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Showing posts with label writers. Show all posts
Showing posts with label writers. Show all posts

Monday, August 10, 2015

Kenzaburo Oe: "Hiroshima must be engraved in our memories: It’s a catastrophe even more dramatic than natural disasters, because it’s man-made. To repeat it, by showing the same disregard for human life in nuclear power stations, is the worst betrayal of the memory of the victims..."



"Japanese Nobel Laureate Kenzaburo Oe on the 70th Anniversary of US Atomic Bombings of Hiroshima and Nagasaki," via Democracy Now!:
...KENZABURO OE: [translated] So, three years ago, the day after the disaster, the weeks after the disaster, I believe that all Japanese people were feeling a great regret. And the atmosphere in Japan here was almost the same as following the bombing of Hiroshima at the end of the war. And at that time, because of this atmosphere, the government at the time, which is the Democratic Party of Japan, with the agreement of the Japanese people, pledged to totally get rid of or decommission the more than 50 nuclear power plants here in Japan. However, the situation following the disaster, particularly in Fukushima, where so many people are suffering from this, has not changed at all.

And the current atmosphere or attitude of the government now in Japan has totally changed...the Liberal Democratic Party...led by Prime Minister Abe, is...completely having no regret and no looking back on ...what happened to Japan, and is instead actually actively pushing this forward. And I’m very fearful now that actually all throughout Japan and through the Japanese people, the atmosphere which is now growing and increasing is a spreading of this Prime Minister Abe’s ideology and worldview.

AMY GOODMAN: Yet he was elected as prime minister.

KENZABURO OE: [translated] Yes, he has won in two elections until now. But, however, now, because he has the majority in both of the houses of the Japanese Parliament, it means he is, in essence, able to do anything, go forward anything. And the first thing he is also trying to do now is to revise the constitution, which was created democratically by the Japanese people following the loss in World War II and Hiroshima and Nagasaki experience....

And now, under the current Prime Minister Abe administration, Japan is moving toward actively participating in United States wars. And what I am now most fearful about is the unfortunately likely possibility under Prime Minister Abe that this second pillar of Article 9 will be in danger, but not only this, that even the first pillar, that Japan may actually, within the next year or two or three or four years, actually directly participate in war...

Thursday, May 1, 2014

Nobel laureate Kenzaburo Oe speaks out on Okinawa problem in Tokyo

Via Ryukyu Shimpo: "Nobel laureate Oe speaks out on Okinawa problem in Tokyo":

On April 26, Nobel laureate and novelist Kenzaburo Oe and other scholars discussed the Okinawa military base issue at a symposium held at a campus of the Hosei University in Tokyo...

A symposium on the Futenma-Henoko issue was held in Tokyo on April 26. Nobel laureate and novelist Kenzaburo Oe, Gavan McCormack, an emeritus professor of the Australian National University and Masaaki Gabe, a professor at the University of the Ryukyus, made the keynote lectures. After that, the participants discussed the relocation issue of the U.S. Marine Corps Air Station Futenma...

Novelist Oe visited Okinawa many times to conduct interviews with residents about mass suicides during the Battle of Okinawa for his book of essays, Okinawa Notes. “We should not allow the government to destroy democracy by exercising the right to collective self-defense. We are concerned that the people of Okinawa will suffer great damage,“ he said. “Let us protect our pacifist constitution. This is the action or struggle that we living in the mainland of Japan can take up for the sake Okinawan people.”

Tuesday, November 19, 2013

Restoring the Soil, Restoring Ourselves: Yoshikazu Kawaguchi

Great photography and content about Yoshikazu Kawaguchi 
at filmmaker and photographer Patrick M. Lyndon's website
 Lyndon's and Suhee Kang's film, Final Straw, 
explores natural farming in Korea, Japan, and the U.S.

Ted Taylor's beautiful essay at KJ, "Even in 'Just Enough' There is Abundance," follows farmer Yoshikazu Kawaguchi's return to traditional organic farming and the development of his natural philosophy:
In fact, all life in the natural world is lived, as demonstrated in the interrelationship of all living things. Plants cannot exist without animals, and vice-versa. If there is good harmony between the organisms, plants, and animals, the cycle of life continues. As a farmer, Kawaguchi's role is simply to nurture this natural order, by cutting the weeds back just enough so that new rice shoots can grow, but later her allows the weeds to grow along with the rice in harmony. This leads to wholeness, with everything living together.
Final Straw, an upcoming documentary by Patrick M. Lyndon and Suhee Kang, also explores Kawaguchi's world  (and that of Seonghyun Choi and other natural farmers in Japan and Korea):



Environmental artist duo Patrick Lydon and Suhee Kang... are now in the final post-production stage for the Final Straw documentary. Due for initial screening in Spring of 2014, Final Straw is a cinematic exploration of Japanese natural farming, and a philosophical ride through the minds of amazing individuals who offer simple solutions to modern issues of sustainability, both on the farm and in the city. The film interacts with a cast of office workers, chefs, musicians, and farmers alike, all of who are students of the late Japanese farmer/philosopher, Masanobu Fukuoka.

It all started on a small mist-covered mountain farm in South Korea, and continued to include over 20 natural farmers in East Asia and the USA. The Final Straw is a story about food, life, and philosophy from individuals who have a great deal of delicious secrets, and a great deal of wisdom to impart about life. Yet, while the Final Straw is a deeply rooted exploration of natural farming, it’s also a film which teaches equally as much about how to live life as it does about how to grow healthy food. And today, with over 1/2 of the world’s population living in urban areas, it seems we need to revisit this connection with nature more than ever before.

Over the past 100 years, our gradual reliance on industry and separation from the natural world have pushed us into the most epically unsustainable and unhealthy time period yet known to humanity.

Food and diet have quietly become the leading cause of death in the U.S., and on a world scale, intensive chemical-based industrial agriculture have caused the deterioration of billions of acres of farmland, the starvation of millions of human beings, and the loss of over 75% of our planet’s agricultural diversity.

The destruction of natural resources continues at an alarming rate, and both governments and food producers are looking for answers to questions of human health and ecological sustainability, with a multi-billion dollar industry leading the charge to find the most economically profitable answer.

It’s slightly amusing then, that that on a few small farms tucked away in the mountain valleys of Japan and South Korea, Patrick and Suhee found a very simple 4,000 year-old answer to this very perplexing modern question.

Tuesday, November 5, 2013

Alex Kerr's beautiful old/new Japanese country houses and the movement to save traditional Japan

Great talk and breathtaking photos by author and historic preservationist Alex Kerr at TEDx in Kyoto on his mission to save Japanese country houses (minka).
Japan is so rich: the natural environment, the fantastic traditional culture, the wealth of beauty and materials and spirit of lifestyle that you find in these old places. It's there and it can be saved.
Kerr uses double-paned windows for energy conservation. If his country houses were updated for solar, renewable energy, that would be even more modernizing, given 3/11's call to shift, downsize energy usage.

The reason small towns in Japan (and elsewhere) are experiencing depopulation is because they were built around local (agricultural, fishing) economies that have been collapsing under the global food industry's drive towards ever-increasing expansion...Japan's food sufficiency is now at 39%; when Alex Kerr came to Japan as a child (1960's), the nation’s food self-sufficiency rate was around 80%.

Kerr's work to restore country houses is one facet of a larger grassroots-driven local revitalization movement that seeks to save traditional Japan's agriculturally-rooted, rural cultures.

Tragically, Tohoku, much of which was stricken by the 3/11 disasters, was the bastion of Japan's sustainable, slow life, organic and heirloom food movement.  Areas in Tohoku not affected by the catastrophes (Yamagata) continue pioneering these shifts.

Elsewhere, young Japanese people are leaving urban areas to return to their rural roots to farm and open organic retreats.  Japanese singer Yae and her mother Tokiko Kato (also a renowned singer) have a farming community in Kamogawa (near Tokyo) that opened during the 1970's.  It's a model of downsizing energy use, revitalizing traditional self-sufficiency, and cultivating simplicity.

During his youth, Alex Kerr fell in love with Japanese country houses and the traditional culture that make up their  landscapes.  He belongs to a distinguished tradition of foreign residents (Lafcadio Hearn, Ernesto Fenollosa...) who worked to preserve traditional Japanese culture because they found the passing of its richness and beauty unbearable.  One can sense this appreciation in the atmosphere of Kerr's restored and beloved country house, Chiiori, in western Tokushima, a prefecture in Shikoku, on the Inland Sea.

Kerr is now acting as an advisor to rural Japanese villages seeking to stem depopulation by building up local tourist economies through restoring country houses (for short-term stays) and revitalizing local culture.

Spurred on by different motives—profit-seeking (sometimes, but not always, mixed with sincere appreciation of Japanese architectural heritage)—foreign and Japanese investors who are renovating older homes for rental income are also part of the drive to save and restore older Japanese houses, especially in Kyoto and Kamukura.  It's great that these minka and urban traditional houses (machiya) are being preserved, however historic preservation springing from this limited motivation may lack the larger vision and quality of Kerr and others who appreciate the multidimensional contexts of traditional Japanese culture.

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More about the country house that captured Kerr's imagination and heart as a teenager: "Bringing an 18th-Century Farmhouse Back to Life" (Liza Foreman, NYT, Dec. 27, 2012)


Chiiori: Alex Kerr's first Japanese country house. (Photo: Alex Kerr)


More about restoring Japanese traditional houses as a business: 

"Japan’s Forsaken Homes Restored to Historic Styles Yield 80%" (Kathleen Chu and Katsuyo Kuwako, Bloomberg, Nov. 20, 2012)

"Historic Homes in Tokyo Attract More International Buyers" (Desiree Quijalvo, realestateco.jp,  Oct. 30, 2012)

Sunday, October 20, 2013

Kyoto: The Forest Within the Gate - A transcendent journey in poems and photographs to Japan's ancient capital

A few years ago, when I received the chapbook incarnation of Edith Schiffert's and John Einarsen's Kyoto: The Forest Within the Gate, I felt like I had been surprised by a dream of the ancient capital in the mail.  A new incarnation of this luminous book has been launched; with an IndieGoGo campaign to finance publishing costs. They are asking Kyoto lovers to help support and be a part of this beautiful project (JD):



                                                  Resting on the earth

                                                  who needs satori or faith?


                                                  Embrace what holds you!



Imagine a book enfolding some of the best expat poetry and photography of the 1200-year-old city of Kyoto, cultural and spiritual heart of Japan. For five decades Edith Shiffert, now age 97, has written haiku and poems inspired by the ancient capital. John Einarsen has been making striking yet serene photographs of Kyoto for more than three decades.

Now Edith and John share their vision and love of this magical city with the book Kyoto: The Forest Within the Gate (144 pp, more than 100 duotone photographs and 30 poems). In addition, three renowned writers on Japanese culture, Marc P. Keane, Diane Durston and Takeda Yoshifumi, have contributed illuminating essays. Rona Conti's calligraphy is yet another treat for the eyes.

We plan to publish an edition of this singular book. Its design is complete to the last detail, but for this first edition to go to print we need your help.

Take this transcendent journey to Kyoto by contributing today. All donations are warmly appreciated. Those giving $60 or more will receive a signed edition of this remarkable book.





Monday, August 26, 2013

Keiji Nakazawa in Barefoot Gen's Hiroshima: "I decided to use manga to confront the Bomb."



Trailer from director Yuko Ishida's Barefoot Gen''s Hiroshima (Hadashi no Gen ga Mita Hiroshima) a documentary film in which the camera man (Koshiro Otsu) follows "Barefoot Gen" creator Keiji Nakazawa as he visits neighborhoods throughout Hiroshima and recalls living through the nuclear explosion when he was six-years-old.

The film opened in Tokyo on August 6, 2011, and Nakazawa died of lung cancer a year later, on December 19, 2012.

Roger Pulvers' wonderful  film review at  the JT connects the nuclear radioactive dots between Hiroshima in 1945 and Fukushima in 2011:
When the bomb dropped in 1945, Nakazawa was a 6-year-old, first-year pupil at Kanzaki National Elementary School, which was a mere 1.2 km from ground zero. Luckily, on his way into school, he lingered by the wall adjacent to the front gate to speak with someone, and that wall saved his life...

Nakazawa’s father, sister and brother...were all crushed by pillars and beams, and killed. His father had been a vocal opponent of Japan’s war of aggression, and he had spent more than a year in prison as a result. The family had been ostracized by the community. This is a bitter irony of all indiscriminate bombing, since it murders many who are not only blameless non-combatants but also proponents of peace.

Nakazawa never forgot what he saw. He turned his personal experience and that of the people of Hiroshima into a series of manga that was carried in the magazine Weekly Shonen Jump for 12 years from 1973. The story of Barefoot Gen kept the plight of the victims of the bomb and its radiation in the minds of citizens of the nation that had become the most intimate ally of the country that caused that holocaust, the United States.

This fact led the Japanese government to isolate the issue as something local — to Hiroshima and Nagasaki, the other city atom-bombed by the U.S. three days after Hiroshima — as opposed to national. In addition, the vigorous pursuit of “atoms for peace,” an American initiative to promote nuclear power spearheaded in the early 1950s by President Dwight Eisenhower further divorced the radiation spread by the bombs from its possible spread by reactors generating electricity all around Japan.

It is thanks to Nakazawa, and eminent authors such as Kenzaburo Oe, Hisashi Inoue and, most recently, Haruki Murakami — all of whom have taken up the nuclear tragedies of 1945 — that the dangers of radiation lingering in our bodies, our soil, our water, and in the air, are now finally being understood by the Japanese people.

However, a truly remarkable aspect of the story of Barefoot Gen...is its message of optimism and hope. The hero, little Gen, stunned by the devastation and death surrounding him, says, “I’m going to live, to live! I’m going to live through this, you’ll see!”

In those pages...the stench of destruction are everywhere, just as in the prefectures of Tohoku most badly affected by the earthquake and tsunami of March 11. Yet Gen does not give up hope...

He goes on to point out that the gen in the name is the same character as that in the word genki, which means full of vitality and strong of mettle...

In his message to children, Nakazawa states, “If you come to feel that you wish for a world without war and without atomic bombs, for a world where peace is priceless...then the subject of this film, namely Keiji Nakazawa, will be content.”
Motofumi Asai's in-depth interview, "Barefoot Gen, the Atomic Bomb and I: The Hiroshima Legacy Nakazawa Keiji"i, translated by Richard H. Minear at APJ: Japan Focus explores the anti-war beliefs of Nakazawa's father as well as those of the writer himself who counsels us to be resilient and persistent in the support of respect of life, human dignity, and an ethos of peace:
In order to effect change, each person has to work away at it. I’m a cartoonist, so cartoons are my only weapon. I think everyone has to appeal in whatever position they’re in.

Wouldn’t it be nice if we gradually enlarged our imaginations! We have to believe in that possibility. Doubt is extremely strong, but we have to feel that change is possible. Inspire ourselves. And like Auschwitz, Hiroshima too must sing out more and more about human dignity.

Sunday, August 25, 2013

Barefoot Gen anime film online in Japan through Aug. 31; debate continues over ban of anti-war manga series in Matsue



The energetic public debate over the decision by Matsue (Shimane Prefecture) Board of Education to ban the manga series "Barefoot Gen reflects the vibrancy of anti-war attitudes in Japan, a widespread desire of the majority of Japanese citizens to admit and atone for Japanese Imperial wartime atrocities, and to witness for the abolition of uranium and nuclear weapons.

The series depicts realistic images of the entire Pacific War, including Japanese Imperial beheadings and rapes of Chinese people, as well as the US nuclear bombings of Japanese civilians and other wartime suffering.

The controversy has generated an outpouring of support and renewed interest in "Barefoot Gen" whose author passed away in December of last year. Our friends at New York Peace Film Festival report that the anime film adaptation of the manga series, Barefoot Gen,  is available to watch online in Japan until Aug. 31.

Link: http://gyao.yahoo.co.jp/player/00592/v12021/v1000000000000000721/

Synopsis: Barefoot Gen a 1983 war drama based on Keiji Nakazawa's manga series. Director Mori Masaki depicts the final days of the Pacific War and the nuclear bombing of Hiroshima from the point of view of a child, Gen Nakaoka, who is caught in the explosion's aftermath.  The film begins and ends with boat symbolism reminiscent of Toro Nagasahi (ceremony during which lit paper lanterns are released on a river to remember the dead).

The story is set during the final days of the Second World War.  Gen's malnourished family struggle survive in Hiroshima. The family wonders why their city has been spared from US napalm (jellied gasoline) firebombings that have destroyed most of Japan's other cities. They sense something is wrong even though they could never imagine that  Hiroshima  had been chosen as a "pristine" target to test one of the two new American nuclear bombs.

On the morning of August 6, Gen, after promising his brother he will take him to the river to play with a toy boat, makes his way to school. Overhead, he notices a single B-29 bomber.  At home, his family watch as a large number of ants ominously enter their home.  Gen drops a pebble he is playing with, and, as he bends to pick it up, a flash of white light erupts in the sky. The eyes of people around him begin to melt. At home, Gen's house collapses, burying his family alive. Gen escaped injury from the flash because he was bent downward in front of a  stone wall, but he is also buried under rubble.

The nuclear blast vaporizes people and destroys most of the buildings throughout Hiroshima. Burned and mutilated people wander through streets looking for water and help. After digging out of the rubble, Gen returns home to find his mother has survived, but his father, sister and little brother are trapped under the ruins of their house. As a firestorm approaches, Gen's father tells Gen they must leave to protect his mother and her unborn child. As they obey Gen's father and leave, they hear their family's screams as they burn to death.

His mother gives birth to a baby girl they name Tomoko; Gen searches for food and help but finds neither in a city filled only with the dead and injured. He finds a mother with a dead baby who shares her breast milk with Gen's infant sister.  People start to show signs of radiation illness: defecating and vomiting blood; losing hair.

After days of searching for food, Gen finds some rice and vegetables in a storehouse.  On August 16, they dig up the skulls of their dead family at their burned home. They're told Tokyo has finally surrendered.  But peace has come too late for them (and many millions of other people throughout the Asia-Pacific, as well as Okinawa and the rest of mainland Japan).  They take in an orphaned child, Ryuta, whom they meet when he tries to steal their food.

To earn money to buy milk for Tomoko, Gen and Ryuta take a job, caring for a dying, embittered man who, in the end, expresses gratitude for their care.  But, of course, Gen's infant sister dies anyway: the odds are stacked against survival in Hiroshima.

As grass and plants start to recover, so does Gen; his hair grows back.  Gen recalls his father's advice: no matter how beaten down, never give up. He decides to fulfill his promise to his brother and builds another boat. Two weeks after the nuclear bombing of Hiroshima, Gen, his mother, and Ryuta go to the river, where they light a candle on top of the boat and release it in the water. They pray as the boat sails away.

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"‘Barefoot Gen’ pulled as anti-war images strike too close to home?" (Jun Hongo, JT, Aug. 21, 2013)

"Board’s request to restrict ‘Barefoot Gen’ assailed" (Aug. 22, 2013, Kyodo, JT)

Thursday, August 1, 2013

Kenzaburo Oe: "The Okinawa protests against the Osprey, and our rallies...to oppose the restarting of nuclear power plants are all connected to the Constitution. We value and protect Article 9..."


(Photo: Nobelprize.org)

Author  Kenzaburo Oe, co-founder of the Article 9 Association outlines the relationships between widespread opposition to US military testing and training of the accident-prone V-22 Osprey aircraft in Okinawa (and soon-to-be mainland Japan); opposition to nuclear plant restarts, and the Japanese Peace Constitution:
The Japanese government seems to say by this that it is not in a position to object to American objectives [regarding US military testing and training V-22 Osprey aircraft in Okinawa]. This is not the kind of action one would expect from a truly independent, democratic country. It is too easy to see the Osprey issue as a problem affecting only Okinawa; in fact it affects all of Japan because it is a Constitutional issue, not merely local or regional but national in scope...

The Okinawa protests against the Osprey, and our rallies, demonstrations and meetings to oppose the restarting of nuclear power plants are all connected to the Constitution. We value and protect Article 9 of the Constitution. We defend it facing the world as a whole, we defend it facing up to America, and we defend it to every individual country. We must always remember—the Constitution is not some stranger’s issue. It is personal; it is our own.
(Source: Public Lecture, Sept. 29, 2012, Hibiya Kokaido Hall: http://www.9-jo.jp/en/index_en.html)

Friday, November 16, 2012

Great Chain of Nonviolence: Writers Oe, Murakami, Lianke, & Civic Leaders from Japan, Okinawa, South Korea, Taiwan, & China call for end to nationalistic aggression

(Nobel laureate & Article 9 defender Kenzaburo Oe voices support for 
Japanese civic group's call to "Stop the vicious cycle of territorial dispute!”. 
Photograph: The Hankyoreh)

Responding to the political and media circus over unresolved (since the Pacific War)  territorial disputes between Japan, China and South Korea, Japanese writers, journalists, scholars, and civil society leaders held a press conference on Sept. 28, 2012 in Tokyo to publicize their call on Japan to "recognize, reflect on, and sincerely articulate its historical issues" in East Asia.  The group, supported by Nobel laureate Kenzaburo Oe, jointly signed a civic statement: "Stop the vicious cycle of territorial dispute!”.

Jeong Nam-ku, Tokyo correspondent of The Hankyoreh detailed the event:
They included Atsushi Okamoto, former editor-in-chief of the leading Japanese progressive journal Sekai (The World); attorney Masatoshi Uchida, a longtime figure in lawsuits claiming compensation for issues in South Korean-Japanese history; former Asahi Shimbun Seoul bureau chief Koh Odagawa; and Ken Takada, an activist with the Citizens' Association Against Revision of the Constitution. Around 800 citizens signed the appeal, including children's writer Kayoko Ikeda, military critics Tetsuo Maeda, former Nagasaki mayor Hitoshi Motoshima, and Oe.

The statement urged the Japanese public "not to forget that the backdrop for the current territorial frictions is modern Japan's history of invading Asian countries."

The participants gave a number of suggestions for reducing friction, including enacting norms of behavior to deter such conflicts in East Asia, setting up forums for dialogue and discussions toward joint development of local resources, and establishing a framework for private dialogue linking South Korea, China, Japan, Taiwan, and Okinawa.
On the same day, Japanese novelist Haruki Murakami published a column in the Asahi Shimbun expressing concern that the violent nationalism stirred by the territorial conflict was destroying East Asian cultural bridges: "We cannot block the path for souls to cross national borders."

In response to Oe's & Murakami's public statements, Chinese novelist Yan Lianke penned a call for reason and peace, published at The New York Times on Oct. 5:
Again and again, I pray in these dark nights: Please, no more guns and drums. All wars are disastrous. The bloodstains of the Sino-Japanese war during World War II remain vivid even today in our collective memory.
The day after, on Oct. 6, the East Asia Citizens Forum, comprised of representatives from South Korea, China, Taiwan, Okinawa, and Japan, held a forum in Taiwan and issued a statement, “Facing history, resolving disputes, working towards peace in East Asia”  in conjunction with a petition calling for peaceful relations, starting at the grassroots level, between citizens of East Asian countries, despite recurrent belligerent nationalism at the government level.   Park Min-hee, correspondent for the South Korean progressive newspaper, The Hankyoreh, reported:
The campaign is being led by Professor Chen Guang Sheng of Shanghai Jiao Tong University of Taiwan at the helm, Prof. Lee Dae-hoon of Sungkonghoe University (NGO studies, member of Democratic Professor Association International Solidarity Committee), Atsushi Okamoto, former editor in chief of Sekai magazine of Japan, Nohira Shinsaku, representative of Peace Boat, Prof. Wakabayashi Jiyo of Japan’s Okinawa University, Prof. Wang Xiaoming of Shanghai University, and Prof. Han Jialing of Beijing Academy of Social Sciences.In an email interview with the Hankyoreh on Oct. 24, Prof. Chen said, “I hope the solidarity and signature campaign in East Asia can ease tensions in the region and act as a chance to inform the people that the government is not the only group that has power to make decisions concerning this issue. There are other opinions in civilian society.” He went on to say, “I hope this campaign will pave the way for other experiences and sentiments within East Asia to be exchanged and understood, and lay the groundwork for future common understanding.”
...Prof. Lee Dae-hoon [of of Sungkonghoe University in South Korea], who participated in the forum said, “The campaign is focused on the goal of uniting East Asian civil society and preventing territorial disputes from escalating while resolving the situation in a non-militaristic and peaceful way. We must not allow territorial disputes to be used to satisfy imperialistic power or agression.” He added, “The campaign was started with intellectuals at the center, but we will gather citizens’ signatures in the next few months. Based on citizens’ opinions, we will lead activities to seek and propose solutions on these territorial conflicts.
Japanese writers & civil society leaders again call for a
calm, diplomatic response to territorial disputes 
at Oct. 18, 2012  rally in Tokyo. Photo: Asahi Shimbun)

The Japanese civic group followed their Sept. 28 press conference with  a demonstration rally in front of the No. 2 Lower House members' office building in Tokyo’s Chiyoda Ward on Oct. 18, covered by Hatsumoto Hosokawa for Asahi:
Pointing out that "territorial issues rock nationalism in any country" and that "action on one side leads to action from the other," the group's Internet statement urged people to "reflect upon history" and called for resolution "through peaceful dialogue."
This snowballing of dialogue between citizen groups and the public is a form of collective grassroots empowerment that peace studies scholar Johan Galtung calls the "great chain of nonviolence".

Saturday, September 8, 2012

Okinawan author Tatsuhiro Oshiro: "Okinawa and disaster-struck Tohoku region sacrificed for Tokyo"

National sacrifice zones are part of every industrialized nation, located in areas where regional economies are not essential to national finance and industry. Nature and people who live in these national sacrifice zones are considered expendable. National sacrifice zones include communities and entire regions that "host" uranium mines, nuclear plants, nuclear waste sites, chemical plants, coal fields (mountaintop removal sites), fracking sites, oil fields, factory farms, uranium and nuclear weapons testing sites, and military bases.

Tokyo's use of Okinawa as a "national sacrifice zone" began during World War II, when Japanese government leaders knew they would inevitably lose the Pacific War against the US.  Some leaders, including Prime Minister Konoe, pushed for an early surrender, however his and other voices were drowned out by those who decided to "sacrifice" Okinawa in a last, hellish battle, seeking to prolong the war, in the belief this would result in better terms of surrender.

The cost of this decision: one third (100-150,000) of the population of Okinawa, 70,000 Japanese soldiers and 12,000 American soldiers; the dislocation of 90 percent of the Okinawan people, and the near-total destruction of material Ryukyuan culture. In the postwar period, Tokyo ceded Okinawa to Washington which seized and destroyed entire villages "by bayonet and bulldozer" throughout the prefecture, to make way for massive military bases used for weapons testing and training during US wars in Korea, Vietnam, Iraq and Afghanistan. Even after the 1972 "reversion" to Tokyo rule, the US military bases remained.

In the 1990's, Washington resurrected expansion plans (including a massive war training base at Henoko and Oura Bay that dated back to the 1960's). Okinawans have protested this plan since its inception. 

Tohoko (along with Fukui) was decided upon as a national nuclear sacrifice zone also during the postwar period when US nuclear industry companies sought to introduce the "peaceful atom" to Japan. Eiji Oguma details Tohoku's history and the selection process (which exploited the region's economic poverty) in"The Hidden Face of Disaster: 3.11, the Historical Structure and Future of Japan’s Northeast", published at The Asia-Pacific Journal on Aug. 1, 2012. 

Mainichi writer Yudai Nakazawa article (published on March 16, 2012) gives voice to Okinawan novelist Tatsuhiro Oshiro's insights into the connections betweenTokyo's sacrifice of Okinawa and Tohoku.
Okinawa and disaster-struck Tohoku region sacrificed for Tokyo: Okinawan novelist

It was through Tatsuhiro Oshiro's collection of stories, "Hatsukayo," that I learned that hibiscus have a special place in the culture of Okinawa. I had arrived in Japan's southernmost prefecture amidst a festival celebrating the New Year in the afterlife, and the sight of people placing offerings of hibiscus -- known as "flowers of the afterlife" -- on their ancestors' graves in the cold rain was something to behold. It overlapped with Okinawa's tragic history.

Newspaper headlines that day were all about the U.S. military realignment, including the transfer of U.S. troops to Guam and the Futenma air station relocation issue.

"The papers here are like this all the time," Oshiro, 86, said as he glanced at the headlines. "I wrote some 20 years ago that Okinawa was a domestic colony, and I wondered at first if I'd gone too far. But these days, the expression 'domestic (internal) colony' has become widely accepted."

Looking over at the window, Oshiro continued: "It's cold these days, so I bury myself under the covers and wonder whether the people living in the disaster areas (in the Tohoku region) are warm enough. Who would've thought that Okinawa and the Tohoku region would be linked this way in solidarity?"

Oshiro says that the Tohoku region holds a special place in his heart. When he attended the award ceremony in Tokyo for the Akutagawa Prize, which he received for his novel "Cocktail Party," he had also traveled through Fukushima on the suggestion of a former college classmate.

So what is the "new solidarity" this writer -- who for years has focused on the suffering of Okinawa -- talking about? The answer is this: sacrifice that state power imposes on the weak. In other words, political discrimination.

The islands have been a part of Japan only since the late 1800s, when the Meiji government annexed the Ryukyu Kingdom and eventually renamed it Okinawa Prefecture. After the San Francisco Peace Treaty and the U.S.-Japan Security Treaty were signed in 1951, Okinawa Prefecture was put under U.S. military administration. As a result, while Okinawa constituted a mere 0.6 percent of Japan's land area, more than 70 percent of U.S. military bases in Japan were built there. Meanwhile, the Tohoku region, which relied heavily on the agricultural and natural resource industries, became an enormous source of labor for Tokyo. Furthermore, the electrical power produced by nuclear power plants that have been built in high concentrations in de-populated areas has not benefitted local communities, but rather Tokyo and other major metropolitan areas.

Both the numerous incidents and accidents that occur because of the military bases in Okinawa and the dangers of nuclear disasters in Tohoku have ostensibly been set off with massive subsidies handed out to local communities. However, we've arrived at a point now where we can no longer overlook the history of the weak being placed at the mercy of national policies, or the contradictions and inconsistencies that have long been left unaddressed.

"This imposition of sacrifice is a carrot-or-stick situation," Oshiro said. "To change this situation, there's nothing but for Diet members from Okinawa to do their job well..."

It was when Oshiro refolded his arms over his chest that a deafening roar was heard outside.

"That's a military plane," Oshiro explained. "They're always flying above, so this area's been designated as a noise pollution area. The nearby Shuri Junior High School is a soundproof facility. There are times when the planes fly even lower, and we have to stop talking altogether." This, I learned, was Okinawa's reality.

Last year, Oshiro published "Futenma yo" (To Futenma), a book of short stories. In the first story, whose title is that of the book, Oshiro eagerly tackles the Futenma relocation through a family who lives near the air station.

The story reaches its climax when the musical accompaniment to a Ryukyu dance is drowned out by the noise from U.S. helicopters, but our heroine continues to perform. Her determination symbolizes the local culture that refuses to be defeated by the heavy burdens of military bases. At the same time, however, the heroine's grandmother's plan to find a family heirloom buried on ancestral lands that have been seized by the U.S. military ends in failure.

In the book, Oshiro addresses uncompromising will and crushed hopes. "These two extremes represent the essence of the military base issue," Oshiro said. "My intention was to write about the identity of the Okinawan people who want to weave our history together and regain the land that's steeped with memories."

The Great East Japan Earthquake and ensuing tsunami and nuclear disaster have forced many people from the Tohoku region from their homelands. Asked whether this tragedy is something that can be shared with Okinawa, Oshiro rips open a package to reveal the March issue of the literary journal Bungakukai. It features a debate between two of Oshiro's acquaintances -- Fukushima resident, novelist and monk Sokyu Genyu and former foreign ministry official Masaru Sato -- in a section titled "Interpreting 'Japan' through Fukushima and Okinawa."

Oshiro said: "I think it was Jan. 9 that Genyu stopped by here when he was in Okinawa to give a lecture. That's when he told me about his interview with Sato. Genyu said, "We have to do something that puts us in confrontation with the state.'"

In the magazine interview, Genyu said there was a parallel between the proposed construction of an intermediate storage facility for radioactive waste in Fukushima and the issue of U.S. military bases. Here, too, the government's failure to act has already led partly to the imposition of sacrifices. Amid the ongoing political confusion in Japan, is there any reason not to be pessimistic?

"Japanese people have grown accustomed to luxuries in their everyday lives, right? I wonder if an ideology or policy that will trim off the excess fat and desires from our lives won't emerge," he said. "But my outlook is not grim."

Asked why, Oshiro responded: "After the massive earthquake, those in the disaster areas didn't panic, and have been acting levelheadedly while being considerate of each other. That's hopeful. There's a very old concept of mutual support in Okinawa, too, called 'yuimaru.' If we're able to foster this spirit around the country, I believe that we'll be able to build a new kind of civilization."

Suddenly, instead of the roar of military jets, birds could be heard chirping outside.

After the interview, I got into a car driven by a local friend of mine, heading toward U.S. Marine Corps Air Station Futenma in Ginowan. The city was in the midst of mayoral elections, and candidates and their campaign crews drove around, loudly appealing to voters for their support.

"Look, it's a KC130 refueling aircraft!" my friend said, suddenly. "It's a touch-and-go landing."

We watched as a dark aircraft made a sharp dive in the air right above us. Its explosive noise drowned out election pledges being shouted through amplifiers. This was everyday life here, I thought. Experiencing, if just for a moment, the "sacrifice being imposed on the weak," I was struck again by the weight of Oshiro's words.

(By Yudai Nakazawa, Evening Edition Department)

Friday, June 22, 2012

TONIGHT - June 22! Greetings From the Earth @ Chikuya Live House, Kunitachi, Tokyo


Greetings From the Earth
Peace Not War Japan



Friday
7:00pm until 11:30pm in UTC+09
Chikyuya Live House, Kunitachi, Tokyo, Japan
☆日本語の詳細が↓↓にあります☆

Come listen to the fabulous music and stories of Alicia Bay Laurel, author of the best-selling 1970 Living On the Earth, who will also be joined by the upbeat grooves of the Inoue Ohana band featuring Hawaiian and reggae style tunes.

An evening of warmth, love and vibrant energy not to be missed!!

Alicia Bay Laurel and Inoue Ohana: ‘Greetings from the Earth’

Friday, June 22nd, 2012
OPEN/START 19:00/20:00
Chikyuya in Kunitachi 地球屋@国立市
Map アクセス: http://chikyuya.info/contents/access

Advance Price: 2000円
At the Door: 2500円

☆LIVE
・ INOUE OHANA (Hawaiian/reggae)
・ Alicia Bay Laurel (acoustic folk)

☆TALK
Alicia Bay Laurel

☆DJ
RAS FUKU

Alicia Bay Laurel's full Japan tour schedule:
http://www.aliciabaylaurel.com/2012japantour

Photo/video/highlights from a recent show of hers in Tokyo:

http://tenthousandthingsfromkyoto.blogspot.jp/2012/06/artists-bring-message-of-harmony-spirit.html

アリシア.ベイ.ローレル

1949年、整形外科医の父と彫刻家の母の間に生ま れたアリシア.ベイ.ローレル。母の影響で、ボヘミアン的な生き方に憧れた彼女は、 高校卒業後、ヒッチハイクの旅に出ます。そうしてたどり着いたのが、カルフォルニアの北部に あるウィラーズランチ、
いわゆるコミューンでした。 当時ランチには100人ほどの自由人が、畑を作り、 牛や馬をかって暮らしていました。

電気も水道もない森の中。右も左もわからない彼女 は、少しずつそこでの生活を覚えていきます。そして、ランチでの自分の役割を見つけます。それは得意の絵 と文章で、自然の中で生きる手引書をつくること。 そうしてできあがったのが『地球の上に生きる』です。
小さな森の手引書はたちまちベストセラーに。

ミュー ジシャンとしても活動しており、2000年に地球
に生き るの音楽編Music from Living on Earth をリリース。
続編に Living inHawail style がある。

*Kathie & Keni Inoue (INOUE OHANA)

Keni 井上:70年代より”南正人”、又バンド”久保 田真琴と夕焼け楽団”その後”サンディーアンドサン セッツ”のギタリストとして活動を開始。その後内外の著名なミュージシャンとのセッションを 経て、現在ソロ活動とバンド"INOUE OHANA"で活動中。

*Kathie井上:90年代より作詞作曲活動をして、
サン ディーや内田有紀などに楽曲提供。"Kathie & Keni Inoue"名 義で"Voyage to Paradise"を2004年に発表。

現在はKeni 井上と日本やハワイのメンバー達と"INOUE OHANA"名義で最新アルバム"Island Blend"をハワイで制作発表。作詞作曲活動と共に"INOUE OHANA"のボーカル&ウクレレ プレイヤーとして活動中。

http://inoueohana.com/

Monday, December 5, 2011

"The history we carry is not just our own...what worries us is all ours...as the soul's call to human compassion."

After certain events, then—including The Great East Japan Earthquake of March 11, 2011— a new energy from the universe churns what is collective into what is individual to produce the mix Jung called “collective unconscious” which we all share.

The history we carry is not just our own. What worries and gnaws at us, like a dog a bone, is all of ours, as shown by the soul’s call to human compassion.

- Alan Botsford, freedom in harmony

Monday, November 7, 2011

Music and Art Peace Academy art exhibit and T-shirt contest for a sustainable future ~ Friday, November 18th @Tokyo



MAPA (Music and Art Peace Academy) will be holding a collaborative art event at M Event Space in Daikanyama on Friday, November 18th to promote a sustainable world. Artists are encouraged to submit their own original artwork that represents sustainability from October 21st to November 10th, 2011. All art forms are welcome - painting, digital art, collage, photos, recycled artwork- anything! All proceeds will be donated to the Global Conference for a Nuclear Power Free World coordinated by Peace Boat scheduled for January 14-15, 2012 in Yokohama.

As explained on the homepage for Parties for Peace, a groundbreaking group that envisions stimulating events which utilize art, music, and dance as a platform to "help raise awareness and fundraise for important International campaigns to promote environmental awareness, human rights and sustainability":

The MAPA project invites individuals, organizations, musicians, artists, photographers, designers, writers, actors, videographers and promoters who are interested in social and environmental issues to work together to promote a culture of peace through music and art and join the Peace Boat global voyage for the Music and Art Peace Academy onboard.

Peace Boat is a Japan-based international non- governmental and non-profit organization that works to promote peace, human rights, equal and sustainable development and respect for the environment. Peace Boat seeks to create awareness and action based on effecting positive social and political change in the world.
MAPA is also accepting entries for their Tshirt and Eco-bag design contest! They will choose one design to print on their Tshirts to be displayed at the event on the 18th of November.

To have your work displayed at the event or to enter the T-shirt contest, simply simply send your proposal for the event or T-shirt design to Emilie McGlone at parties4peace@gmail.com by November 10th.

Saturday, October 15, 2011

Writers in Support of the Occupy Movement

3,227 Writers in Support of the Occupy Movement: http://occupywriters.com:
We, the undersigned writers and all who will join us, support Occupy Wall Street and the Occupy Movement around the world.
Includes Alicia Bay Laurel (beloved by Japanese eco-peace supporters), Naomi Klein, Alice Walker (published in Japanese in Japan, where she has a huge following), Francine Prose, Noam Chomsky, Salman Rushdie, Eve Ensler, and Jane Hirschfield (poet and translator of Japanese poetry).

Monday, September 26, 2011

Wangari Mathaai: When we destroy our natural environment, we degrade ourselves; in helping the earth to heal, we heal ourselves

Wangaari Mathaai, the late Kenyan visionary, articulated the interconnections between democracy, demilitarization, human rights and environmentalism in her holistic vision of a life-sustaining civilization:
Spiritual Environmentalism: Healing Ourselves by Replenishing the Earth

During my more than three decades as an environmentalist and campaigner for democratic rights, people have often asked me whether spirituality, different religious traditions, and the Bible in particular had inspired me, and influenced my activism and the work of the Green Belt Movement (GBM). Did I conceive conservation of the environment and empowerment of ordinary people as a kind of religious vocation? Were there spiritual lessons to be learned and applied to their own environmental efforts, or in their lives as a whole?...

However, I never differentiated between activities that might be called "spiritual" and those that might be termed "secular." After a few years I came to recognize that our efforts weren't only about planting trees, but were also about sowing seeds of a different sort—the ones necessary to give communities the self-confidence and self-knowledge to rediscover their authentic voice and speak out on behalf of their rights (human, environmental, civic, and political). Our task also became to expand what we call "democratic space," in which ordinary citizens could make decisions on their own behalf to benefit themselves, their community, their country, and the environment that sustains them...

In the process of helping the earth to heal, we help ourselves.

Through my experiences and observations, I have come to believe that the physical destruction of the earth extends to us, too. If we live in an environment that's wounded—where the water is polluted, the air is filled with soot and fumes, the food is contaminated with heavy metals and plastic residues, or the soil is practically dust—it hurts us, chipping away at our health and creating injuries at a physical, psychological, and spiritual level. In degrading the environment, therefore, we degrade ourselves.

The reverse is also true. In the process of helping the earth to heal, we help ourselves. If we see the earth bleeding from the loss of topsoil, biodiversity, or drought and desertification, and if we help reclaim or save what is lost—for instance, through regeneration of degraded forests—the planet will help us in our self-healing and indeed survival. When we can eat healthier, nonadulterated food; when we breathe clean air and drink clean water; when the soil can produce an abundance of vegetables or grains, our own sicknesses and unhealthy lifestyles become healed. The same values we employ in the service of the earth's replenishment work on us, too. We can love ourselves as we love the earth; feel grateful for who we are, even as we are grateful for the earth's bounty; better ourselves, even as we use that self-empowerment to improve the earth; offer service to ourselves, even as we practice volunteerism for the earth.

Human beings have a consciousness by which we can appreciate love, beauty, creativity, and innovation or mourn the lack thereof. To the extent that we can go beyond ourselves and ordinary biological instincts, we can experience what it means to be human and therefore different from other animals. We can appreciate the delicacy of dew or a flower in bloom, water as it runs over the pebbles or the majesty of an elephant, the fragility of the butterfly or a field of wheat or leaves blowing in the wind. Such aesthetic responses are valid in their own right, and as reactions to the natural world they can inspire in us a sense of wonder and beauty that in turn encourages a sense of the divine.

The environment becomes sacred, because to destroy what is essential to life is to destroy life itself.

That consciousness acknowledges that while a certain tree, forest, or mountain itself may not be holy, the life-sustaining services it provides—the oxygen we breathe, the water we drink—are what make existence possible, and so deserve our respect and veneration. From this point of view, the environment becomes sacred, because to destroy what is essential to life is to destroy life itself.
Read more of this entire excerpt of Replenishing the Earth: Spiritual Values for Healing Ourselves and the World here.

Monday, September 12, 2011

Denise Levertov: "We must dare to win not wars, but a future in which to live."

...Let our different dream,

and more than dream, our acts

of constructive refusal generate

struggle. And love. We must dare to win

not wars, but a future

in which to live.


- Denise Levertov, concluding lines from her poem "A Speech for Antidraft Rally, D.C., March 22, 1980”

Saturday, August 6, 2011

Kenzaburo Oe's "Hiroshima and the Art of Outrage" illuminates interconnections between Hiroshima bombing, Okinawa bases, & nuclear "umbrella"

Kenzaburo Oe has been a principal voice in Japan's soul-searching in matters of war and peace since his emergence as a literary wunderkind during the late 1950's. Scholar John Nathan described the novelist as a "spokesman for the postwar generation" whose novels explored the lives of "young Japanese struggling to survive with dignity in desecrated society." Oe said the three seminal influences on his personal and creative development were the birth of his handicapped son, Hikari, and his visits to Hiroshima and Okinawa.



Concerned about the accelerated remilitarization of Japan during the Koizumi-Bush era, Oe joined with prominent Japanese thinkers in founding 9-Jo No Kai (The Article 9 Association) in 2004. In 2008, Oe prevailed in a lawsuit challenging his essay, Okinawa Notes in which the author adhered to the widely accepted assertion that the Japanese military forced civilians to commit mass suicide during the Battle of Okinawa. Earlier this summer, speaking at an Article 9 Association meeting in Tokyo on June 19 (the 50th anniversary of the automatic enactment of the revised Japan-U.S. Security Treaty on June 19, 1960), Oe called for a reduction in military bases on Okinawa in accordance with the Peace Constitution.

In "Hiroshima and the Art of Outrage," published by the New York Times last year, Oe articulates the interconnections between atomic bombings of Hiroshima and Nagasaki; the 60-year U.S.-Japan military occupation of Okinawa; and ongoing attempts by military industrialists to undermine Japan's non-nuclear principles:
The Futenma Marine Corps Air Station on Okinawa, one of the largest United States military bases in East Asia, is in the center of a crowded city. The American and Japanese governments acknowledge the dangers of this situation, and they agreed nearly 15 years ago that the base should be moved; however, no move has yet been made.

In 2009 a new prime minister, Yukio Hatoyama, tantalized Okinawans with the prospect of moving the despised base off the island, but he was recently forced to resign, in part because of his failure to keep that promise. Mr. Hatoyama’s successor, Naoto Kan, has made it clear that he intends to respect the United States-Japan security treaty — a position that, while not directly related to the issue of dialing down the United States military presence in Japan, may indicate which way the wind is blowing.

It was recently reported here that a government panel is about to submit a policy paper to Prime Minister Kan, suggesting that regarding Japan’s “three nonnuclear principles” — prohibiting the production, possession and introduction of nuclear weapons — it was not wise to “limit the helping hand of the United States,” and recommending that we allow the transport of nuclear arms through our territory to improve the so-called nuclear umbrella.

When I read about this in the newspaper last week, I felt a great sense of outrage. (I’ll explain later why that word has such deep significance for me.) I felt the same way when another outrageous bit of news came to light this year: the decades-old, Okinawa-related secret agreement entered into by the United States and Japan in contravention of the third of the three nonnuclear principles, which forbids bringing nuclear weapons into Japan.

At the annual Hiroshima Peace Ceremony on Friday, this year marking the 65th anniversary of the dropping of the atom bomb, representatives from Britain, France and the United States planned to be in attendance, for the first time. This is a public event at which government leaders give speeches, but it also has a more profound and private aspect, as the atomic bomb survivors offer ritual consolation to the spirits of their dead relatives. Of all the official events that have been created during the past 200 years of modernization, the peace ceremony has the greatest degree of moral seriousness... In Edward W. Said’s last book, “On Late Style,” he gives many examples of artists (composers, musicians, poets, writers) whose work as they grew older contained a peculiar sort of concentrated tension, hovering on the brink of catastrophe, and who, in their later years, used that tension to express their epochs, their worlds, their societies, themselves.

As for me, on the day last week when I learned about the revival of the nuclear-umbrella ideology, I looked at myself sitting alone in my study in the dead of night . . . . . . and what I saw was an aged, powerless human being, motionless under the weight of this great outrage, just feeling the peculiarly concentrated tension, as if doing so (while doing nothing) were an art form in itself. And for that old Japanese man, perhaps sitting there alone in silent protest will be his own “late work.”
Read the entire essay here.

(See also: Kenzaburo Oe's "Misreading, Espionage and 'Beautiful Martyrdom': On Hearing the Okinawa ‘Mass Suicides’ Suit Court Verdict," published at Japan Focus in 2008)

Saturday, July 16, 2011

Haruki Marukami: As An Unrealistic Dreamer

World-renowned Japanese author Haruki Marukami was recently named the winner of the 2011 Premi Internacional Catalunya, whose judges praised him as having "built a literary bridge between east and west, bringing the two worlds together."

During Murakami's acceptance speech, delivered on June 9th in Barcelona, he first thanked the committee for the prestigious award, and memorialized the victims of the recent earthquake and tsunami disaster in Japan. Turning subsequently toward the matter of the ongoing nuclear crisis that followed, he powerfully and poignantly lamented the social values that allowed the Fukushima tragedy to occur:
Sixty-six years after the nuclear bombings, the Fukushima Dai-ichi nuclear reactors have now been spreading radioactivity for three months, contaminating the soil, the ocean and the air around them. No one knows how and when we can stop this. This is the second source of devastation caused by nuclear power in Japan, but this time nobody dropped an atomic bomb. We, the Japanese people, paved our own way for this tragedy, making grave errors and contributing to the destruction of our own lands and lives.

Why did this occur? What happened to our rejection of nuclear power after World War II? What was it that corrupted our goal of a peaceful and prosperous society, which we had been pursuing so diligently?

The reason is simple. The reason is “efficiency”.

The electrical power companies insisted that nuclear plants offered an efficient power generation system. In other words, it was a system from which they could derive profit. For its part, the Japanese government doubted the stability of petroleum supplies, particularly since the oil crisis, and promoted nuclear power generation as national policy. The electrical power companies spent huge amounts of money on advertisements, thereby bribing the media to indoctrinate the Japanese people with the illusion that nuclear power generation was completely safe.

Before we knew it, 30 percent of electricity generation was being supplied by nuclear power. Japan, a small island nation frequently struck by earthquakes, thus became the third leading nuclear power-generating country, without the Japanese people even realizing what was happening.

We had gone beyond the point of no return. The deed was done. Those who doubted nuclear power generation were now asked the intimidating question, “Would you be in favour of power shortages?” Japanese people had come to believe that reliance on nuclear power was inevitable. Living without air conditioning during a hot and humid Japanese summer is almost akin to torture. Consequently, those who harbour doubts about nuclear power generation came to be labelled as “unrealistic dreamers”.

And so we arrived where we are today. Nuclear power plants, which were supposed to be efficient, instead offer us a vision of hell. This is the reality.

The so-called “reality” that has been proclaimed by those who promote nuclear power, however, isn’t reality at all. It is nothing more than superficial “convenience”, which their flawed logic confused with reality itself.

This situation marked the collapse of the myth regarding Japan’s technological prowess, of which the Japanese people had been so proud. In addition, allowing this distorted logic represented the defeat of existing Japanese ethics and values. We now blame the electrical companies and Japanese government, which is right and necessary. At the same time however, we must also point the finger at ourselves. We are at once victims and perpetrators, and we must consider this fact seriously. If we fail to do so, we will make the same mistake again.

“Let all the souls here rest in peace, for we shall not repeat the evil.”

We must take these words to our hearts.
Murakami's speech has been translated into English, Romanian, German, French, and Italian (with a Portuguese translation forthcoming shortly) through a collaborative project organized by the members of a Paris-based project known as Senrinomichi, which has been working to provide material, financial, and human assistance to those affected by the March 11th disaster.

Kevin, the Senrinomichi organizer who spearheaded the translation project (which is titled Planting Seeds Together, from the closing idea within Murakami's speech), explained the background to the initiative:
Since hearing the news about Murakami san’s Catalunya Prize speech in Barcelona on Friday, I had tried long and hard to find an English translation. For several days the search proved fruitless, and increasingly frustrating. All I could find were brief extracts, which merely increased my appetite rather than assuaging it. It was like offering a thirsty man vinegar, or inviting a music lover to listen to the final chorus from Bach’s St Matthew’s Passion and then saying there was no need to listen to the previous three hours.

What surprised me was how many people who don’t speak Japanese came forward to take favourable or unfavourable positions on the speech, on the basis of these very same selected media sound bites. Since March 11, I have learned to be distrustful of media reporting in a way that I never felt before. Bread and circuses, all efficiently packaged….

On Tuesday, I finally found the first translation, written by a self-styled ordinary salary man in Japan. I drank in those words, like a long cold beer after lashings of vinegar, posted the translation to Senrinomichi and went to sleep. But the following day the words kept coming back to me, and I understood that I had myself now to contribute to this translation, even if I did not understand the words of Murakami san’s text in Japanese. Let’s call it an interpretation of the translation. At other times this could seem perverse, but not now. Now this seems like the right thing, the only thing to do. How could it be otherwise? At such moments, life seems so simple.

In adding my grain of sand to the translation, something strange and unexpected happened. Drifting amid the words, the silences and interstices of the text, I began to make better sense of the whirlwind of thoughts and ideas that have been racing around in my head since March 11. Thoughts about Japan, the ephemeral, the notion of chance, the nuclear question, about what can each of us can do to help, thoughts that had initially led to the creation of this blog and subsequently provided its backdrop. In taking the time to think carefully about each of the words in the translation, and in listening to each of the pauses between the words – which seem to me no less important in Murakami san’s speech – I came to understand more clearly the recent Brownian motion of my own mind.

In this sense, perhaps I can say that I dreamed, and that I shared my story at least with myself, but also with anyone who is taking the trouble to read this.

I love and am occasionally afraid of the power of words, though unlike Murakami san I am not a writer. I am an ordinary salary man in Paris, who feels a kinship with my friend, the ordinary salary man in Tokyo, who I understand also loves words. It was from such kinship that Senrinomichi was born, even though I didn’t know that particular ordinary salary man before yesterday when, to borrow his image (again), a small, but very happy storm was unleashed on both our houses…

Translation is the work of a single person. Murakami san’s novels are assigned to a single translator per language, which explains why the non Japanese-speaking readers have to wait so long for translations to appear. Translation is a complex process, a lonely process, an enriching process, a creation in its own right. Words are powerful, they must be treated with respect, not hurried, not abused or treated “inconveniently”.

But at this time I keep thinking about the words, the ideas from the Barcelona speech. These words that should be heard and be published, not as media sound bites but in their entirety, not as part of a subsequent Murakami Collected Works, but here, now, everywhere.

In the absence of an official translation, but also inspired by the spirit of Murakami san’s speech, I would therefore like to propose something quite different, quite singular. That we – Japanese and other nationalities – work together to produce collaborative translations of the Barcelona speech, in English but also in other languages. And that we then communicate this to the traditional international mass media and internet sites in our different countries, which to date seem to have let us down with their reporting of this speech. In doing so, in our own way we take up the exhortation of Murakami Haruki, to go out together into the fields, to cultivate and sow seeds.

Together we would work like the workshop students of the great Renaissance artists, as cheerful artisans.

Finally, I cannot help but find resonance with the name we chose for our site, Senrinomichi,千里の道– the journey of a thousand miles begins with a single step.

Serendipity is everywhere just now. The very moment I completed my interpretation of the translation, the feed to Senriomichi was published on Haruki Murakami’s Facebook page. Am I dreaming this?

Perhaps this is all madness, perhaps translations are already envisaged, perhaps I need to sleep. Perhaps, perhaps perhaps… but just now all of this seems so obvious.

…“Everyone doing what they can do, all hearts together”
The full text of Murakami's speech in English may be read here.

Anyone interested in contributing to the collaborative translation project with additional languages is asked to please contact Senrinomichi via the group's Facebook page, or by e-mail at senrinomichi23@gmail.com.



- Kimberly Hughes

Monday, June 13, 2011

Love is the ultimate force that makes for the saving choice of life and good against the damning choice of death & evil

Love is the ultimate force that makes for the saving choice of life and good against the damning choice of death and evil. Therefore the first hope in our inventory must be the hope that love is going to have the last word.

- Dr. Martin Luther King quoting historian Arnold Toynbee

Monday, May 2, 2011

Grace Lee Boggs calls for a revolution in cultural values: "What are we for, rather than what are we against?"


In this Democracy Now! interview, legendary peace & justice activist from Detroit, Grace Lee Boggs talks about the social and cultural openings unfolding in the wake of failures of our current economic system. Boggs, with DN!'s Juan Gonzalez, Harper'scolumnist Thomas Frank, and minister Jim Wallis, discuss the revolution in values Martin Luther King called for 50 years ago.

This Asia Pacific Forum (WBAI 99.5 FM) interview, "Making the World Anew," with Grace Lee Boggs and her co-author Scott Kurishige, focuses on their new book, The Next American Revolution: Sustainable Activism for the Twenty-first Century. The deep question the book addresses is "What are we for, rather than what are we against?"

The daughter of Chinese immigrants who lived in New York City, Boggs attended Barnard College on a scholarship, and received a PhD at Bryn Mawr, before embarking on a journey of lifelong advocacy of interconnected social justice and peace causes.

Her father ran a popular Chinese restaurant on Broadway, near Times Square. Despite all his success, in the 1920's, when he bought a house in Queens, he had to the put deed in the name of an Irish-American contractor because Asian-Americans were not allowed to own property.

Because of her experience with structural racism, Grace Lee Boggs came to identify with African American intellectuals and activists, the vanguard of all U.S. ethnic minority movements and leaders in global human rights and anti-colonial struggles during the 20th century.

In an interview with public broadcaster Bill Moyers in 2006, Boggs explained:
When I was growing up, Asians were so few and far between, they were almost invisible, so the idea of an Asian American movement was unthinkable. When I got my PhD in 1940, even department stores would come out and say, 'We don't hire Orientals, and so the idea of my getting a job teaching at a university was ridiculous.
Boggs tells us that we must remain aware our struggles for equality, dignity, justice and peace are part of an ancient humanistic tradition that is interconnected and global in scope. The philosopher-activist sees nonviolent grassroots social change as part of a "pilgrimage" that humans have undertaken for millennia.

Discussing her mentor, Dr. Martin Luther King, Boggs reminds us that King didn't just talk about civil rights. Similarly to Malcolm X and other anti-colonial activists of his time, King saw the American Civil Rights Movement as one piece of a global human rights movement challenging the violence and exploitation of hundreds of years of militarized colonialism. Boggs echoes King in telling us that our challenge is not one nation, but instead our challenge are the globally interconnected patterns of racism, materialism, violence, and militarism. As King emphasized, we can only address this dysfunctional and sick mindset by cultivating a "radical revolution of values" — spiritual, moral, creative, and human values — a revolution that begins inside ourselves.

Instead of despairing at what we're up against, Boggs sees hope for change by "bringing together small groups for a major cultural revolution" to address the monstrous growth of the military-industrial complex, the planetary environmental emergency, the plight of the marginalized and other related problems.

We must look for ways to "regain our humanity in little, practical ways." She recommends gardening, especially community gardening, as a means for us to remain connected with and become empowered by our beautiful, living, natural world.


(Grace & the late Jim Boggs. Image: Boggs Center)

Grace Lee Boggs reminds us to stay focused and gain strength from being effective in our personal worlds and finding alternative ways to regain and expand control over our lives:
Do something local...Do something real, however small...There was a time when we thought if we just received political power, we could change everything...

But we have to begin new practices... engender discussions...community...dialogue...

We have to change the way we think...I think we have to rethink the concept of "leader" because the idea of "leader" implies power...

We need to appropriate the idea that we are the leaders we've been waiting for.
More about Grace Lee Boggs and her affirmative philosophy at The Boggs Center website.