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Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Friday, August 14, 2015

Koshichi Taira: Thinking about True Peace during the 70th Anniversary of the End of WWII • Nago Museum Gallery • Aug. 14-30, 2015



Koshichi Taira Photography Exhibition
Thinking about True Peace during the 70th Anniversary of the End of WWII,
focusing on the aftermath of the Himeyuri Student Nurses Corp.

8/14 (Friday)-8/30 (Sunday)
Nago Museum Gallery
Nago City, Okinawa 
Admission: free

Okinawan photographer Koshichi Taira's photography is as unblinking, empathetic, and profound as that of Japanese photographer Shomei Tomatsu.  But where Tomatsu is known (albeit not well known), there is almost nothing about Taira's brilliant work translated into English.

The Nago Museum's exhibition of Taira's photography, which opens today, invites viewers to think about the nature of true peace during the 70th anniversary of the end of WWII.

222 Okinawan female high school students, aged 15 to 19, were mobilized as the Himeyuri Student Nurse Corps in March, 1945 as the US-Jp battle in Okinawa began on the ground. (US bombing of Okinawa began in October 1944). During the battle, about 200,000 lives were lost, including 120,000 Okinawan civilians, one-third of the population. Among the Himeyuri nurses, 123 students and 13 teachers were killed.

Saturday, July 12, 2014

Friday, February 14, 2014

Deep Kyoto: "Taking my time getting to work this morning (in snowy Kyoto)"


Nishi-Honganji, Western Temple of the Original Vow," 
one of two Jōdo Shinshu (Pure Land Buddhist) temple complexes in Kyoto.
(This & more beautiful photos of Kyoto in the morning snow: Deep Kyoto)

Saturday, January 25, 2014

John Einarsen: Waking up to snow in Kyoto...



John Einarsen, Kyoto Journal founding editor:
Waking up to snow in Kyoto is one of the best things in life. It is an event, an occasion when the world is totally transformed...

Here is one of my favorite Kyoto spots in the snow—Nanzenji

Tuesday, November 19, 2013

Restoring the Soil, Restoring Ourselves: Yoshikazu Kawaguchi

Great photography and content about Yoshikazu Kawaguchi 
at filmmaker and photographer Patrick M. Lyndon's website
 Lyndon's and Suhee Kang's film, Final Straw, 
explores natural farming in Korea, Japan, and the U.S.

Ted Taylor's beautiful essay at KJ, "Even in 'Just Enough' There is Abundance," follows farmer Yoshikazu Kawaguchi's return to traditional organic farming and the development of his natural philosophy:
In fact, all life in the natural world is lived, as demonstrated in the interrelationship of all living things. Plants cannot exist without animals, and vice-versa. If there is good harmony between the organisms, plants, and animals, the cycle of life continues. As a farmer, Kawaguchi's role is simply to nurture this natural order, by cutting the weeds back just enough so that new rice shoots can grow, but later her allows the weeds to grow along with the rice in harmony. This leads to wholeness, with everything living together.
Final Straw, an upcoming documentary by Patrick M. Lyndon and Suhee Kang, also explores Kawaguchi's world  (and that of Seonghyun Choi and other natural farmers in Japan and Korea):



Environmental artist duo Patrick Lydon and Suhee Kang... are now in the final post-production stage for the Final Straw documentary. Due for initial screening in Spring of 2014, Final Straw is a cinematic exploration of Japanese natural farming, and a philosophical ride through the minds of amazing individuals who offer simple solutions to modern issues of sustainability, both on the farm and in the city. The film interacts with a cast of office workers, chefs, musicians, and farmers alike, all of who are students of the late Japanese farmer/philosopher, Masanobu Fukuoka.

It all started on a small mist-covered mountain farm in South Korea, and continued to include over 20 natural farmers in East Asia and the USA. The Final Straw is a story about food, life, and philosophy from individuals who have a great deal of delicious secrets, and a great deal of wisdom to impart about life. Yet, while the Final Straw is a deeply rooted exploration of natural farming, it’s also a film which teaches equally as much about how to live life as it does about how to grow healthy food. And today, with over 1/2 of the world’s population living in urban areas, it seems we need to revisit this connection with nature more than ever before.

Over the past 100 years, our gradual reliance on industry and separation from the natural world have pushed us into the most epically unsustainable and unhealthy time period yet known to humanity.

Food and diet have quietly become the leading cause of death in the U.S., and on a world scale, intensive chemical-based industrial agriculture have caused the deterioration of billions of acres of farmland, the starvation of millions of human beings, and the loss of over 75% of our planet’s agricultural diversity.

The destruction of natural resources continues at an alarming rate, and both governments and food producers are looking for answers to questions of human health and ecological sustainability, with a multi-billion dollar industry leading the charge to find the most economically profitable answer.

It’s slightly amusing then, that that on a few small farms tucked away in the mountain valleys of Japan and South Korea, Patrick and Suhee found a very simple 4,000 year-old answer to this very perplexing modern question.

Sunday, October 20, 2013

Kyoto: The Forest Within the Gate - A transcendent journey in poems and photographs to Japan's ancient capital

A few years ago, when I received the chapbook incarnation of Edith Schiffert's and John Einarsen's Kyoto: The Forest Within the Gate, I felt like I had been surprised by a dream of the ancient capital in the mail.  A new incarnation of this luminous book has been launched; with an IndieGoGo campaign to finance publishing costs. They are asking Kyoto lovers to help support and be a part of this beautiful project (JD):



                                                  Resting on the earth

                                                  who needs satori or faith?


                                                  Embrace what holds you!



Imagine a book enfolding some of the best expat poetry and photography of the 1200-year-old city of Kyoto, cultural and spiritual heart of Japan. For five decades Edith Shiffert, now age 97, has written haiku and poems inspired by the ancient capital. John Einarsen has been making striking yet serene photographs of Kyoto for more than three decades.

Now Edith and John share their vision and love of this magical city with the book Kyoto: The Forest Within the Gate (144 pp, more than 100 duotone photographs and 30 poems). In addition, three renowned writers on Japanese culture, Marc P. Keane, Diane Durston and Takeda Yoshifumi, have contributed illuminating essays. Rona Conti's calligraphy is yet another treat for the eyes.

We plan to publish an edition of this singular book. Its design is complete to the last detail, but for this first edition to go to print we need your help.

Take this transcendent journey to Kyoto by contributing today. All donations are warmly appreciated. Those giving $60 or more will receive a signed edition of this remarkable book.





Tuesday, September 10, 2013

Naomi Toyoda: The Human Cost of Uranium Weapons



The destructive US legacy of "regime change" in Iraq has been foremost in the minds of those who joined the global outcry against the Obama administration's call to bomb  Syria.  Images of white phosphorus bombings; prisoner torture at Abu Ghraib; millions of Iraqi refugees; stories of young widows and children forced to prostitute themselves to survive; and reports of perpetual violence in Iraq are now imprinted in our collective memory.

Many in Japan are especially sensitive to the suffering caused by depleted uranium (DU) to Iraqi hibakusha: children born with mutations and Iraqis of all ages suffering from cancer.

 Naomi Toyoda has covered the human cost and environmental devastion of the US invasion of Iraq, depleted uranium weapons, Hiroshima and Nagasaki nuclear bombing survivors, and the Fukushima nuclear disaster. He is co-editor of The Unending Iraq War: Questioning Anew from Fukushima.

Toyoda's exhibition, The Human Cost of Uranium Weapons, toured Europe in 2006. The International Coalition to Ban Uranium Weapons has an online gallery of the Japanese photojournalist's compassionate photographs which reflect the profound suffering caused by radioactive weapons in Iraq.










Depleted uranium (DU) is a radioactive heavy metal waste product of the nuclear power and nuclear weapons industry. Their nanoparticle fallout has a half-life of 4.5 billion years, and enters the body through inhalation and ingestion, where they pass through cell walls..  DU can cause or accelerate cancer, mutate genes, and affect the kidneys, immune system, nervous system, respiratory system, and reproductive system.  The United Nations Human Rights Commission considers DU munitions to be "weapons of mass destruction or with indiscriminate effect" incompatible with international humanitarian law.

The US is the largest producer and user of DU weapons. The US military has produced DU weapons from nuclear waste since the 1970's.  The US  used uranium weapons in Iraq in 1991; in Bosnia from 1994 to 1995;  in Afghanistan from 2001; and in Iraq from 2003. NATO used depleted uranium weapons in Kosovo, Serbia and Montenegro in 1999. The US tested depleted uranium in Puerto Rico and Okinawa; the UK tested it in Scotland.

The UN General Assembly has twice called for greater transparency over DU weapons use. In December 2012, 155 countries voted in favor, however the US, UK, France and Israel opposed the text, which also acknowledged public health risks from DU use.

On the 10th anniversary of the US invasion of Iraq, Democracy Now! interviewed  Al Jazeera reporter Dahr Jamail who described the legacy of the U.S. military’s use of depleted uranium and white phosphorus (a chemical weapon) in Iraq and the ongoing plight of refugees in an interview,  "Ten Years Later, U.S. Has Left Iraq with Mass Displacement and an Epidemic of Birth Defects, Cancers":
...in 2005 we saw 1,600 Iraqis with cancer out of 100,000, so a massive escalation that continues.

 And going on to Fallujah, because I wrote about this a year ago, and then I returned to the city again this trip, we are seeing an absolute crisis of congenital malformations of newborn. There is one doctor, a pediatrician named Dr. Samira Alani, working on this crisis in the city. She’s the only person there registering cases. And she’s seeing horrific birth defects. I mean, these are extremely hard to look at. They’re extremely hard to bear witness to. But it’s something that we all need to pay attention to, because of the amount of depleted uranium used by the U.S. military during both of their brutal attacks on the city of 2004, as well as other toxic munitions like white phosphorus, among other things.

 And so, what this has generated is, from 2004 up to this day, we are seeing a rate of congenital malformations in the city of Fallujah that has surpassed even that in the aftermath of—in the wake of the Japanese cities of Hiroshima and Nagasaki that were—that nuclear bombs were dropped on at the end of World War II. So, Dr. Samira Alani actually visited with doctors in Japan, comparing statistics, and found that the amount of congenital malformations in Fallujah is 14 times greater than the same rate measured in the cities of Hiroshima and Nagasaki in Japan in the aftermath of the nuclear bombings.

These types of birth defects, she said—there are types of congenital malformations that she said they don’t even have medical terms for, that some of the things they’re seeing, they’ve never seen before. They’re not in any of the books or any of the scientific literature that they have access to. She said it’s common now in Fallujah for newborns to come out with massive multiple systemic defects, immune problems, massive central nervous system problems, massive heart problems, skeletal disorders, baby’s being born with two heads, babies being born with half of their internal organs outside of their bodies, cyclops babies literally with one eye—really, really, really horrific nightmarish types of birth defects. And it is ongoing...

Stunningly, as bad as things were under Saddam—and we have to keep in mind this perspective of Saddam in the wake of a brutal eight-year war with Iran and then the genocidal sanctions for 13 years, from 1991 up until the beginning of this invasion in March 2003—as bad as it was under Saddam, with the repression and the detentions and the torture and the killings, the overall feeling of Iraqis today, in Baghdad and other places in Iraq where I went this trip, was that things are much worse now...

Doug Rokke. who has a PhD in health physics, is one of the many people who have had direct experience with depleted uranium who advocate against it.  When the Gulf War started, he prepared soldiers to respond to nuclear, biological, and chemical warfare.  In "War Against Ourselves," a 2003 interview at YES! Magazine, he describes how DU caused deaths of his colleagues:
DU is an extremely effective weapon. Each tank round is 10 pounds of solid uranium-238 contaminated with plutonium, neptunium, americium. It is pyrophoric, generating intense heat on impact, penetrating a tank because of the heavy weight of its metal. When uranium munitions hit, it's like a firestorm inside any vehicle or structure, and so we saw tremendous burns, tremendous injuries. It was devastating.

The US military decided to blow up Saddam's chemical, biological, and radiological stockpiles in place, which released the contamination back on the US troops and on everybody in the whole region. The chemical agent detectors and radiological monitors were going off all over the place. We had all of the various nerve agents. We think there were biological agents, and there were destroyed nuclear reactor facilities. It was a toxic wasteland. And we had DU added to this whole mess...

The half life of uranium 238 is 4.5 billion years. And we left over 320 tons all over the place in Iraq...

 What I saw...led me to one conclusion: uranium munitions must be banned from the planet, for eternity, and medical care must be provided for everyone, not just the US...but for the American citizens of Vieques, for the residents of Iraq, of Okinawa, of Scotland, of Indiana, of Maryland, and now Afghanistan and Kosovo...

War has become obsolete, because we can't deal with the consequences on our warriors or the environment, but more important, on the noncombatants. When you reach a point in war when the contamination and the health effects of war can't be cleaned up because of the weapons you use, and medical care can't be given to the soldiers who participated in the war on either side or to the civilians affected, then it's time for peace.
---

More background:

Naomi Toyoda's website (The Asahi Shimbun)

"ICBUW-Japan commemorates 10th Anniversary - U.S. March 2003 Iraq Occupation"
(Int. Coalition to Ban Uranium Weapons (ICBUW), May 9, 2013)

"A decade on and depleted uranium contamination still blights Iraq" ((Int. Coalition to Ban Uranium Weapons (ICBUW), March 7, 2013)

"1/250th of a Second — Naomi Toyoda" (Peace Boat Voyage 62, June 7, 2008)

"Iraq – A Nuclear Polluted Land" (Naomi Toyoda, The Asia-Pacific Journal, 2003)

"A Speech by Naomi Toyoda at the EU Exhibition, The Human Cost of Uranium Weapons" (Int. Coalition to Ban Uranium Weapons, Hiroshima Office, May 14-16, 2007)

JIM-NET - Japan Iraq Medical Network (Japan-based network of NGOs, private medical clinics and private companies that provide technical, efficient and continuous support for Iraqi children with cancer)



Save the War Children: Ban Uranium Weapons (Website of Japanese photojournalist Takashi Morizumi)

"Discounted Casualties — the human cost of depleted uranium" (Akira Toshiro, The Chugoku Shimbun)

Child Victims of War (UK-based NGO that exposes the impact of modern warfare on children)

-JD

Monday, August 5, 2013

Resurrecting Hiroshima: Things Left Behind


"Things Left Behind" is the title of an exhibition by photographer Miyako Ishiuchi and a documentary about the exhibition by Japan-born filmmaker Linda Hoaglund.  They leave one with the sense of two women wrestling with not only history and time, but also death itself, in their attempts to pierce through to the other side of 8:15 a.m., August 6, 1945.

Their search is about facing trauma; the anguish of loss, the striving to resurrect the past; the invocation of spirits — if only for a while.  These photographs and this film are an invitation for us to meet and lay to rest the dead of Hiroshima by meditating upon the things they left behind.

Things Left Behind is playing with English subtitles every day at 4:30 p.m. at Iwanami Hall in Tokyo, until August 16, the day after the anniversary of the end of the Second World War. 11:30 a.m. screening time in Japanese only.  Steven Okazaki's White Light, Black Rain is also showing at 2 p.m. and 6:50 p.m.

Saturday, July 6, 2013

Fireflies






Have to share this magical photo of fireflies 
taken by KJ's amazing web designer, Rick Elizaga!
For more of KJ, visit  Kyotojournal.org



Thursday, September 6, 2012

Ahn Sehong's "Layer-by-Layer Project" - Gallery Furuto, Tokyo through Sept. 9

Photo: Photographs of the Soul. Courtesy of Ahn Sehong

Ahn Sehong's "Layer by Layer Project: Military Sexual Slavery by Japan During the Second World War" is being exhibited (the second time this year) at Gallery Furuto in Tokyo’s Nerima Ward through Sept. 9.

The exhibition features 36 black-and-white pictures of 12 Korean women who were abandoned in China, after being forced into Japanese military sexual slavery during the Pacific War.

The first exhibition, at Nikon Gallery, encountered rightist backlash, a pattern used to repress controversial views in Japan since the postwar period. Tomoko Otake's Aug. 19 article at The Japan Times details Ahn's experience and gives voice to the photographer's compassionate and humanitarian motivation, just as he gives some voice to these displaced, forgotten victims of military sexual violence and war:
"This is not an issue of Japan-Korea relations," he said. "It's an issue of how war can infringe on the human rights of women who are the most vulnerable members of society. Japanese prostitutes were also taken (to other parts of Asia) as comfort women, and their rights were significantly trampled upon as well."
Toyohiro Mishima's Sept. 4 article at The Asahi explains how the second exhibition came about through the support of Kozo Nagata, a Musashi University professor and Kazuo Tajima, the manager of Gallery Furuto.

Twelve of the photographs are available for viewing at Ahn's website, Photographs of the Soul.

Thursday, August 16, 2012

Nippon Myohoji: "Walk of Life" (命の行進 2012)


(空から一条の光が玄題旗に降り注ぎ、雲に、紫の帯になって、映っているようです!At the Kagoshima Prefecture Sendai nuclear power plant, before fasting, the priests engage in a prayer walk for purification from the sea. A streak of light from the sky fell on the flag from the sky, the clouds turned purple. Photo: Walk of Life on Facebook)



In early February, Nippon Myohoji Buddhist priests began a "Walk Of Life" across Japan, stopping at all the country's nuclear plants to offer prayers to the sacred grounds of each of these locations. Their final stop will be the Hiroshima Peace Memorial Park on August 6.

This photo was taken in Kagoshima, at the southern tip of Kyushu.

Saturday, August 11, 2012

Petronella Ytsma: "Legacy of an Ecocide: Agent Orange Aftermath"





My work is concerned with social justice and ecological issues from an artistic perspective. Primarily through the lens of my Hasselblad, which allows the ‘unhurried visit’, I explore remnants and legacy, memory and mirror, and reflect on the civil contracts inherent between image maker, giver and viewer. Images from this body of work about intergenerational effects of Agent Orange on a specific population comprise a cautionary tale, a never-ending highly controversial one fraught with myriad complexities. As maker and viewer, they confirm my sense of being in the world and are for me the embodiment of a prayer.

From 1961 to 1971 the United States engaged in what can only be described as an ecocide - the most extensive and systematic use of chemical warfare in the history of mankind, for the stated purpose of defoliation in Viet Nam, Laos and Cambodia. Much was done in secret, with full denial, and with little thought to long-term consequences on troops, local populations or environment. The most toxic of the chemicals employed was Agent Orange containing high levels of Dioxin. The Vietnamese interpret this as a reclamation chemical to ‘bare the leaves of plants for making VN to become a place of fallow hill - empty house.’ Estimates of 80 million litres (12 million gallons) were systematically used, impacting about 25% of the land in South Viet Nam. It is also estimated that 4.8 million people were exposed, at least 3 million symptomatic and 85% of families having 2 or more children affected.

In 2007, and again in 2008, I spent several months in Viet Nam, researching and documenting issues surrounding Agent Orange/Dioxin. I visited various ‘hot spots’, interviewing government and community officials, 75 families and several long-term care facilities, documenting many children afflicted with a wide array of disabilities attributable to effects of Dioxin. Images are some of the portraits of second and third generations affected by this war that ended about 40 years ago.

The relevancy of this work lies in the fact that we remain a hegemonic power heavily invested in war and chemical industrial complexes. We fool ourselves into believing that other people’s children are not as precious, or human, as our own. These images serve both as a glimpse of the legacy we left, but more importantly, they are my testimony to the children, their families and to the mystery of what makes us human. For them and millions of others, that war is not over. They cannot close their eyes to it and simply move on. I believe it is vital that we meet their eyes and look into this mirror. May these images deny the wish to erase the past and ‘the other’ from memory.

Tuesday, June 19, 2012

Tuesday, April 10, 2012

Cherry Blossoms at Night in Tokyo's Nakameguro Neighborhood

This was taken in Nakameguro along the Meguro River, which has amazing views of the sakura. Last night the weather was wonderful and tons of people were out enjoying the food stalls. Photo: Kim Hughes

Thursday, March 8, 2012

Yamada 3.11 Remembrance Project Invites Solidarity Through Photos


Project Members in the town of Yamada-cho, Iwate prefecture

As the one-year mark since Japan's earthquake, tsunami and nuclear disaster approaches, a group of Tokyo-based activist filmmakers have launched a remembrance project based upon their travels to the town of Yamada-cho in Iwate prefecture, which was hard hit by the disaster. There, they have forged relationships with local individuals living in shelters and temporary housing units through simple, life-affirming actions such as cooking, singing, and sharing laughter and tears together during numerous trips to the region over the past year since the disaster struck.

Inspired by the solidarity vigils led by the Women in Black peace activists worldwide, the project invites individuals from around the world to share their thoughts on this occasion simply by sharing a meaningful photograph. Spearheading the project are the members of a filmmaking organization known as Feminist Active Documentary Video Festa (FAV).

From the project website:
YAMADA PROJECT: PHOTO RE-MEMBERING

    ‘Photo-graph’ is to draw with light

Pick a place and stand while you embrace your thoughts over the 3.11 Great Eastern Japan Earthquake/Tsunami, care for your loved ones or your hopes and dreams. When, where and how would you stand?

This project calls for anyone to take a photo while thinking of one’s own “Yamada” that is dear to you. The photos are strung together on the web like an infinitely spread quilt. You can join by simply taking a photo and sending it to us. Anyone is welcome to join!

Please take a picture of yourself standing and send it to yamada@renren-fav.org. The photos will be shared at http://www.renren-fav.org/yamada/eng/. The posting period is unlimited. You’re welcome to send your photos once or periodically.

Yamada Project:

This project began as one of the members of FAV visited the tsunami affected town of Yamada in Iwate Prefecture soon after the Great East Japan Earthquake in order to volunteer to cook for the evacuees. The project is comprised of two separate activities, photo + film. The film project is motivated by a wish to keep in touch with the survivors and is built on a cycle of filming and screening in Yamada. “Yamada” is a common name in Japan that could be any place or anyone. Where or who is it that would be dear to YOU? The photo project has developed in this period leading up to one year after the disaster, so as to photograph this moment in which one stands with thoughts of each of our “Yamada.” The photographs are strung together like an infinitely spreading quilt on the web. The idea of “standing in silence” was inspired by the Women in Black standing action.

Women In Black:

A world-wide network of women committed to peace with justice and actively opposed to injustice, war, militarism and other forms of violence. It is not an organization but a means of communicating and a formula for action. It s actions often take the form of women wearing black, standing in a public place in silence.
http://www.womeninblack.org/en/vigil

Feminist Active Documentary Video Festa (FAV):

FAV brings to you a collection of outspoken and larger-than-life films from a feminist perspective. Started in 2005, it’s a creative space made possible by organizers, film-makers, and audiences working together.
www.renren-fav.org

** PLEASE SEND YOUR PHOTOS AND SPREAD THIS WIDELY **


The blog of FAV member Miho Tsujii includes a video and English-translated lyrics of the moving song "Here Lives My Heart" by vocalist Fumika Takahashi, which was written on behalf of tsunami survivors.

An event will be held at 7pm on Weds Mar 28th at Waseda Hoshien Liberty Hall where Takahashi will perform, and FAV members will screen their footage from Yamada-cho.

- Kimberly Hughes

Wednesday, December 7, 2011

Monday, November 7, 2011

Music and Art Peace Academy art exhibit and T-shirt contest for a sustainable future ~ Friday, November 18th @Tokyo



MAPA (Music and Art Peace Academy) will be holding a collaborative art event at M Event Space in Daikanyama on Friday, November 18th to promote a sustainable world. Artists are encouraged to submit their own original artwork that represents sustainability from October 21st to November 10th, 2011. All art forms are welcome - painting, digital art, collage, photos, recycled artwork- anything! All proceeds will be donated to the Global Conference for a Nuclear Power Free World coordinated by Peace Boat scheduled for January 14-15, 2012 in Yokohama.

As explained on the homepage for Parties for Peace, a groundbreaking group that envisions stimulating events which utilize art, music, and dance as a platform to "help raise awareness and fundraise for important International campaigns to promote environmental awareness, human rights and sustainability":

The MAPA project invites individuals, organizations, musicians, artists, photographers, designers, writers, actors, videographers and promoters who are interested in social and environmental issues to work together to promote a culture of peace through music and art and join the Peace Boat global voyage for the Music and Art Peace Academy onboard.

Peace Boat is a Japan-based international non- governmental and non-profit organization that works to promote peace, human rights, equal and sustainable development and respect for the environment. Peace Boat seeks to create awareness and action based on effecting positive social and political change in the world.
MAPA is also accepting entries for their Tshirt and Eco-bag design contest! They will choose one design to print on their Tshirts to be displayed at the event on the 18th of November.

To have your work displayed at the event or to enter the T-shirt contest, simply simply send your proposal for the event or T-shirt design to Emilie McGlone at parties4peace@gmail.com by November 10th.