#risewithhenoko: "Our Island's Treasure" tells the story of Henoko, Okinawa's elders' struggle to save their sacred coral reef and dugong ecosystem for future generations

Our Island's Treasure (私達の島の宝) from Kaiya Yonamine on Vimeo.

#RiseforHenoko - Kaiya Yonamine of Global Uchinanchu Alliance　グローバルうちなんちゅ同盟: May 31, 2019 - asks that supporters of Henoko's coral reef and dugong ecoregion and advocates of planetary survival, please spread, and share the link to her documentary film “Our Island’s Treasure” Documentary ドキュメンタリー映画「私達の島の宝.  Please tag environmental orgs, human rights and indigenous rights groups, media and teacher groups.

“Our Island’s Treasure" tells the story about the indigenous Uchinanchu people's fight to protect their sacred dugong and coral reef ocean in Henoko, Okinawa from Japanese government landfill and construction of an offshore US military training airstrip and port (over an ecoregion covered with quicksand pits which will take years to reinforce, if possible, and an earthquake zone).

Frustrated by the lack of media coverage of the Okinawan 22- year struggle to save Okinawa's last intact, healthiest and most biodiverse coral reef and best dugong ecosystem, mother and daughter team, Moe and Kaiya Yonamine, made and sold thousands of cookies and paper cranes to raise funds to pay for flights and to stay in Okinawa.  They went to Henoko to support their elders

"This is one of the most biodiverse ocean regions on the planet and [Japanese and U.S. governments'] destruction is being done against the democratic will of the Okinawa people who voted vehemently against it," explains Moe Yonamine.

"Nonstop, our island’s people—with their bodies—are blocking construction trucks on land at sit-ins and die-ins, and—with their bodies—on kayaks, are blocking construction ships in the ocean — mostly led by hundreds of now elderly child survivors of the Battle of Okinawa," Yonamine adds.  (The air, sea, and ground fighting between Americans and Japanese in Okinawa was the bloodiest battle in their 4-year war in the Asia-Pacific.)

Kaiya Yonamine, a 17 year-old, 2nd generation Uchinanchu living in Portland, Oregon, released the trailer for her film on Earth Day.

"This documentary aims to show the fight of the elders and youth on the ground fighting to protect our ocean in Henoko and the interviews taken just weeks ago while we were there. Singing along with an old island song that I sang to her as a little girl,  and one that my grandmother sang to me, she shares  it in our indigenous language and with our indigenous instrument," Yonamine describes the beautiful song in the video trailer.

Please watch and share her trailer and HELP DISRUPT THE MEDIA SILENCE on the Sea of Henoko (not just a "less populated area in the north") but, instead, Okinawa's last intact, healthiest, most biodiverse, millennia-old coral reef, and best dugong seagrass habitat. Okinawans and their worldwide environmentalist, peace, and democracy supporters have been working for 23 years to save the Sea of Henoko.

Partial trailer transcript:

"Beautiful Sand. Proud People. Living along sparkling ocean waves. Ancient history of kings and queens. The kingdom overthrown by Japan in 1879. Violence brought upon this peaceful land during WWII.

"After the war, the U.S. put Okinawans in concentration camps while taking land to build bases. On what was left of this tiny paradise (the main island of Okinawa is 70 miles long and 7 miles wide) crammed with 32 bases, burdened with 70% of all U.S. military bases under Japan against the democratic will of the Uchinanchu people.

"Now the construction of a new base has begun. This time, in the ocean...Oura Bay is the name of the ocean that is being destroyed. This is one of the most biodiverse waters in the world bursting with life of over 5,300 species and 262 endangered species that are dependent on the sea. The Jp govt. is actively destroying this ocean. Concrete crushing coral. Using our own red soil to fill the sea. Killing our ocean.

"Kayactivists have been blocking ships. Elders have been staging sit-ins. War survivors have been blocking trucks. Raising fists. Singing island songs. Fighting for our ocean. And the media remains silent. As the destruction continues, our fight continues. We call on you to join us. And protect our ocean. Before we lose it forever."

YOU WILL FIND THE DOCUMENTARY LINK HERE ON FRIDAY, 5/31: Our Island's Treasure

Kaiya explains the urgency of her mission:

"The concrete began to be crushed in the beautiful ocean of Okinawa back in Dec..there was no media in the U.S. about it...I knew that people are fighting with their lives on the line for the ocean, for us, for all of us. So I decided I needed to take a camera and bridge us across the ocean... listening to the stories of people on the ground, I made this documentary to tell the world their story and show their fight -- our fight. The documentary is the result of interviewing Uchinanchu elders and student activists who are doing everything to protect our sacred ocean, even when the media ignores what's happening."

Okinawan American  Moe Yonamine is a teacher in Portland and a co-founder of Global Uchinanchu Alliance　グローバルうちなんちゅ同盟, which seeks to deepen connections between Overseas Okinawans and Okinawans living in their homeland (which includes the sea and all animals and plants living in the sea).

#SavetheDugong: Okinawa Dugong flags for Children's Day 2019 at Wansaka Oura Park, Okinawa

These beautiful  Okinawa Dugong flags for Children's Day at Wansaka Oura Park were made by Mr. Takuma Higashionna, who has memories of swimming with dugongs in the Sea of Henoko, and who is one of the Dugong Lawsuit plaintiffs. The federal lawsuit, initiated in 2003, is now on appeal at the 9th Circuit Court of Appeals in San Francisco.

The plaintiffs have challenged a plan by the  U.S. and Japanese governments to landfill not only Okinawa's last intact, healthiest, and most biodiverse coral reef, but also the Okinawa dugong's most important seagrass feeding ground, despite appeals by Okinawans and their worldwide supporters for 23 years to save the world-class natural cultural heritage ecoregion.

The Japanese government, so far, has ignored a democratic referendum that took place in February this year, in which an overwhelming majority of Okinawa voters opposed the destruction. The Okinawan people are fully supported by Okinawa Governor Denny Tamaki, who succeeded Govenor Takeshi Onaga.  The late Governor Onaga won the governorship, after a campaign supported by the All-Okinawa coalition that bridged conservative and liberal political parties.  Their focus was and is shared Okinawan unity, dignity, and cultural heritage.

Peter Galvin, co-founder of the Center for Biological Diversity, tells us that dugongs, gentle marine mammals (salt water relatives of manatees), EW revered by native Okinawans, and celebrated as “sirens” that bring warnings of tsunamis. The dugong is listed as an natural monument of national cultural significance under Japan’s Law for the Protection of Cultural Properties. Under the U.S. National Historic Protection Act and int. law, the U.S. must avoid or mitigate any harm to places or things of cultural significance to another country.

Mr. Higashionna told Americans while at court in San Francisco that "The U.S. government must realize that the Okinawa dugong is a treasure for Okinawa and for the world.”

Dugongs (also related to elephants as well as manatees) can live for 70 years and grow to nearly 1,000 pounds. In the transparent aqua waters of  Henoko Bay, vast herds of dugongs once grazed peacefully on underwater fields of sea grass. But after decades of active U.S. military war training in the region, possibly fewer than 50 last dugongs now struggle to survive in the formerly idyllic Okinawan islands  — once dubbed the “Galápagos of the East” for its rich biodiversity. Recent surveys showed 3 dugongs living in the Sea of Henoko. Tragically, one was killed in March, and washed ashore covered with abrasions and injuries.

Every year in Okinawa (and Japanese) people display carp flags from late April to early May in celebration of children’s day, which marks the end of Golden Week, a series of holidays that start on April 29, Showa Day, the birthday of former Emperor Showa, who died in the year 1989, May 3, Constitution Day, May 4, Greenery Day and May 5, Children's Day.

30日 4月 2019
ジュゴンのぼりin わんさか大浦パーク
今年で5回目になります。手作りジュゴンのぼり、4月29日にわんさか大浦パークにあげてきました！
今年も、地域のこどもたちや名護市内の保育園のこどもたちに、絵を描いてもらいました。ありがとうございました！！
ジュゴンが大浦湾に戻ってこられますように、と願いを込めて！
かわいいジュゴンたちをぜひ見に来て下さいね！感想もよろしくお願いします。

The Sense of Sacred: Mauna Kea, Hawai'i and Oura Bay, Okinawa

The Okinawan movement to save Henoko and the Yambaru subtropical rainforest is one aspect of a global indigenous movement calling for respect of indigenous cultural heritage, especially natural sacred sites under ongoing threat of destruction.

Indigenous peoples know that sacred sites are centers of collective spiritual and psychological power that go into the past and into the future, connecting generations. Maybe this is why sacred and cultural heritage sites have been targeted for destruction by invading powers for millennia.

In "The Sense of Sacred: Mauna Kea and Oura Bay," published at The Asia-Pacific Journal earlier this month,  Katherine Muzik  compares the similarities between the struggles to save Mauna Kea in Hawai'i and Henoko in Okinawa to introduce William B.C. Chang's analysis of the foreign settler pattern of violating indigenous religious and cultural heritage rights as well as land rights and indigenous human rights:

“Sacred is not necessarily a place. It is a relationship, a deep visceral relationship: beyond reason, beyond law, beyond rationality.”

These words were recently spoken by William B.C. Chang, a University of Hawaii Law Professor, in his impassioned testimony to the UH Board of Regents, about the current conflict on Mauna Kea here in Hawaii.

To the Hawaiians, the Mountain known as Mauna Kea, or Mauna a Wākea, on the Island of Hawaii, is a sacred place. Thus, the proposed construction of the northern hemisphere’s biggest telescope, thirty meters tall (TMT), 18 stories high, on eight acres of the mountain top, costing $1.4 billion, has recently sparked peaceful but ardent protests and occupations by Native Hawaiians, environmentalists and allies across the Pacific. With 13 telescopes already blighting the landscape, the protesters seek to prevent further desecration.

To the Okinawans, the Sea known as Oura Bay, on the Island of Okinawa, is also a sacred place. For nearly two decades, Okinawans have protested its destruction by US/Japan military expansion.

Besides being sacred and beautiful, what else do these two very distant places share? They share history, of illegal takeovers by a foreign power and the subsequent, on-going outrage among the local populations. Locals in Hawaii and Okinawa are deeply angered by the heinous and reckless environmental destruction their islands have suffered. They are frustrated by the destruction that continues, despite prolonged protests. In both cases, illegal land-grabs by the US have resulted in the waste of their natural resources and the disintegration of their cultural identities. However, being sacred, both places continue to inspire passionate and courageous struggles against foreign dominance.

The Hawaiian Islands were once a kingdom, a sovereign nation. In a series of events, the Hawaiian monarchy was overthrown in 1893 by a group of US and European businessmen, ending in annexation as a “Territory of the United States” in 1900. And so too, were the Ryukyu Islands, sovereign. Invaded by Satsuma forces in 1609, they were formally annexed by Japan in 1879 as “Okinawa Prefecture”. After World War 2, the US “acquired” Okinawa from Japan, establishing military bases which have remained and proliferated, destructively, for the last seventy years.

Supermoon over Kyoto, Perseid meteors all month

Supermoon over Kyoto. (Photo: Robert Yellin) 

Asahi: Unique, unknown species living in Oura Bay & Sea of Henoko ("treasure trove" of biodiversity) under threat of destruction, extinction...

A newly discovered species of a parasitic conch 

(Via Asahi, via Diving Team Snack Snufkin)

Erosion, landfill, and mass bleaching of coral has damaged much of Okinawa's coast. Over 90% of Japan's coral is in Okinawa; yet on Okinawa Island, the proportion of live coral is less than 5%.

10 years ago, 889 coral scientists from 83 countries, attending the 10th International Coral Reef Symposium in Okinawa, signed a resolution calling on the govs of Jp and the US to abandon their joint plan to construct a base at Henoko.

Coral reefs and lagoons used to be major source of cultural distinctiveness in traditional Okinawa, as with other indigenous cultures in the Pacific islands. Coral reefs are called the "rainforests of the sea" because they nourish a rich abundance of biodiversity. Worldwide, coral reefs only comprise 0.1% of the global ocean area, yet they contain a quarter of all marine species. Reef-building coral, fish, shellfish, sponges, and other marine life gather to create a unique ecosystem. They are of incomparable value for food and eco-tourism destinations.

Almost 400 types of coral form Okinawa’s reefs, which support more than 1,000 species of fish, marine mammals, including the beloved dugong, and hawksbill, loggerhead, and green sea turtles.

Erosion, landfill, and mass bleaching of coral has damaged much of Okinawa's coast. Over 90% of Japan's coral is in Okinawa; yet on Okinawa Island, the proportion of live coral is less than 5%. This is part of a global trend: coral reefs will become the first ecosystem that human activity will completely destroy by global warming, pollution and landfill, in just a few decades.

The beautiful and vital Sea of Henoko and Oura Bay ecoregion is an exception to the trend of dying coral reefs in Okinawa and the world.

Takao Nogami's Asahi article outlines the incredible (largely undiscovered) biodiversity that will be destroyed if the Japanese and US governments landfill and build an airbase over Oura Bay and the Sea of Henoko:

Researchers are raising new alarms about the ecological threat posed by land reclamation work planned for the relocation of U.S. Marine Corps Air Station Futenma in Okinawa Prefecture in a bay where 10 new species have been discovered since 2007...

...these newly discovered species as well as countless others that still remain unknown could be destroyed forever by the construction work, which would not only reclaim land but also change currents and could adversely impact the coral ecosystem...

The unique structure of Oura Bay is believed to be the major reason many rare species live in the ecosystem...the entrance to the bay not only has a well-developed coral reef, but the area is also shallow. However, the bay becomes deeper, and that unusual structure is believed to allow many unknown species to survive there.

Two rivers empty into the bay and the river mouths are covered in mangrove forests and mudflats. Beyond that area is a wide variety of environments, such as seaweed beds, sandy bottoms, muddy areas and coral reef...the interlaying and connecting of such different environments, each of which has its own ecosystem...

Makoto Kato, chairman of the nature preservation committee of the Ecological Society of Japan, said Oura Bay was especially important because it contains the last coral ecosystem in Japan that has remained relatively undisturbed by human development.

"The presence of unrecorded species, such as huge sea cucumbers, shellfish and crustaceans, is but one example of how valuable that ecosystem is," said Kato, who is also a professor of environmental studies at Kyoto University. "While Japan does not have much in the way of underground mineral resources, its marine biodiversity is its true treasure. Unfortunately, political leaders in Japan do not realize that fact.

"The coral ecosystem and biodiversity of the Ryukyu archipelago is undoubtedly Japan's largest treasure trove, and land reclamation work in such waters would be an act of stupidity that would be irreversible."

Nogami's entire article is a must-read for all interested in marine life preservation.

Marine biologist Dr. Katherine Muzik diving at the Sea of Henoko, the best (one of the few still living) coral reef in all of Okinawa & Japan

Katherine Muzik diving at the Sea of Henoko and Oura Bay, July 2013

10 years ago, 889 coral scientists from 83 countries, attending the 10th International Coral Reef Symposium in Okinawa, signed a resolution calling on the govs of Jp and the US to abandon their joint plan to construct a base at Henoko.

Coral reefs and lagoons used to be major source of cultural distinctiveness in traditional Okinawa, as in other South Pacific islands. Coral reefs are called the "rainforests of the sea" because they nourish a rich abundance of biodiversity. Worldwide, coral reefs only comprise 0.1% of the global ocean area, yet they contain a quarter of all marine species. Reef-building coral, fish, shellfish, sponges, and other marine life gather to create a unique ecosystem. They are of incomparable value for food and eco-tourism destinations.

Almost 400 types of coral form Okinawa’s reefs, which support more than 1,000 species of fish, marine mammals, including the beloved dugong, and hawksbill, loggerhead, and green sea turtles.

Erosion, landfill, and mass bleaching of coral has damaged much of Okinawa's coast. Over 90% of Japan's coral is in Okinawa; yet on Okinawa Island, the proportion of live coral is less than 5%. This is part of a global trend: coral reefs will become the first ecosystem that human activity will completely destroy by global warming, pollution, and landfill, in just a few decades.

The beautiful and vital Sea of Henoko and Oura Bay ecoregion is an exception to the trend of dying coral reefs in Okinawa and the world.

Katherine Muzik via JT on May 2, 2014:

Having lived in Okinawa and worked there as a marine biologist for 11 years, long ago (1981-1988) and more recently (2007-2011), I have dived the entire Ryukyu archipelago from Amami and Kikai in the north to Yonaguni in the south. I can therefore assure you there is no comparable reef ecosystem remaining such as the beautiful reef at Oura. It is indeed miraculous that it is still surviving. Aki samiyo (“Oh my goodness!” in Okinawan)! There is no disease nor bleaching there! It has so far avoided the troubles that continue to plague and destroy coral reefs worldwide, whether in the Pacific or the Caribbean. (I am sure that you are quite painfully aware that reefs all over the world are dying, thus making any coral reef alive anywhere a truly sacred place.)

Oura Bay is a unique and spectacular ecosystem, including mangroves, a river, a sandy beach with crabs, numerous patch reefs in shallow water (where my specialty, blue corals and red sea fans, thrive), not to mention threatened dugongs and all of the species of clownfish in Japan, shallow beds of sea grasses beyond count, and, most amazingly, a very spectacular deeper reef, nicknamed the “Coral Museum,” with countless gorgeous corals...

Crushing these beautiful and quintessential corals just must not, cannot happen...

Last July, I returned to Okinawa from here in Kauai at the request of the Okinawan Environmental Network. I was asked to dive at Oura Bay and to lend my support to its protection. During my visit I met with the mayor of Nago, who is valiantly opposed to construction/destruction at Oura...

I am deeply honored to have met him [the Emperor] and the Empress several times at their palace during the time I lived in Okinawa. He is a marine biologist too, and since his goby fishes often find their home on the branches of “my” octocorals, I collected some for him to study...

Supermoon over Tokyo

Supermoon over Tokyo 
(Photo: Kimberly Hughes) 

Helena Norberg-Hodge: On Earth Day, an Economics for People & Planet

Helena Norberg-Hodge's summary of the clash of two major worldviews we now see in play throughout our planet:

Much has changed since the first Earth Day in 1970. Not only have our ecological crises come into sharper focus, it has also become obvious that we need to rescue not just the Earth, but also its people from the clutches of an economy gone mad. Worldwide, more and more people are recognizing that fundamental changes to that economy are urgently needed if our most pressing problems – ecological, social, economic, and even spiritual – are to be solved. Instead of trying to tackle a seemingly endless list of separate problems, strategic shifts in economic policy would put us on a path that is good for both people and the planet.

Over the past decades, globalization, or the continued deregulation of trade and finance, has created a world dominated by giant banks and corporations. Because governments almost everywhere have catered to their demands, we are now faced not only with global warming, extinction of species and dramatic increases in pollution, but also with financial instability, endemic unemployment, increased conflict, and epidemics of ill health and depression...

We need to move in exactly the opposite direction – away from economic globalization and towards the local. This doesn’t mean eliminating all trade or adopting an isolationist attitude – it simply means shortening the distances between consumers and producers wherever possible....

The localization movement is beginning to bridge the divides between groups that are working to make the world a better place: environmental activists, small business owners, community leaders, educators, social justice campaigners, farmers, workers’ rights advocates, religious and spiritual groups. An exciting, once-in-a-generation coalition is emerging: a coalition that offers real hope for broad-based and lasting renewal.

Read the rest here: http://www.commondreams.org/view/2014/04/22-1

Cherry Blossoms in Hibiya Park

Cherry Blossoms in Hibiya Park, Tokyo (Photo: Kimberly Hughes) 

Cherry Blossoms in Shinjuku Gyoen

Cherry Blossoms in Shinjuku Gyoen, Tokyo (Photo: Kimberly Hughes) 

Vernal Equinox in Kyoto: Weeping Plum Blossoms at Jonangu Shrine

Looking for images of Spring Equinox in Kyoto, and these are the most beautiful: Deep Kyoto's stunning set of photos of weeping plum in full bloom at Jonangu Shrine.

Cherry blossoms in full bloom in Nago, Okinawa

Cherry blossoms in full bloom Nago, Okinawa, 

via Okinawa Outreach on FB. (Photo: Sueko Yamauchi)

John Einarsen: Waking up to snow in Kyoto...

John Einarsen, Kyoto Journal founding editor:

Waking up to snow in Kyoto is one of the best things in life. It is an event, an occasion when the world is totally transformed...

Here is one of my favorite Kyoto spots in the snow—Nanzenji

Still Praying for Tohoku: Uncanny Terrain follows mayoral candidacy of organic farmer in Fukushima

"Uncanny Terrain"  2012-2013 interview footage with Akira Asami, organic farmer in Fukushima

Via filmmakers Junko Kajino and Ed M. Koziarski, at work on Uncanny Terrain, a documentary exploring the lives of organic farmers in Fukushima in the aftermath of 3/11:

Akihiro Asami left his life as a city salaryman to raise his family on a self-sustaining organic farm in the mountains of Kitakata, on the western outskirts of Fukushima prefecture.

When the Fukushima Daiichi Nuclear Power Plant melted down in 2011, Akihiro's wife Harumi evacuated with their two young daughters. Akihiro stayed behind to continue farming. In the face of public fears of Fukushima food, some of Akihiro's neighbors were unable to keep their farms going and moved away. Akihiro found his crops showed no detectible contamination from the fallout. He worked to hold his community together.

In 2012, Harumi and the girls moved back to Kitakata, accepting the risk of exposure over the pain and disruption of separation and displacement.

Akihiro Asami on the campaign trail in the snow

In December, Akihiro announced his campaign for mayor of Kitakata on a platform of local economies and natural agriculture as an alternative to the unsustainable systems that spawned the nuclear disaster.

Next week we return to Fukushima to capture Akihiro's dark horse campaign, a hopeful protest by one Fukushima farmer for a better way to live.

Please help us to continue our journey, complete the film, and share the stories of Akihiro and his fellow Fukushima farmers with the world. We gratefully accept tax-deductible donations at Uncanny Terrain.

See more photos of Akihiro Asami and follow the election at Uncanny Terrain on Facebook.

Wild "Heavenly Horses" Return Home

"Heavenly horses" return to Steppes of Mongolia and China. 

(Photo and Story: AFP via JT, 2013)

Chinese legend says the Silk Road's iconic Heavenly Horses were discovered 2,000 years ago by a criminal exiled to Dunhuang (a Silk Road crossroads in western China) who captured some and then presented them to the emperor, who fell in love with the breed.

  

They became known as Przewalski’s horses during European contact in the 19th century. Once thought to be extinct in the wild, the ancient species is being revived by conservationists in China and Mongolia.

Steppes horses came to Japan during the Kofun Period (250-540), from the Asian continent via the Korean Peninsula. Haniwa (funerary clay) horses were buried in tombs, along with figurines, from the Kofun to the Asuka Periods (538-710). 

Haniwa (clay funerary) horse acquired by the LA County Museum in 2010. 

(Photo: LA Times)

Restoring the Soil, Restoring Ourselves: Yoshikazu Kawaguchi

Great photography and content about Yoshikazu Kawaguchi 

at filmmaker and photographer Patrick M. Lyndon's website. 

 Lyndon's and Suhee Kang's film, Final Straw, 

explores natural farming in Korea, Japan, and the U.S.

Ted Taylor's beautiful essay at KJ, "Even in 'Just Enough' There is Abundance," follows farmer Yoshikazu Kawaguchi's return to traditional organic farming and the development of his natural philosophy:

In fact, all life in the natural world is lived, as demonstrated in the interrelationship of all living things. Plants cannot exist without animals, and vice-versa. If there is good harmony between the organisms, plants, and animals, the cycle of life continues. As a farmer, Kawaguchi's role is simply to nurture this natural order, by cutting the weeds back just enough so that new rice shoots can grow, but later her allows the weeds to grow along with the rice in harmony. This leads to wholeness, with everything living together.

Final Straw, an upcoming documentary by Patrick M. Lyndon and Suhee Kang, also explores Kawaguchi's world  (and that of Seonghyun Choi and other natural farmers in Japan and Korea):

Environmental artist duo Patrick Lydon and Suhee Kang... are now in the final post-production stage for the Final Straw documentary. Due for initial screening in Spring of 2014, Final Straw is a cinematic exploration of Japanese natural farming, and a philosophical ride through the minds of amazing individuals who offer simple solutions to modern issues of sustainability, both on the farm and in the city. The film interacts with a cast of office workers, chefs, musicians, and farmers alike, all of who are students of the late Japanese farmer/philosopher, Masanobu Fukuoka.

It all started on a small mist-covered mountain farm in South Korea, and continued to include over 20 natural farmers in East Asia and the USA. The Final Straw is a story about food, life, and philosophy from individuals who have a great deal of delicious secrets, and a great deal of wisdom to impart about life. Yet, while the Final Straw is a deeply rooted exploration of natural farming, it’s also a film which teaches equally as much about how to live life as it does about how to grow healthy food. And today, with over 1/2 of the world’s population living in urban areas, it seems we need to revisit this connection with nature more than ever before.

Over the past 100 years, our gradual reliance on industry and separation from the natural world have pushed us into the most epically unsustainable and unhealthy time period yet known to humanity.

Food and diet have quietly become the leading cause of death in the U.S., and on a world scale, intensive chemical-based industrial agriculture have caused the deterioration of billions of acres of farmland, the starvation of millions of human beings, and the loss of over 75% of our planet’s agricultural diversity.

The destruction of natural resources continues at an alarming rate, and both governments and food producers are looking for answers to questions of human health and ecological sustainability, with a multi-billion dollar industry leading the charge to find the most economically profitable answer.

It’s slightly amusing then, that that on a few small farms tucked away in the mountain valleys of Japan and South Korea, Patrick and Suhee found a very simple 4,000 year-old answer to this very perplexing modern question.

Kyoto: The Forest Within the Gate - A transcendent journey in poems and photographs to Japan's ancient capital

A few years ago, when I received the chapbook incarnation of Edith Schiffert's and John Einarsen's Kyoto: The Forest Within the Gate, I felt like I had been surprised by a dream of the ancient capital in the mail.  A new incarnation of this luminous book has been launched; with an IndieGoGo campaign to finance publishing costs. They are asking Kyoto lovers to help support and be a part of this beautiful project (JD):

                                                  Resting on the earth

                                                  who needs satori or faith?

                                                  Embrace what holds you!


Imagine a book enfolding some of the best expat poetry and photography of the 1200-year-old city of Kyoto, cultural and spiritual heart of Japan. For five decades Edith Shiffert, now age 97, has written haiku and poems inspired by the ancient capital. John Einarsen has been making striking yet serene photographs of Kyoto for more than three decades.

Now Edith and John share their vision and love of this magical city with the book Kyoto: The Forest Within the Gate (144 pp, more than 100 duotone photographs and 30 poems). In addition, three renowned writers on Japanese culture, Marc P. Keane, Diane Durston and Takeda Yoshifumi, have contributed illuminating essays. Rona Conti's calligraphy is yet another treat for the eyes.

We plan to publish an edition of this singular book. Its design is complete to the last detail, but for this first edition to go to print we need your help.

Take this transcendent journey to Kyoto by contributing today. All donations are warmly appreciated. Those giving $60 or more will receive a signed edition of this remarkable book.

Organic tea farmer Ayumi Kinezuka on protecting Japan's rich family farm culture, food safety, and the need for reconnection—with each other, with land and nature...

In this 5-min. video (via Reciprocity/Food Sovereignty Japan) 
Ayumi Kinezuka talks about her family farming cooperative; community-supported farming;  how her father embraced organic farming after reading Rachel Carson's Silent Spring,
 and Nouminren, the farmers' union.

Ayumi Kinezuka, after getting degrees in psychology and sociology at the University of California (Berkeley). returned home 10 years ago, to help carry on her family's organic tea farm near Fujieda, Shizuoka.

Her father, Toshiaki Kinezuka, is one of the pioneers of the global organic farming movement:  Thirty-seven years ago, he shifted his 2 hectare (5-acre) tea and orange farm to organic and founded a group with several tea growers that became Hito to No, Shizen wo Tsunagu Kai (Connecting People, Agriculture, and Nature). Their organic green and black teas are popular worldwide among tea enthusiasts.

In 2011, after they were hit (as was most of Japan) with fallout from the Fukushima meltdowns, the Kinezukas decided, at great financial loss, to destroy their entire crop from that year, even though the radiation readings of their tea were far below the Japanese government's safety standard.  The reason: as organic farmers, food safety is their integral to their ethos and they felt responsible to maintain their high standard of purity to protect their customers.

They are now continuing to recover from the accident, while strengthening organic food culture in many ways:  hosting WOOLF interns; deepening relationships with their consumers and other farmers, and welcoming urban dwellers in need of reconnecting with nature.

This is an inspirational family and community -- on every level.  The Kinezukas and their farming cooperative keep in contact with their customers and sell directly to them at their website, (naturalitea.com/), a trove of info on tea and the rich traditional Japanese way of life (reverencing nature, farming, food, relationships, and community).

In the second -part (5-min) of a 3-part series of video interviews,  

Ayumi Kinezuka relates why she became a farmer:

 it is a field in which she can help connect people with each other and with nature 

In the  final short video, she talks about miso-making, and rice-growing with friends (non-farmers who visit the Kinezuka farm during rice-planting, weeding, and harvesting seasons to enjoy connecting with the earth, others, and eating fresh, organic local foods).  She brings her social psychological and outreach skills to creating and deepening awareness, connections in all that she does.

Also in two (10- and 15-min.) videos at the same webpage, Toshiaki Kinezuka shares his story of why and how he became an organic farmer.

The above videos were made in January, 2011, during a peak  the Japanese organic farming movement, which had been developing steadily since the 1970's.  The multiple meltdowns at Fukushima Daiichi Nuclear Power Plant have hit farmers throughout Japan (not just in Fukushima) hard, especially organic farmers like the Kinezukas.

In this Women Rising radio interview (her interview begins at 20:30 of the tape), Ayumi Kinezuka describes her organic philosophy and how her family and their organic tea cooperative decided, at great financial loss, to destroy their entire 2011 crop  to protect the food safety of their customers.

I'm living in the community, hoping to protecting the rich culture we've inherited...There are not many young farmers...So when I came back ten years ago, one of the things I thought was very important was to have a network of young farmers because, first we need to share an understanding of our current situation...When I attended the youth meeting of Nouminren, I met a lot of young people and they are facing the same challenges.  As I talked to them, it was very inspiring, so I suggested to La Via Campesina to organize the youth...  Since 2008, we have started a regional youth gathering...

I think farming is not just the production of food. To produce the food is more like an expression of our own ideology or our own beliefs. So participating in La Via Campesina meetings and Nouminren meetings, I'm receiving a lot of information and education about how to perceive the world, how to perceive the current agricultural system, and so on. It's given me a lot of inspiration in that way...

I live in Shizuoka Prefecture, which is west of Tokyo, close to Mount Fuji. From the Fukushima nuclear power plant, it's about 400 km (260 miles) away.  I never imagined our farm would be affected when the accident happened. So after we harvested the tea, we sent our tea samples for testing and we found 350 becquerels of cesium in our tea. At the end of the second harvest season, after June, we found 150 becquerels. And the last harvest in October, there was 76 becquerels. Even though the government regulation at that time was 500 becquerels, and according to them, since it's below the regulation level, they say it's safe.

But as an organic farmer, we have never used any chemicals, herbicides, pesticides, or chemical fertilizers in our fields to ensure the safety of our tea and food, and also to protect the environment. It was a very difficult time for us. We did not know how to understand this reality that our tea was contaminated.

So, collectively, since we're a group of organic tea farmers, we discussed and decided we were going to destroy all the tea we produced that year. All together, we destroyed more than 20 tons of tea that was produced in 2011.  Since then, we've been testing the tea at least three times a year to make it obvious to the consumer the truth about the tea.

We are very upset at what happened because we have been working so hard to build a community of organic farming, and at the same time, we've been working very hard to build very good relationships with consumers and producers. But all of a sudden, without our control, this accident put radioactivity into our tea. What's scary about radioactivity is that you can't see it, feel it, taste it, smell it, but it's still there. The accident contaminated our soil, air, water, and also all the plants, and, of course, our bodies too. We have to be very clear that we can't co-exist with this dangerous generation of power.

Now many people in Japan are living in cities so they are detached from nature. Even though human beings are part of nature, we forget that, and that is driving people crazy. So organic farming has the responsibility of connecting people back with nature. It is very nice when people come to my farm and they have a very beautiful smile on their face, and their eyes are just bright. That really tells us what is really essential for us to live as a human being. It's not just money, goods, iPhones, and computers. So I want to provide, as an organic farmer, not just safe food, but an opportunity for people to come back to nature and feel for themselves what it is like to be alive.

The Kinekuza Family taking a break.
 (via Samovar Life: photo and (great blog post on the Kinezuka tea festival))

Still "Praying for Japan" —Uncanny Terrain explores impact of 3/11 on Fukushima family farmers, animals, soil, & nuclear evacuees

Beautiful and heartrending trailer from Uncanny Terrain
a documentary film by Junko Kajino and Ed M. Koziarski,
who lived and worked with Fukushima family farmers struggling in the aftermath of 3/11

This film is a must for all who are continuing to "pray for Japan" — for all who support the safety of Japanese people and animals, the recovery of Tohoku, and the survival of traditional Japanese rural culture.

Fukushima, as with the rest of Tohoku, was a bastion of organic, natural farming; slow, traditional Japanese culture. The shock, trauma, and continuing nuclear radiation assaults that started on 3/11 has shaken the idyllic way of life and identity of Fukushima organic farmers to the core.  Now farmers, who worked to build up good, organic soil and food have undertaken the responsibility for ongoing decontamination and recovery efforts, while dealing with collective fears regarding radioactive contamination of their products and persons, and uncertainty regarding their future and that of their descendants in their ancestral homeland.

The organic farmers of Fukushima prefecture toiled for 40 years to grow safe, nutritious and delicious crops on their ancestral land while two nuclear power plants in the prefecture helped feed Tokyo’s increasingly voracious energy appetite.

Since the March 2011 tsunami triggered the meltdown that spread radioactive contamination on much of the lush farmland of Fukushima and eastern Japan, the farmers have been caught between a government in constant denial of the risks of radiation, and outraged citizens who brand the farmers “child murderers” for continuing to cultivate irradiated land.

But the farmers, researchers and volunteers are committed to building a comprehensive monitoring and reporting network to inform citizens about contamination levels in food, air, water and land, so families can make their own informed decisions; and advancing experimental methods to decontaminate soil or prevent crops grown on contaminated soil from absorbing radiation.

Fukushima has demonstrated the need for greater public vigilance to keep all our food and energy producers honest, not just about radiation but about all the potential [pesticides, GMOs, industrial and other toxic] contaminants that our collective appetites introduce into our bodies and our communities.

For all who love traditional Japan, this is a film to support and see. Much more at the film's website: Uncannyterrain.com. 

Fireflies

Have to share this magical photo of fireflies 

taken by KJ's amazing web designer, Rick Elizaga!

For more of KJ, visit  Kyotojournal.org