します。)
・申し込み・お問い合わせ:日本自然保護協会 Tel: 03-3553-4102 Email: umi@nacsj.or.jp
衆議院会館にて国会議員に『ZAN』を見ていただく貴重な機会です。皆さまのお申し込みお待ちしております。

Tuesday, August 25, 2015

Iranian filmmaker & dissident Jafar Panahar (#SupportIranDeal): "War & sanctions bring about crises & crisis is the death of democracy, peace, and human rights...Let people choose their own destiny by ratifying the Iran Deal."



In 1995, Iranian filmmaker and dissident Jafar Panahi achieved international recognition with his film debut, The White Balloon, a 1995 film about a 7-year old Iranian girl on a quest to buy a goldfish for her family's New Year's Day celebration.  Depicted from a child's unique view of place, the city of Tehran itself plays a central role, supported by a cast of Dickensian characters who range from the kindly to the villainous.

Panahi's films reflect his deeply humanistic perspective on life in Iran, often focusing on children, girls, women, and the poor. His widely disributed 2006 Offside features a group of young Iranian girls who disguise themselves as boys (women are not allowed to watch soccer in Iran) to sneak into Azadi Stadium to watch the World Cup qualifying football playoff game between Iran and Bahrain.

In March 2010, the Iranian government arrested Panahi, his wife, daughter, and 15 friends, charging them with anti-government propaganda. Despite global support from filmmakers and human rights organizations, in December, Panahi was sentenced to a six-year jail sentence and a 20-year ban on directing any movies, writing screenplays, giving any form of interview with Iranian or foreign media, or from leaving the country.

While appealing the judgment, Panahi made This Is Not a Film, a documentary feature in the form of a video diary of his house arrest.  It was smuggled out of Iran and shown at the 2011 Cannes Film Festival, and released on DVD, introducing Panahi, as a person as well as filmmaker, to people around the world.  In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi, for which Panahi won the Silver Bear for Best Script.

As in the The White Balloon, Panahi casts the city of Tehran as a star of his newest film Taxi, which premiered  at the 65th Berlin International Film Festival in February 2015, and was awarded the Golden Bear. Berlin Jury president Darren Aronofsky described the heart-warming film as "a love letter to cinema...filled with love for his art, his community, his country and his audience."

Jafar Panahar supports the Iran Deal:
I work with imagination, but not imagination alone. Imagination immersed in reality.

At present, I sense that what is happening in the US congress is imagination with no sense of reality. They think or they imagine that with sanctions and war, things can be accomplished. This is not so, this is not the reality of my country.

War and sanctions bring about crises and crisis is the death of democracy, the death of peace, and the death of human rights and civil rights. I ask the US congress to open their eyes to the reality on the ground and let people choose their own destiny by ratifying the Iran Deal."
More on the grassroots Iranian campaign for peace at "Prominent Iranians launch campaign calling on Congress not to kill Iran deal: Scores of high-profile Iranians, many of them sentenced to lengthy prison terms or enduring solitary confinement, express their support for the nuclear deal."via The Guardian:
Dozens of high-profile Iranians, many of whom have been jailed for their political views, launched a video campaign calling on the American people to lobby Congress not to jeopardise the landmark nuclear agreement.

The campaign includes messages from celebrated film-maker Jafar Panahi, Nobel peace prize laureate Shirin Ebadi, human rights lawyer Nasrin Sotoudeh, and British-Iranian activist Ghoncheh Ghavami.

Many of the campaign’s participants have been persecuted in Iran for their beliefs or activism, sentenced to lengthy prison terms or even solitary confinement. But they have expressed support for the Vienna nuclear agreement struck in July between Iran and the world’s six major powers, calling it a good deal which could avert threats of war.

Mohammadreza Jalaeipour, one of the organisers of the campaign, said the video was intended to show “that those who have paid the highest prices for the cause of democracy and human rights in Iran are supporting the deal”.

The video messages were gathered, to show to the world “that not only the overwhelming majority of Iranians, but also almost all the leading human rights and pro-democracy activists, prominent political prisoners and the independent voices of Iran’s society are wholeheartedly supporting the Iran deal,” the activist, who spent five months in solitary confinement in Iran, said...

Thursday, May 21, 2015

Chie Mikami's Stop (making Okinawa into) a Battlefield, - Opens May 23, 2015 in Tokyo




Chie Mikami's Stop the Battlefield opens May 23 in Tokyo:
『戦場ぬ止み(いくさばぬとぅどぅみ)』劇場予告編

2014年8月14日辺野古沖は「包囲」された。沖縄は再び戦場になった。沖縄で今、­何が起きているのか?

「標的の村」の三上智恵監督が描く沖縄と辺野古。激しい対立だけを描くだけではない。­基地と折り合って生きざるをえなかった地域の人々の思いと来し方。苦難の歴史のなかで­も大切に育まれた豊かな文化や歴史。厳しい闘争の最中でも絶えることのない歌とユーモ­ア。いくさに翻弄され続けた70年に終止符を打ちたいという沖縄の切なる願いを今、世­界に問う。

ポレポレ東中野にて、5月23日(土)より緊急先行公開。7月11日より桜坂劇場、7­/18よりポレポレ東中野にて本上映。
Translation/Synopsis: 

On Aug. 14, 2014, the Siege of Henoko began when the Jp govt. sent a military flotilla against locals protecting their beloved natural cultural heritage, the coral reef & dugong ecosystem. Okinawa was once again a battlefield.

What is happening in Henoko now? Under much hardship, locals have nurtured the rich culture and history of Henoko. They withstand their severe struggle with song and humor. The earnest desire of Okinawans is to end the 70-year military regime at which they have been at mercy. They are asking the world for help.

The film opens at an emergency screening on May 23 at Theater Pole Pole in Nishi-Nakano, Tokyo.

Theater: Address B1F, 4-4-1 Higashi-Nakano, Nakano-ku, Tokyo
Transport Higashi-Nakano Station (Chuo-Sobu, Oedo lines)

Theater website: http://www.mmjp.or.jp/pole2/

Film FB Page: https://www.facebook.com/ikusaba.movie

Film website: http://ikusaba.com/

Saturday, May 2, 2015

5/3 - Available for online viewing: John Junkerman's Japan's Peace Constitution


Full-length version of John Junkerman's 2005 documentary film, Japan's Peace Constitution available for online viewing from 5/3, Constitution Day, until 5/7, courtesy of Siglo Films: https://www.youtube.com/watch?v=N1gQtnDvMfM&feature=youtu.be. Film description:
This timely, hard-hitting documentary places the ongoing debate over the constitution in an international context: What will revision mean to Japan's neighbors, Korea and China? How has the US-Japan military alliance warped the constitution and Japan's role in the world? How is the unprecedented involvement of Japan's Self-Defense Force in the occupation of Iraq perceived in the Middle East?

Through interviews conducted with leading thinkers around the world, the film explores the origins of the Constitution in the ashes of war and the significance of its peace clauses in the conflicted times of the early 21st century. Key interviews include:

Pulitzer Prize-winning historian John Dower

Paris-based social theorist Hidaka Rokuro

Beate Sirota Gordon, drafter of the equal-rights clause of the Constitution

Political philosopher and activist Douglas Lummis

Political scientist Chalmers Johnson

Kang Man-Gil, president of Sangji University, South Korea

Shin Heisoo, co-representative, Korean Council for Women Drafted for Military Sexual Slavery by Japan

Korean historian Han Hong Koo

Chinese filmmaker and writer Ban Zhongyi

Syrian writer Michel Kilo

Lebanese journalist Josef Samaha

Linguist and social critic Noam Chomsky

Director John Junkerman is an American filmmaker, living in Tokyo. His first film, Hellfire: A Journey from Hiroshima, was coproduced with John Dower and nominated for an Academy Award. His 2002 film, Power and Terror: Noam Chomsky in Our Times, also produced by Siglo, received widespread theatrical distribution in Japan, the US, and Europe.

A companion book in Japanese, including the complete interviews with John Dower, Hidaka Rokuro, Chalmers Johnson, Noam Chomsky, Beate Sirota Gordon, and Han Hong Koo has been published by Foil.

Saturday, April 11, 2015

What was the truth of the hidden US-Japan ground war in Okinawa?



A US Army cameraman filming the fierce US-Japan ground war in Okinawa did his job "filming US soldiers fighting bravely" at first. But after he witnessed the terrible suffering of Okinawans, he couldn't stand it. The cameraman started to photograph the entire war, but his film was censored by the U.S. military. NHK produced a documentary on his experience in 2011 and it will be rebroadcast tomorrow.


The U.S. military recorded the Battle of Okinawa on film in detail; however Okinawan civilian noncombatants and locations were not identified. Over 140,000 Okinawan civilians were killed. Combatant deaths were significantly lower: around 12,000 US soldiers and 70,000 Japanese soldiers.

The "One-foot Film Movement", an Okinawan postwar grassroots organization bought documentary film (one foot at a time) from U.S. government archives  — to preserve the memory of these people, their families, their wartime history and to show why the Okinawan people desire peace.  The nonprofit started in 1983 as the Civil Movement to Provide Children With Lessons of the Battle of Okinawa and closed its 30-year operations in 2013 at a ceremony held at the Yashio Rest House in Naha. The organization had collected 50 hours of film.


Since February,  NHK has been rebroadcasting documentary films of this wartime history including Okinawan "One Foot Movement" documentary films.

In a 2005 documentary , a NHK director searched for the real people and places in these films, the visible memory of their wartime experience. Over 240,000 people were killed during the fierce US-Japanese ground war in Okinawa. What was the truth of this war? 


These and other archival NHK documentaries, especially the films and footage collected by the Okinawan One-Foot Film Movement, explore this history in a search for the memories of Okinawans who were killed during or somehow survived the worst ground battle of the Pacific War.

The NHK documentaries will be rebroadcast through July 5.

Schedule: http://www.nhk.or.jp/okinawa/okinawasen70/archives/

Info on broadcast and more on the ground war between the US and Japan in Okinawa via Okinawa Prefectural Peace Center (沖縄国際平和研究所):

沖縄国際平和研究所が、資料提供をさせていただいた番組および沖縄戦関連番組の放送予定をお知らせします。
=沖縄戦関連番組=
『戦後70年企画 NHKが見つめた沖縄戦』
http://www.nhk.or.jp/okinawa/okinawasen70/archives/
「カメラマンが見た沖縄戦 隠された戦場の事実」
(2011年6月26日放送)

■日にち:2015年4月12日(日)13:50~
■放送局:NHK沖縄
 ※沖縄県域での放送です。

Sunday, March 29, 2015

The Targeted Village, A Documentary by Chie Mikami April 4 @ 1:30 pm - 4:30 pm, Santa Cruz, CA



In Okinawa, the people of Takae village are convicted by the Japanese government for obstructing traffic in the struggle for the recognition of their human rights, property rights, dignity, and desire for the preservation of Yanbaru, the subtropical rainforest in northern Okinawa.

The obstruction was part of their struggle against the construction of new helipads for low-level flight training of MV-Osprey transport aircraft in the rainforest, a World Natural Heritage site candidate. The story of the people of Takae embodies U.S. military seizures of private and public property dating back to the 1950s; use of villagers for mock target practice during the Vietnam War; and the blocking of gates to the Futenma base during a historic protest in the fall of 2012, against hazardous V-22 Osprey low-level flight training in Okinawa.

The film will be followed by a Q and A and Discussion with UCSC Professor Alan Christy and Doctoral Student Yoko Fukumura.

Suggested Donation: $5-$10, no one is turned away.

Sponsors: The Targeted Village Showing Steering Committee in California, the Resource Center for Nonviolence, and the UCSC Department of History

Website: http://rcnv.org

Wednesday, December 10, 2014

Journalists, legal experts, & filmmakers condemn State Secrets Law's chilling effect on freedom of expression & freedom of press; Japan's rating drops from 22nd to 59th on World Press Freedom Index

Japanese Army cavalrymen parade in front of the Kabukiza Theater, Ginza, Tokyo,1938

Justin McCurry, "Japan whistleblowers face crackdown under proposed state secrets law: Officials who leak 'special state secrets' and journalists who seek to obtain them could face prison if bill is approved this week," Guardian:
Under a special state secrets bill expected to pass on Friday, public officials and private citizens who leak "special state secrets" face prison terms of up to 10 years, while journalists who seek to obtain the classified information could get up to five years.

Critics of the new law say it marks a return to the days of prewar and wartime Japanese militarism, when the state used the Peace Preservation Act to arrest and imprison political opponents.

"It is a threat to democracy," said Keiichi Kiriyama, an editorial writer for the Tokyo Shimbun newspaper, adding that the legislation would "have a chilling effect on public servants, who could become wary about giving the information" to journalists...

Abe, who does not have to fight an election for another three years, is expected to push ahead with his nationalist agenda, including constitutional reforms that would end the military's purely defensive role.

The secrecy bill's hasty passage through the lower house has been marked by noisy public demonstrations and opposition from journalists, lawyers, politicians, academics and scientists, as well as film directors and manga artists concerned about freedom of expression...

"There are few specifics in the law, which means it can be used to hide whatever the government wishes to keep away from public scrutiny," said Mizuho Fukushima, an opposition MP.

"In its current form, the prime minister can decide by himself what constitutes a secret."
Matthew Carney, "Critics fear Japan's democracy is 'regressing' as government introduces laws to keep state secrets," Australian Broadcasting Company:
In 2009 investigative journalist Masakatsu Ota uncovered a top secret deal between Japan and United States that allowed nuclear weapons to be brought into Japan during the Cold War...

"A key person in government confirmed it for the first time and the reports triggered an inquiry," he said...

Under the new secrecy laws exposes like Ota's will be much harder to do...

Experts have described the laws as extreme and part of prime minister Shinzo Abe's wider agenda to revise Japan's constitution...

Law Professor Lawrence Repeta from Tokyo's Meiji University said the government had a lot of power.

"They say the right to freedom of speech should only be respected when it doesn't disturb public order," he said...

The majority are against the laws and at protests across the country over the weekend people called for them to be scrapped...

Another protester said Japan was heading back to its militarist past with these new laws.

"When Japan headed to militarism, people were arrested if they showed opposition, that's the scariest thing. Democracy has not matured yet, but it's been developing and I want to stop this move," the protester said.

Already the government is set to classify half a million documents as state secrets.

Critics have said the real danger of these laws will see the government ultimately deciding what is secret and the definitions can be vague.
"Protest statements issued as state secrets law takes effect," via Asahi:
Organizations representing journalists, legal experts and the entertainment industry issued statements calling for the abolishment of the state secrets protection law that they say will trample on the people’s right to know...

The Japan Congress of Journalists’ statement issued on Dec. 9 said the law would “cover the people’s eyes, ears and mouth and usurp their freedom of the press and speech.”

The statement listed a number of problems with the law: the range of documents classified as state secrets could expand without limit; the government can continually extend the period a document is classified as a state secret; and journalists and human rights activists could be punished under the law.

The Japan Civil Liberties Union, consisting of lawyers and legal scholars, issued a statement on Dec. 8 protesting the law because “it inappropriately restricts citizens’ right to know.”

...A group of individuals connected with the movie industry, including directors Yoji Yamada and Isao Takahata, also issued a statement Dec. 9 calling for the law’s annulment...

The statement also touched upon the history of the movie industry before and during World War II when the government forced the production of movies that supported Japan’s war effort.

The statement was made “from a strong feeling of creating a society that never again goes to war and to never again be complicit in the production of movies that stir up war sentiment.”
Foreign Correspondents Club of Japan Freedom of the Press Committee Japan Investigative Journalism Awards and Special Freedom Of Press Prizes Press Release, December 10, 2014:
Reporters Without Borders has called it, “an unprecedented threat to freedom of information.” The organization’s World Press Freedom Index for 2014 has just dropped Japan to number 59 on its list, below countries like Serbia and Chile. This marks a precipitous fall; Japan was ranked as high as 22 in 2012. Clearly, even international observers are becoming increasingly concerned about the direction of media freedom here.

The law provides for prison terms of up to ten years, not only for government insiders who leak information regarded as “secret,” but also for those, including journalists, who encourage them to do so. In other words, according to experts, even asking persistently about a “secret” could be a crime punishable with up to five years in jail.

The secrecy law, unprecedented in Japan’s postwar history, was forced through the Diet over the objections of critics who pointed out its many deficiencies. While the law was still under consideration, the FCCJ released a statement expressing our concerns...
-JD

Monday, November 17, 2014

Filmmaker Hayao Miyazaki: "Demilitarization of Okinawa is necessary for peace in East Asia"

(Image: Ryukyu Shimpo)


Toshinobu Nakazato, a former Speaker in the Okinawa Prefectural Assembly, has initiated a postcard campaign to support the All-Okinawa Movement to halt the plan to landfill and build an offshore and military port over the coral and dugong habitat at Henoko, Okinawa.  

89 mainland Japanese celebrities have replied, including anime director Hayao Miyazaki, who wrote, "Demilitarization of Okinawa will be necessary for peace in East Asia."

Saturday, October 25, 2014

Targeted Village, The Vacumn Zone, One Shot, One Kill showing at peace film line-up at Keio University


Peace Cinema - Keio University, Mita Campus, Tokyo - this fall. 

Oct 29 - Chie Mikami's Targeted Village -- follows the history of forced V-22 Osprey testing & training in Okinawa. 

Nov. 25 - Shinkû chitai (The Vacumn Zone) - Satsuo Yamamoto's 1952 film based on Hiroshi Noma's celebrated postwar novel. Called "the strongest anti-military film ever made in Japan...an exposé of the brutality and corruption of the Japanese army shown in its most revolting form" (Anderson and Richie, The Japanese Film). The story shows the life of a soldier who is reintegrated into the Imperial army after serving a prison term for theft. Surrounded by corrupt officers and comrades, he finds the military, with its systematic dehumanization, an even lonelier "no man's land" than prison. 

The film—like Twenty-Four Eyes, Keisuke Kinoshita's 1954 film based on Sakae Tsubo's 1952 novel of the same name—was one of many Japanese antiwar films made during the postwar period.  (Most of Japan's antiwar films are unavailable with English subtitles. Twenty-Four Eyes—which follows the story of a school teacher and her students during the period of heightened militarization from the 1930's through the Pacific War, and its aftermath—is an exception; released by Criterion.)

Dec. 17 - One Shot, One Kill - A documentary by Yukihisa Fujimoto that explores how the military breaks down the civilian values of young people, turning them into soldiers who will follow orders and kill.

Thursday, August 14, 2014

Struggle for the Soul of Okinawa: "I saw so many military boats in the sea around 7 a.m. It reminds me of 1945."

Henoko on August 14, 2014. (Photo: Chie Mikami on FB)

Film director Chie Mikami on August 14, 2014, on location at Henoko : "I saw so many military boats in the sea around 7a.m. It reminds me of the history of Okinawa, year: 1945."

Today the Japanese government sent a military flotilla to Henoko, Okinawa, to put up buoys and patrol an "exclusion zone" in their plan to force drilling, dredging, landfill, and construction of a US military base at the the Sea of Henoko.  Observers said there were so many vessels, they were uncountable.

Japanese military flotilla surrounds the Sea of Henoko - August 2014. (Image: Ryukyu Shimpo)


US amphibious assault on Okinawa in 1945. 

Local residents have been protested and staved off repeated attempts military base construction at the dugong habitat and coral reef—the most biodiverse and best in Okinawa—since 1962. The current struggle has been ongoing for 18 years.

They are led by the Henoko elders, child survivors of the Battle of Okinawa, the Pacific War's worst battle, and the only battle fought on Japanese territory.  In 1997, they created the “Inochi o Mamoru Kai” (Society for the Protection of Life) to oppose the destruction of the Henoko Sea, which fed them during the Battle of Okinawa, when there were no other food sources. The dugong and the sea both reflect and symbolize the Okinawan core value of Nuchi du Takara: the sanctity of life and the right to life for nature that nurtures life, and human right to live in peace.

85-year-old Fumiko Shimabukuro speaks at a June 28 rally at the Henoko Tent City sit-in. 
During the Battle of Okinawa, she suffered burns from American flamethrowers 
while hiding in a small cave with members of her family and three other families. 
Mrs. Shibakukuro joined the Tent City sit-in on the beach in 1996, when the plan was first announced.
 Mrs. Shimabukuro told the media in Dec. 2013, “This (approval) is not the end. As long as I am alive, 
I will continue to fight the government’s plans." (Photo: New Wave to HOPE)]

The islands have only been a part of Japan only since the late 1800s, when the Meiji government seized the Ryukyu Kingdom and renamed it Okinawa Prefecture. At the end of the Pacific War, knowing defeat was inevitable, the Japanese militarist government used Okinawa as a sacrificial pawn in a battle of attrition against the U.S. The fighting destroyed all the material culture on Okinawa Island and killed around 140,000 Okinawans, one third of the Okinawan population. After the San Francisco Peace Treaty and the U.S.-Japan Security Treaty were signed in 1951, Okinawa Prefecture was under U.S. military rule until 1972.  While Okinawa constitutes only 0.6 percent of Japan's land area, more than 70 percent of U.S. military bases in Japan were built there. Even after reversion to Japanese rule, the military bases remained.

Okinawans are comparing the forced expansion at Henoko not only to 1945, but also to the traumatic "Bayonets and Bulldozers" period of the 1950's, when the US military used coercion and violence to seize entire villages, the best farmland, the best coastland, utaki (sacred sites), and ancestral tombs throughout Okinawa prefecture to make way for  base expansion. Both Futenma in the middle of Ginowan City and Camp Schwab next to Henoko were built on forcibly acquired Okinawan private property.

This was also the period that the all-Okinawan nonviolent movement began. 250,000 rallied on June 30,1956 in Naha and Koza (Okinawa City). The Japanese and international media covered the struggle, generating global attention. The then president of the American Civil Liberties Union sent a letter to the US Army asking it to halt land seizures and related human rights violations. Most of this history has been buried outside of Okinawa. However the Battle of Okinawa and "Bayonets and Bulldozers" remain a living part of the present for Okinawans who see the ongoing struggles as not new "anti-base" protests, but, instead, part of the latest chapter in a seventy-year struggle for property rights, human rights, environmental protection, democracy and peace in the islands of Okinawa.

Okinawan women protest US military seizure of their homes and land in Isahama (Ginowan) in July 1955.
Between 1954 and 1955, the US military forced owners from their property Isahama, 
to make way for the construction of Camp Zukeran, a training base and launchpad for the US war in Vietnam. 
(Photo: Okinawa Prefectural Government)).

In 1957, the US Army constructed Camp Schwab on land acquired by coercion that the Japanese government "leases" for the US  from local owners. The 5,000-acre base is used for live-fire and amphibious assault training, and the 300-acre Henoko ordnance depot, stores ammunition for most of the U.S. Pacific command.

In 1962, the US government began bombing the coral reef to build a military port. This blasts killed large numbers of fish and marine life.  Local resistance halted the destruction then (and again in 2004, the last time the Japanese government attempted a forced construction).

During the US military build-up in Okinawa during the Vietnam War, outsider organized crime gangs came to Henoko to open more bars and brothels. Members of the military trafficked drugs from Southeast Asia and sold military property in the black market. There were two discrete worlds in Henoko: the traditional fishing and farming village and a foreign wartime military subculture, serviced by a seedy, parasitic organized criminal subculture. Locals don't want to see the latter resurrected again, which would happen if the base construction continues.

Okinawan author Tatsuhiro Oshiro has written about Okinawa as a "sacrifice zone" where state power imposes sacrifice upon the weak.  In 2011, Oshiro published Futenma yo (To Futenma), a book of short stories that explores the human consequences of governmental abuses of power. In the first story, Oshiro addresses the history of Futenma through a family whose home and land was taken to expand the training base. The story ends with the heroine continuing to perform a traditional Ryukyu dance although the musical accompaniment is drowned out by the noise from U.S. aircraft training. Her determination symbolizes local Okinawan culture that refuses to be defeated by the heavy oppression of military bases. Oshiro explains. "My intention was to write about the identity of the Okinawan people who want to weave our history together and regain the land that's steeped with memories."

Oshiro's story also reflects the roots of the fierce struggle over Henoko, which may be viewed as an ongoing chapter of a continuation of the post-1945 struggle of Okinawans, a traditionally pacifist people, for recovery of local determination of their land and society.  Postwar U.S. military rule followed the Imperial Japanese pattern of using force to impose a militarist culture upon the islands.

Okinawans are fighting for their soul at Henoko, a place steeped in what little of traditional Okinawan culture survived: the living sea and the living Okinawa dugong, a cherished, sacred icon. After the Pacific War's destruction of almost all material culture, all that was left was the natural environment and intangible culture. The dugong and the sea, symbols Nuchi du Takara, the sanctity of life and the right to life for nature that nurtures life, and human right to live in peace are cultural forms of the Okinawan message to the world for 70 years, their dedicated witness for Nuchi du Takara was borne out of the wartime devastation they suffered because of a Japanese war with the United States.

Like Hiroshima and Nagasaki, Okinawa has become a focus for the study of peace because of the Battle of Okinawa, and  because Okinawans continue to appeal for relief from U.S. military bases and US military expansion in their prefecture. Former Governor (1990-1998) Masahide Ota, a child survivor of the battle, created  Okinawa International Peace Research Institute to study war and peace,  to introduce traditional Okinawa peace culture to the world, to lead Okinawa's transformation to an "island of peace," and build a global peace network, and to promote positive peace, peace education, and a peace economy.

Upper House Member of Parliament, Ms. Keiko Itokazu, 
protesting the Japanese government's installation of buoys to create an exclusion zone 
for drilling into and landfilling over live coral and dugong habitat at the Sea of Henoko.

Henoko residents had been supported by an all-Okinawa political coalition until late last year, when under claimed duress by the Japanese government, the current governor broke his 2010 campaign promise to protect Henoko, and signed an approval for landfill that was predicated on environmental protection information certified by engineers, not marine biologists or ecologists.

However, this summer the movement regrouped at the "All-Okinawa Conference" held in Ginowan City on July 27, to an overflowing crowd, under the banner:  “Stop the Enforced Henoko Works - Okinawa United in Resolve."  Takazato Suzuyo, who has long been involved in the movement for human rights and against base and military-related violence against women, issued a call, “At this gathering of people from all over Okinawa let us affirm our determination to really stop Henoko!”The conference resolution concluded:
We reject any future for Okinawa that would continue to be dominated by the bases. It is our duty to pass on to our children an Okinawan future full of hope and we have every right to build freely and with our own hands a truly Okinawan caring society.
July 27 "All-Okinawa" conference in Ginowan City. (Photo: Ken Shindo on FB)

Henoko residents have also been long supported by global peace, democracy, faith-based, and especially environmental advocates who repeatedly praise the wetlands, mangrove forests, rivers that make up the unique and delicate biodiversity of the Sea of Henoko's ecoregion. Its coral reef, the best in Okinawa, is renowned among marine biologists for its vitality and unique species. Most of the coral reefs at Okinawa Island are dead from landfill, pollution, and disease. The Sea of Henoko also has the largest and best seagrass beds, thus habitat, for the Okinawan dugong. The adjacent Sea of Kayo also has seagrass beds, but they're small, and planned landfill and base construction would degrade and eventually destroy them.

 
The dugong, a sacred icon, is of great cultural and historical significance in Okinawa.
(Image: Ryukyu Postal’s stamp to commemorate the Okinawa dugong's designation 
as a natural monument in 1966 (Via Save the Dugong Campaign Center)

In 1955, the Okinawa dugong, a revered and sacred animal for native Okinawans, was designated as a protected cultural monument by the autonomous Ryukyu Prefecture. Since 1972, the species has also been listed by Japan's federal government as a "natural monument" under the country's Cultural Properties Protection Law. It is also protected by the U.S. Endangered Species Act.

Because of the historical and cultural importance of the critically endangered dugong, In 2004, the American environmental law firm, Earthjustice, on behalf of Okinawan, Japanese, U.S. environment protection groups, and Okinawan residents filed a federal lawsuit , the "Okinawa Dugong versus Rumsfeld," in San Francisco, asking for protections for the dugong, under the National Historic Preservation Act. The case  is still open; a 2008 ruling required the defendants to negotiate with the plaintiffs regarding environmental issues and protection of dugong habitat. The plaintiffs are still waiting for this discussion. Therefore on July 31, Earthjustice filed a new lawsuit in the same court,  asking the US government to halt construction plans.

Background: 

"Okinawa’s “Darkest Year: The Battle of Okinawa, 2014," Gavan McCormack, The Asia-Pacific Journal, August 18, 2014.

“All-Okinawa Conference” Formed at Meeting of Over 2,000 People," Urashima Etsuko, The Asia-Pacific Journal, August 18, 2014.

”Assault on the Sea: A 50-Year U.S. Plan to Build a Military Port on Oura Bay, Okinawa,” Satoko Norimatsu, The Asia-Pacific Journal, July 5, 2010.

"Dugong Swimming in Uncharted Waters: US Judicial Intervention to Protect Okinawa's"Natural  Monument” and Halt Base Construction,"Hideki Yoshikawa, The Asia-Pacific Journal, Feb. 7, 2009.

” A message from Save Life Society, society for protection of all lives and livelihoods, Henoko, Okinawa, Japan,” June 26, 2008.

“Okinawan Dilemmas: Coral Islands or Concrete Islands,” Gavan McCormack, JPRI Working Paper No. 45: April 1998.

Saturday, July 19, 2014

Charlie Madison: "War is always fought for the best of reasons...We will never end wars by blaming ministers & generals & war-mongering imperialists & all the other banal bogey."

"It's not war that's insane. It's the morality of it. It's not greed and ambition that makes war. It's goodness. War is always fought for the best of reasons. For liberation or manifest destiny. Always against tyranny and always in the interest of humanity.

So far in this war, we've managed to butcher some 10 million humans in the interest of humanity. In the next war, we'll probably have to destroy all of man to preserve his damned dignity...

We will never end wars by blaming ministers and generals and war-mongering imperialists and all the other banal bogey.  It's the rest of us who build statues to the generals and name boulevards after those ministers. The rest of us who make heroes of our dead and shrines of our battlefields...

We perpetuate war by exalting its sacrifice...It may be generals and ministers who blunder us into war, but the least the rest of us can do is to resist honoring the institution."

- The great American actor James Garner (1928-2014) as Charlie Madison in the great American antiwar film, The Americanization of Emilyreleased in 1964, the same year as Dr. Strangelove and Seven Days in May.

Wednesday, June 25, 2014

Chie Mikami's The Targeted Village exposes Okinawan struggle for human rights, cultural & ecological preservation, democracy, & peace


In this 2013 interview (highlighted again this week at Magazine 9's website and Facebook page), film director Chie Mikami discusses The Targeted Village, a documentary she released last year. It follows the struggle of the residents of Takae, an eco-village in northern Okinawa, over the use of their prefecture for hazardous V-22 Osprey training.

Because of a media blackout—although the protests in Takae have continued since 2007 and related protests against Osprey aircraft in Ginowan City in 2012 were unprecedented—the major media did not cover them.  Mikami said one of the few reports was a 2-minute report on Asahi's evening news.

One reason for this is the Japanese government's pattern of discriminatory treatment towards Okinawa. The prefecture was not afforded the relative peace and democracy that the Japanese mainland enjoyed in the postwar period. From end of the Second World War to 1972, Okinawa was under US military rule, which routinely used force to violate human rights, property rights, and democratic process in Okinawa. Even after "reversion" to Japanese rule, when Okinawans expected their closure, the bases remained, and the pattern of violations of rights and democratic process continued.

Between 1954 and 1955, US military forced owners from homes and rice farms
 in the former village of Isahama, to make way for US military training base construction.
(Photo: Okinawan Prefectural Government)

Okinawan women protest US military seizure of their homes and land in Isahama (Ginowan) in July 1955.
(Photo: Okinawa Prefectural Government)

Futenma in Ginowan City was built on land the US military forcibly seized from farming villagers during the Battle of Okinawa, and Camp Schwab in Henoko was built on farms and coastal property forcibly acquired during the 1950's period of military base expansion known in Okinawa as "Bayonets and Bulldozers." These communities are among many throughout Okinawa which experienced the same pattern of violent land acquisition. The ongoing struggles in Takae, Ginowan City, and Henoko are not new "anti-base" protests, but instead part of the latest chapter in a seventy-year struggle for property rights, human rights, ecological and cultural preservation, democracy, and peace in the islands of Okinawa.

In Myth, Protest, and Struggle in Okinawa,  Miyume Tanji writes:
In July 1955, one of the US military's most brutal land seizures happened in Isahama [a rice farming village in the Ginowan district], in central Okinawa...Anticipating the forced acquisition of their hamlet, farmers had formed a landowners' committee, & prepared for resistance...thousand of supporters from all over the Island came to protect the farmers in Isahama from the US forces. Kobuka Kotara...who was supporting the Isahama farmers' struggle, recalls....

"At around 3 am, when most supporters of the resistance had gone home, there were only 200-300 hamlet residents left. Slowly, one after another, bulldozers with their headlights off and military trucks filled with armed soldiers entered the hamlet. Off the coast, I could hear the sound of pipelines being connected to a military vessel to drain in the sand and water taken from the ocean It was just like war. At dawn, all the supporters helplessly watched the paddy fields being destroyed by soldiers across barbed wires. Farmers were still inside the last 32 houses, but were finally dragged out at gunpoint. [All were injured during their removals.] The bulldozers went over and flattened the houses, timbers, and roof tiles of the houses were collected to be discarded in the ocean. Women were screaming at this sight, and I could not help my tears." [quoting Kotaro Kokubo in Moriteru Arasaki, 1995, 63-65]...

Victimization of Okinawan farmers & forceful acquisition of their land was combined with the physical violence inflicted on the locals personally...Violence directed towards the local populace by US military staff, especially rape, revealed the crudest & most brutal aspect of the power relations between the occupiers & the occupied...

US land acquisition in Isahama & Ie-jima & the rape [& murder of 6-year-old Yumiko Nagayama, followed a week later by the rape of another young child by US soldiers] resulted the humiliation of all Okinawans, leading to what Arasaki calls the first wave of the "Okinawa Struggle." ...These rallies became models for mass demonstrations in the community of protest of the future.
Until recently, this history was mostly hidden from non-Okinawans. However widespread popular opposition against US military expansion in Okinawa has increasingly garnered attention beyond the islands of Okinawa, among environmentalists, democracy, peace, faith-based advocates, and military veterans and their family members. In the process, disturbing revelations about past abuses by both the Japanese and US governments have become part of the public discourse on Okinawa. A young Okinawan-American, whose father was an American serviceman, explains her support for the Okinawa movement: "Enough is enough."

Protest Tent in Takae

Takae village is located in one of the most well-preserved tracts in Yanbaru, one of the last surviving subtropical rainforests in Asia.  Environmentalist NGOS worldwide have called for its preservation. The Center for Biological Diversity has highlighted the ongoing threat to the survival of the Okinawa Woodpecker.  The survival of the vlllage of Takae is also at risk. The US military use of Yanbaru for "jungle warfare" training has long been a public nuisance.  During the Vietnam War, villagers in Takae were made to don "Vietcong" dress for war games. Now, deforestation, new helipad construction, and low-level Osprey flight training has brought more concerns about stresses on the sensitive eco-region and the villagers' quiet lifestyle.

Mikami follows the Japanese government use of a SLAPP (Strategic lawsuit against public participation) lawsuit to attempt to intimidate and silence residents from protesting against this destruction of more of Yanbaru and interference with their lives. Last week, the Supreme Court of Japan, often criticized for its politically motivated decisions, ruled against their appeal.

Long-time peace and democracy activist  Mrs. Etsumi Taira,
was forcibly removed from the September 2012 sit-in site at Futenma. 
Mrs. Taira is the wife of Reverend Osamu Taira, an early leader in the peace movement..
(Photo: Tomoyuki Toyozato)

Mikami also discusses the related 2012 struggle over Osprey aircraft training at Futenma air base Ginowan. The notorious base was built in the 1950's in the middle of a community of rice villages, in the middle of the night on forcibly seized private and community property - farms, houses, stores, and schools.  Traces of the demolished villages attest to this past: half-buried tombs stick out from under barbed wire fencelines.

Locals saw the forced deployment of the aircraft as a replay of "Bulldozers and Bayonets" forced military construction.  Many of those pushed out of their homes in the 1950's—then children, now grandparents—led the 2012 protests before they were forcibly removed from the sit-in site. They knew the dozen or so troop carrier aircraft were not sent to Okinawa for the "defense" for the Okinawan or Japanese people, but to justify expensive military contracts. And now they must defend themselves, ironically, from the accident-prone aircraft and training pilots themselves.

Chie Mikami (Photo: Magazine 9) 

The Target Village will be screened in August at Theater Pole-Pole in Higashi Nakano, Tokyo (http://www.mmjp.or.jp/pole2/).

Magazine 9, founded in 2005 to support Article 9, closely covers the Okinawan Movement and other issues related to the Japanese Peace Constitution.

---

June 29 will mark the 7th anniversary of the Takae struggle. 

More Background:

"The Targeted Village - An Interview with Mikami Chie (Director): The Pretense of Justice: Okinawa’s Unneutral Struggle," Yamagata Int. Documentary Film Festival, 2013

WWF "No Helipads in Yanbaru Forest: http://www.wwf.or.jp/activities/lib/pdf/yanbaru0706e.pdf

Voice of Takae: http://nohelipadtakae.org/files/VOT-english2013Oct.pdf

Takae Blog: http://takae.ti-da.net/

"Film details anger of Okinawans against U.S. military bases," Kazuyo Nakamura, The Asahi Shimbun, Sept. 1, 2013. 

"Film depicts Okinawans’ fight against Ospreys," Mika Kurokawa, The Japan Times, Sept. 13, 2013. 

Thursday, April 3, 2014

Die for Japan: Wartime Propaganda Kamishibai (paper plays)





The Abe administration's move—towards political censorship, fuller remilitarization (this week the Japanese government discarded a half-century ban on the export of weapons), and overturning Article 9, the Peace Clause of the Japanese Constitution—has reminded many of prewar and wartime Japan.

Professor Jeffrey Dym's (Sacramento State) terrific Die for Japan: Wartime Propaganda Kamishibai opens a window on popular Japanese culture of that period. The  2012 short documentary film explores how the wartime government appropriated kamishigai, a form of popular Japanese street art, to exhort Japanese people to embrace death during war as a duty to the state.

Dym shows how wartime Japanese propaganda glorified dying for the nation, and, in contrast, American Second World War propaganda glorified killing the enemy.
We live in an increasingly visual culture and I believe it is important for us as scholars to become involved in creating and adding scholarly contributions to it and not just as talking heads in a documentary. Thus, I have embarked on a road I call "visual scholarship."

I would like to announce the publishing of an eighteen minute documentary--"Die for Japan: Wartime Propaganda Kamishibai" (paper plays; 国策紙芝居)--I recently completed. The film examines Japanese propaganda from a unique angle and the film could be used to spark classroom discussion, particularly if paired with an American wartime propaganda film like "Know Your Enemy Japan."
---

Recent posts on Japanese concern about remilitarization:

 "Kenzaburo Oe, Jakucho Setouchi, Masahide Ota found “1000-member committee to prevent Japan from entering wars" (Rally @Hibiya Park, March 20, 2014)" (March 18, 2014)

"Yoji Yamada's Kabei (Our Mother) explores repression and militarization during wartime Japan" (April 2, 2014)

Wednesday, April 2, 2014

Yoji Yamada's Kabei (Our Mother) explores repression and militarization during wartime Japan



Since the Koizumi administration (2001-2006), LDP-run Japanese governments have enthusiastically moved towards increasing political repression (especially freedom of expression), concomitantly with remilitarization (yesterday the Japanese government discarded a half-century ban on the export of weapons). These shifts, reminiscent  of 1930's and early 1940's Japan, have not only triggered concerns in other Asian countries, but has also in Japan: bringing to the surface memories of the build-up to Japan's last war.

This illuminating interview,"YOJI YAMADA: Voice of dissent revives forgotten war memories," by Mark Schilling with an antiwar filmmaker  (published at JT in 2008) reflects these concerns.  (Yamada is renowned in Japan for his 1969-96 film series Otoko wa Tsurai Yo (Tora-san) that follows the romantic ups and downs of a goodhearted peddler;  at a deeper level, the series is an exploration of postwar Japanese society from the perspective of ordinary people living on the economic margins.)  Kabei takes a similar perspective at an earlier time period: exploring how prewar repression and militarization affected the lives of ordinary Japanese individuals and their families.

(Yoji Yamada.Photo: Yoshiaki Miura)

...Based on a memoir by Teruyo Nogami, a script supervisor for Akira Kurosawa for more than four decades, "Kaabee" is a family drama set in Tokyo in 1940-41, when war clouds were darkening and freedom of expression was vanishing.

In the opening scene the father, a scholar of German literature, is arrested on the charge of shisohan (a"thought" crime).

The mother, played by Sayuri Yoshinaga, then has to raise her two young daughters, Teruyo and Hatsuko, on her own, though her art-student sister (Reiko Dan) and her husband's bumbling-but-dedicated former student (Tadanobu Asano) rally to her side.

"Kaabee" is set in the early 1940s, but its themes, including the suppression of dissent, still have relevance today. Was that your main reason for wanting to make this film?

What attracted me first was the childhood memoir by Teruyo Nogami. Her father was actually arrested under the Peace Preservation Law (which had the goal of clamping down on communists, labor activists and opponents of Japan's militarism) and spent time in jail. That's what Japan was like in 1940 and 1941, but Japanese today don't know this. I wanted to rekindle their memories. Those were frightening times, when Japan started the Pacific War with an unstoppable wave.

Can we say the same frightening, out-of-control forces that started that war are absent from Japan today? In 1945 we made what was supposed to be a strong commitment to peace. But now (certain forces) are trying to change the "peace Constitution."

Japan should have remained the one country in the world with no military and a prohibition against war (in the Constitution). Now Japan is going along with America and the Bush administration. I have doubts about whether that's right.

I imagine that the audience in Berlin will understand this theme.

Yes, in the 1930s and 1940s Germany went through similar experiences. We were both fascist countries. It must have been scary to oppose Hitler at that time, so I think the German audience will understand that aspect.

I've seen a lot of Japanese movies about the war, but yours is something different — you focus on one family instead of combatants.

There aren't many films about that specific time. The movies made in the 1940s had to pass military censors, so they don't express any reality. The movies made after 1945 are also lacking in that they don't portray the lives of ordinary people during wartime...

What message would you like people to take away from the film?

When the war ended in 1945, Japan was the loser and there was an international trial. Then (former Prime Minister Hideki) Tojo and other Class-A war criminals were hanged. But in Japan the police had been rounding up people who were opposed to the war and killing them without trial. About 60,000 people were arrested.

In Germany, those who cooperated with the Nazis were tried in German courts, separately from the Nuremberg War Crime Trials. In Japan we didn't have that. The husband in "Kaabee" is basically killed by the police, but the killers weren't put on trial. They brazenly returned to the police force.

Japan made a wonderful postwar Constitution, but no amends have been made for past wrongs. In Germany, the Nazi collaborators were made to pay for what they did; in Japan, a war criminal could became prime minister, such as Nobusuke Kishi, the grandfather of our recent prime minister, Shinzo Abe. There's something strange about that...
The rest of this important interview at the above link.

Monday, March 17, 2014

7th Annual NY Peace Film Festival @NY March 21-23, 2014



Via our friends at the NY Peace Film Festival:
7th Annual New York Peace Film Festival

11 Films - France, Iran, the Gaza strip, Japan, and the U.S. - including two animated shorts, 7 full-length & 26 minute documentary, and the 1952 French anti-war classic, Forbidden Games (Jeux intedits).

Kick-Off Party: Friday, March 21, 2014@ 7:00PM - 9:00PM
RSVP: info@nypeacefilmfest.com

Saturday, March 22, 2014 @12:00 PM - 9:00PM
Sunday, March 23, 2014 @1:00PM - 6:30 PM

at All Souls Unitarian Church
1157 Lexington Ave, New York, NY 10075 (at 80th Street)

Tickets:

Advance Tickets $12 / day - http://nypff2014.eventbrite.com/
$15 / day at the door (cash only)

Ticket is valid for 1 day throughout the program!

PROGRAMS

Day 1: Sat. March 22, 2014 - 12:00pm-9:30pm

12:00pm-1:24pm: Occupy Love (2012) Documentary Feature
Dir. Velcro Ripper followed by Q/A

1:50pm-2:45pm: Brick by Brick (2007) Documentary Feature

2:45pm-3:15pm: A Matter of Pace (2013) Documentary Short
Dir. Bill Kavanagh followed by Q/A

3:40pm-4:50pm: Broken on All Sides (2012) Documentary Feature
Dir. Matthew Pillischer followed by Skype Q/A

5:20pm-6:50pm: The Target Village (2013) US Premier Documentary Feature
Dir. Chie Mikami followed by Skype Q/A

7:30pm-9:30pm: X Years Later (2012) NY Premier Documentary Feature
Dir. Hideaki Itoh followed by Skype Q/A

Day 2: Sun. March 23, 2014 - 1:00pm-6:30pm

1:00pm-2:26pm: Forbidden Games (1952) Classic Feature
Dir. Rene Clement

2:30pm-2:40pm: Tears (2013) World Premier Animation Short
Dir. Yahya Ghobadi followed by Skype Q/A

3:05pm-4:05pm: Where Should the Birds Fly (2013) Documentary Feature
Dir. Fida Qishta followed by Q/A

4:30pm-5:00pm: 663114 (2011) Animation Short
Dir. Isamu Hirabayashi followed by Skype Q/A

5:00pm-6:00pm: Bidder 70 (2012) Documentary Feature
Dir. Beth & George Gage followed by Q/A

For complete description of each films, please go to www.nypeacefilmfest.com

Monday, February 10, 2014

Severn Cullis-Suzuki "Love is the Movement" Japan Tour • Simultaneous screenings of Velcrow Ripper's Occupy Love



"If you can’t fix the environment, please stop breaking it!” Severn said to the world leaders at the Earth Summit in Rio in 1992. She was only twelve years old. A video of her speech presenting environmental issues from a youth perspective went viral, and Severn Cullis-Suzuki became known around the world as “The Girl Who Silenced the World for 5 Minutes." 

Severn, daughter of Japanese Canadian scientist and environmentalist David Suzuki, is now 34-years-old and an environmental activist, speaker, television host and author. She has spoken around the world about environmental issues, urging listeners to define their values, act with the future in mind, and take individual responsibility. 


For the first time in six years, Severn returns to Japan for “Love is the Movement” – a series of talks about the future of the human race in the face of global environmental crisis. Issues covered include the localization movement, the fair trade movement, and other movements that focus on quality of life for our children and future generations. 

Severn Suzuki will be at Kyoto's Ryukoku University on February 21st.
Details (in Japanese) here: http://kokucheese.com/event/index/141937/

Other stops include Tokyo, Nagoya, Kyoto, Fukuoka, and Shiga. 




Simultaneous screening of Canadian filmmaker Velcrow Ripper's Occupy Love, the third film in the inspirational "Fierce Love" trilogy about global grassroots nonviolent environmental and democratic movements. 

Schedule (Japanese):  http://unitedpeople.jp/occupy/jouei

Details on the "Love is the Movement" Tour (in Japanese) here: http://www.sloth.gr.jp/events/sev2014/

All about Severn Suzuki here: http://severncullissuzuki.com/bio
"Love is the Movement" on Facebook (in Japanese): https://www.facebook.com/sev2014

Tuesday, November 26, 2013

Final Staw: "What a Natural Farmer Eats"

(Video: Final Straw)

Via Final Straw, a documentary by Patrick Lydon and Suhee Kang:
This series of 'Short Take' interviews offer sneak peaks of characters from the upcoming documentary film, which explores Japanese natural farming and the relationships between people and the environment.

This time around, we meet Osamu Yoshino, a natural agriculture farmer, and Keiko Domae a food activist who started one of Japan's first Community Supported Agriculture (CSA) networks. These two individuals worked together to build a successful natural farm by fostering a strong consumer awareness of the relationship between food, farm, and people...

Natural Farming was brought to the modern day agricultural world by two Japanese farmers, Masanobu Fukuoka and Mokichi Okada, and since its introduction has been slowly making its way into communities around the world who wish to create a more sustainable life, and to create closer connections with the land in our towns and cities.

More about Final Straw:
Due for initial screening in Spring of 2014, Final Straw is a cinematic exploration of Japanese natural farming, and...individuals who offer simple solutions to modern issues of sustainability, both on the farm and in the city. The film interacts with a cast of office workers, chefs, musicians, and farmers alike, all of who are students of the late Japanese farmer/philosopher, Masanobu Fukuoka.

It all started on a small mist-covered mountain farm in South Korea, and continued to include over 20 natural farmers in East Asia and the USA...And today, with over 1/2 of the world’s population living in urban areas, it seems we need to revisit this connection with nature more than ever before.
More about Osamu Yoshino, Keiko Domae, and the development of CSA in Japan:

Natural Agriculture farmer finds locating a market more challenging than letting go of chemicals (Lisa M. Hamilton, Newfarm.org, Feb. 13, 2004)

Tuesday, November 19, 2013

Restoring the Soil, Restoring Ourselves: Yoshikazu Kawaguchi

Great photography and content about Yoshikazu Kawaguchi 
at filmmaker and photographer Patrick M. Lyndon's website
 Lyndon's and Suhee Kang's film, Final Straw, 
explores natural farming in Korea, Japan, and the U.S.

Ted Taylor's beautiful essay at KJ, "Even in 'Just Enough' There is Abundance," follows farmer Yoshikazu Kawaguchi's return to traditional organic farming and the development of his natural philosophy:
In fact, all life in the natural world is lived, as demonstrated in the interrelationship of all living things. Plants cannot exist without animals, and vice-versa. If there is good harmony between the organisms, plants, and animals, the cycle of life continues. As a farmer, Kawaguchi's role is simply to nurture this natural order, by cutting the weeds back just enough so that new rice shoots can grow, but later her allows the weeds to grow along with the rice in harmony. This leads to wholeness, with everything living together.
Final Straw, an upcoming documentary by Patrick M. Lyndon and Suhee Kang, also explores Kawaguchi's world  (and that of Seonghyun Choi and other natural farmers in Japan and Korea):



Environmental artist duo Patrick Lydon and Suhee Kang... are now in the final post-production stage for the Final Straw documentary. Due for initial screening in Spring of 2014, Final Straw is a cinematic exploration of Japanese natural farming, and a philosophical ride through the minds of amazing individuals who offer simple solutions to modern issues of sustainability, both on the farm and in the city. The film interacts with a cast of office workers, chefs, musicians, and farmers alike, all of who are students of the late Japanese farmer/philosopher, Masanobu Fukuoka.

It all started on a small mist-covered mountain farm in South Korea, and continued to include over 20 natural farmers in East Asia and the USA. The Final Straw is a story about food, life, and philosophy from individuals who have a great deal of delicious secrets, and a great deal of wisdom to impart about life. Yet, while the Final Straw is a deeply rooted exploration of natural farming, it’s also a film which teaches equally as much about how to live life as it does about how to grow healthy food. And today, with over 1/2 of the world’s population living in urban areas, it seems we need to revisit this connection with nature more than ever before.

Over the past 100 years, our gradual reliance on industry and separation from the natural world have pushed us into the most epically unsustainable and unhealthy time period yet known to humanity.

Food and diet have quietly become the leading cause of death in the U.S., and on a world scale, intensive chemical-based industrial agriculture have caused the deterioration of billions of acres of farmland, the starvation of millions of human beings, and the loss of over 75% of our planet’s agricultural diversity.

The destruction of natural resources continues at an alarming rate, and both governments and food producers are looking for answers to questions of human health and ecological sustainability, with a multi-billion dollar industry leading the charge to find the most economically profitable answer.

It’s slightly amusing then, that that on a few small farms tucked away in the mountain valleys of Japan and South Korea, Patrick and Suhee found a very simple 4,000 year-old answer to this very perplexing modern question.

Tuesday, November 12, 2013

7th Organic Film Festival - Tokyo - Nov. 23-24, 2013


Via Organic Consumers Union:
The 7th organic film festival will be held in Tokyo on November 23-24, 2013.

This will be a great opportunity to catch up with recent trends and watch documentaries from Japan and abroad. The theme this year is “Holding on to the Soil” to reflect the hardships many farmers are experiencing, with special focus on Okinawa and Fukushima.

Location: Hosei University, Sotobori Campus (between Iidabashi and Ichigaya stations on the Sobu line)

Tickets: 1800 Yen (pre order) 2500 Yen ( at the entrance)

For more information please check the official website (J): http://www.yuki-eiga.com/

Sunday, October 27, 2013

Japan as Number One in Radiation Education: Lessons for the World

"Children taught radiation studies: Nuke education now compulsory subject in schools in Fukushima" 
(Story and Photo: Mizuho Aoki, JT, March 24, 2012)

Today Martin Frid at Kurashi reminds us that Japan is now number one in the world in radiation education.

The Japanese educational system should have been number one in radiation education starting in 1946, when Japan's grassroots nuclear-free movement began, amidst US Occupation censorship of news about the consequences of radiation fallout from the nuclear bombings of Hiroshima and Nagasaki.

When the US Occupation ended in 1952, the Japanese nuclear-free movement gathered more steam, especially after the March 1954 irradiation of the fishing boat, "The Lucky Dragon #5," by fallout from the US hydrogen test bombing of the island of Bikini in the Marshall Islands.  Outrage increased after people learned irradiated tuna was sold and eaten in Japan.  The explosion provided the initial scenes of the film quasi-sci-fi film Godzilla which premiered eight months after the bombing.

With the raw hindsight of 3/11, it's astonishing to realize that Washington was able to explode 105 nuclear test bombs in the Pacific from 1946 to 1962, vaporizing entire islands, irradiating the Asia-Pacific region, and, simultaneously, in partnership with the Japanese postwar political establishment, was able to overcome the nascent Japanese nuclear-free protest movement, and successfully promote the idea of nuclear energy production as "safe." How did nuclear industry promoters subdue awareness and concern in Japan about the dangers of nuclear radiation?

Yuki Tanaka and Peter Kuznick detail how Washington's "Atoms for Peace" program worked to counter the widespread perception of the dangers of nuclear radiation in Japan.  This program was especially calculated to obscure the memory of the nuclear bombings of Hiroshima and Nagasaki. Atomic Energy Commissioner Thomas Murray and a US congressman even proposed that Japan's first nuclear energy plant be built in Hiroshima to push the images of radioactive carnage out of the Japanese public mind.  The Washington Post seconded their idea:
Many Americans are now aware … that the dropping of the atomic bombs on Japan was not necessary. … How better to make a contribution to amends than by offering Japan the means for the peaceful utilization of atomic energy. How better, indeed, to dispel the impression in Asia that the United States regards Orientals merely as nuclear cannon fodder!"
Japan's first nuclear power plant was not built in Hiroshima, of course, but The Daily Yomiuri's traveling exhibition "The Peaceful Use of Nuclear Energy” did make a stop in the atom-bombed city in 1958, incredibly with the support of the Hiroshima establishment:
Although in other cities the exhibition was sponsored exclusively by the Yomiuri with the assistance of the U.S. Information Service, in Hiroshima co-sponsors also included the Hiroshima City Council, Hiroshima Prefectural Government, Hiroshima University, and the Chugoku Newspaper... All praised the promotion and application of this new powerful energy.  By contrast, many A-bomb survivors were skeptical and cautious about this non-military application of nuclear power, claiming that there was still no solution to the problem of managing radioactive materials produced by operating nuclear power reactors.
The newly completed A-bomb Museum building in Hiroshima was even used as the pavilion for the  exhibition:
Thus, in the same building, exhibits related to the devastation caused by the atomic bombing were displayed together with various dream-like applications of nuclear energy.  Such things as nuclear powered planes, ships and trains, as well as medical, agricultural and industrial uses of radioactive materials were displayed.
Hundreds of thousands of people throughout Japan, including 155,000 in Kyoto, visited the exhibition when it stopped in their cities. However, nuclear-free activists, including many Hibakusha, and some media, notably The Mainichi, countered:
First, baptism with radioactive rain, then a surge of shrewd commercialism in the guise of 'atoms for peace' from abroad. 
Nuclear power propaganda efforts continued, and the nuclear industry made inroads by the 1960's. In 1966, Tokai, Japan's first nuclear power plant began operating, and in the 1970's, nuclear plants were constructed throughout the archipelago.  The nuclear reactors at Fukushima Daiichi are from this era.

Even throughout the heyday of nuclear boosterism, the Japanese nuclear-free movement stayed strong, with notable local successes. The movement strengthened after the Chernobyl meltdown and during the 1990's, a period of numerous nuclear accidents in Japan.

Local communities, Japanese civil society and nuclear-free activists stopped the construction of nuclear power plants, notably in Iwaishima, where the Chugoku Electric Power Company has attempted to build a nuclear power plant in the Inland Sea National Park. In 2006, musician Ryuichi Sakamoto and  Greenpeace launched an international awareness project protesting the Rokkasho [plutonium] Reprocessing Plant under a campaign called "Wings of Peace – No more Hiroshima Nagasaki."  Japanese nuclear-free activists warned of the risks at Fukushima Daiichi long before 3/11.


Gavan McCormack says it's no longer possible to kick Japan's radioactive cans down the road in "Japan as a Plutonium Superpower."  He suggests a way forward for Japan (and the world) in "Hubris Punished: Japan as Nuclear State."  It's the same choice that Japanese nuclear-free,  carbon-free, renewable energy, energy conservation, organic, and Slow Life advocates have been calling for and working towards: turning the ongoing disaster into a time of change towards a sustainable future.
Successive generations of Japan’s bureaucratic, political, corporate, and media elite have insisted that Japan pursue the nuclear power path at all costs. In retrospect, they drove the country forward, as the elite of the Kwantung Army drove it in the pre-war era, towards disaster, ignoring, coopting, or crushing all opposition. Only now, facing the costs—human, environmental and economic—the long-postponed debate opens...

What is called for, in short, is the reversal of a half century of core national policies and the switch to a renewable energy system beyond carbon and uranium.  Such a strategic decision, turning the present disaster into the opportunity to confront the key challenge of contemporary civilization, amounts to a revolutionary agenda, one only possible under the pressure of a mobilized and determined national citizenry.

At this crucial juncture, how Japan goes, the world is likely follow. The challenge is fundamentally political: can Japan’s civil society accomplish the sovereignty guaranteed it under the constitution and wrest control over the levers of state from the irresponsible bureaucratic and political forces that have driven it into the present crisis?
---

Background:

"Children taught radiation studies: Nuke education now compulsory subject in schools in Fukushima" (Mizuho Aoki, JT, March 24, 2012)

Anti-Nuke Who's Who (Citizens' Nuclear Information Center, Tokyo)

"The Kaminoseki Nuclear Power Plant: Community Conflicts and the Future of Japan’s Rural Periphery" (Tomomi Yamaguchi, The Asia-Pacific Journal, Oct. 10, 2011)

"Japan, the Atomic Bomb, and the “Peaceful Uses of Nuclear Power” (Yuki Tanaka and Peter Kuznick, The Asia-Pacific Journal, May 2, 2011)

"Hubris Punished: Japan as Nuclear State 驕れる者は久しからず−−核国家としての日本" (Gavan McCormack, The Asia-Pacific Journal, April 18, 2011)

Japan's Once-Powerful Nuclear Industry is Under Siege" (Caroline Fraser, Environment 360, March 17, 2011)

Japan as a Plutonium Superpower" (Gavan McCormack, The Asia-Pacific Journal, Dec. 9, 2007)

"The Power of Protest: The campaign against nuclear weapons was not simply an ideological movement; it was a potent political force"  (Lawrence Wittner,  Bulletin of Atomic Scientists, July-August 2004)