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Thursday, November 25, 2010

Peace Carnival Part II: NO BASE! MORE MUSIC! Friday 11/26 @ Chikyuya (Kunitachi, Tokyo)



Friday, November 26th
8:00 PM (Doors open at 7:30)


Please join the second installment of the Peace Carnival event series, which will feature a discussion on the U.S. military base situation in Okinawa led by Professor Satoshi Ukai from Hitotsubashi University, as well as several incredible (and activist-minded!) acts from the Tokyo music scene:

☆Jintara Brothers

Special unit featuring Wataru Oguma (powerful performer from the Tokyo underground chindon group Cixla Muta) together with solo artist Hiroshi Kawamura (previously of Soul Flower Union)

☆ Singer/guitarist Pak Poe together with Satchan (Hana and Phenomenon)

Anbassa (roots reggae unit)

Chikyuya Live House (Kunitachi, Tokyo)
1-16-13 B1 Kunitachi Higashi

(Head down Daigaku-dori (University road) from the North exit of Kunitachi station for about 5 minutes. Chikyuya is in the basement on the left side, just before a shop on the corner with a neon yellow sign.)

Entry: 2000 yen (plus one drink)
* 1500 yen entry is available by making advance reservations at Chikyuya 042-572-585 (between 7PM and 1AM).

Event organizer: Peace Carnival Committee (peacecarnival@gmail.com)
Additional support: Peace Not War Japan (info@pnwj.org)

For more information, see the event blog (Japanese only).

Saturday, November 13, 2010

Special Premiere Screening of Hiroshima Nagasaki Download in NYC tomorrow, Nov. 14



Via Yumi Tanaka of the New York Peace Film Festival:
Greetings!

I'd proud to announce NY Premiere screening of "Hiroshima Nagasaki Download" directed by Shinpei Takeda. This film was screened at 1st Nagasaki International Peace Film Forum that spread out my New York Peace Film Festival. The film is to be released in nation-wide theaters next summer.

Mr. Takashi Thomas Tanemori, a Hiroshima survivor living in San Francisco, will be present at the screening to answer Q and A after the screening with the director.

Synopsis:

Upon the end of the World War II, some people who survived the atomic bombs in Hiroshima and Nagasaki immigrated to the USA, bearing both physical and psychological wounds. These survivors have lived quietly in a country formerly considered their "state enemy."

Sixty-four years later, two former high school friends journey to seek "Hiroshima" and "Nagasaki" as they are ingrained in the collective psyche of modern Japan. They drove down America's West Coast to visit eighteen other survivors who shared memories that changed the lives of the friends forever.

Director: Shinpei Takeda

The first feature film by Shinpei Takeda, a director based in Mexico who has followed the atomic bomb survivors in North and South America for the last 5 years.

When & Where:

■ Sunday, Nov. 14, 2010 at 2:30pm ~ (Door opens at 2:00pm)

■ Anthology Film Archives:32 Second Avenue (at 2nd St), New York, NY 10003

■ Q and A session after the screening with a director and one of the survivors who appeared in the film

■ Admission: $9

■ Advance Ticket: http://hndownload.eventbrite.com/

■ Website: www.hndownload.com

■ Follow us on twitter: http://twitter.com/HNDownload
In Japanese:
ドキュメンタリー映画『ヒロシマナガサキダウンロード』NYプレミア上映会のお知らせ

朝晩冷え込み紅葉も始まって来ましたが、皆様いかがお過ごしでしょうか?

この夏、主宰するニューヨーク平和映画祭から広がった第1回長崎国際平和映画フォーラムで上映されたドキュメンタリー映画『ヒロシマナガサキダウンロード』の特別上映会のお手伝いをしています。来夏ロードショーに先駆けたNYプレミア上映会を来る11月14日(日)午後2時半より開催します。等身大の青年たちが向き合う「自分」、そして「在米被爆者」、そして「継承」とは−。

上映会には本作品に出演されている胤森貴士(たねもりたかし)さんをサンフランシスコよりご招待予定です。
是非、ご家族、お友達とお誘い合わせの上、お越しください。

会場でお会いするのを楽しみにしています。

また、来年夏日本ロードショーに向けてのファンドレイザーパーティー、胤森貴士さんの証言トークも別途企画予定しています。詳細が決まり次第ご連絡します。


《あらすじ》
終戦後、かつての「敵国」アメリカに移住した被爆者たちがいた。原爆の記憶に苦しみ、後遺症への恐怖に怯えながらも、アメリカの大地で反省を過ごしてきた人々。あの日の出来事を、誰にも語ることなく時は過ぎようとしていた。

2009年、春。「自分」を模索し続ける青年2人が、日本人の記憶の奥底に刻まれているヒロシマ、ナガサキを巡る旅に出た。原爆を体験していない世代が、頭だけではなく心で感じることは、可能なのか。残された世代は、被爆者から何を受け継ぎ、継承していくべきなのか。アメリカ西海岸を南下しながら在米被爆者と共に笑い、共に泣いた彼等が、最終的に到達した答えとは−−。

過去5年間、南北米大陸へ渡った被爆者を収録し続けているメキシコ在住の竹田信平監督初の長編ドキュメンタリー映画。広大なアメリカ西海岸を背景に、在米被爆者の魂に迫るロードムービー。

■ ドキュメンタリー映画『ヒロシマナガサキダウンロード』(上映時間73分)

■ 11月14日(日)午後2時半〜4時半 (開場午後2時)

■ Anthology Film Archives: 32 Second Avenue (at 2nd St), New York, NY 10003 MAP

■ 上映後、竹田監督および出演の在米被爆者とのQ&Aセッション

■ 入場料: $9

■ 前売り:http://hndownload.eventbrite.com/

■ ウェブサイト www.hndownload.com

■ ツイッター http://twitter.com/HNDownload

監督:竹田信平(たけだしんぺい):1978年京都市生まれ。幼少時代は家族と共にドイツ、米国に滞在。2001年、米国デューク大学卒業後にサン・ディエゴで渡米難民の子供への絵画・写真技術を指導するNPOを立ち上げる。2004年、ロバート・リクター監督、キャサリーン・サリバン監督の「最後の原子爆弾(The Last Atomic Bomb)」の製作にアシスタントとして携わる。その後、北米・南米在住の被爆者の体験談の収録し始める。ブラジルやメキシコで展示会やメディアキャンペーン等を催すと同時に、国立長崎原爆死没者追悼平和祈念館に在外被爆者の体験談の映像を歴史的資料として寄贈する。2008年には、戦前にメキシコに移住した日本人写真家の一生を描いた「メキシコに最も近い日本(和訳)」を自主製作・監督。本作品で長編映像デビュー。

Friday, November 12, 2010

Vandana Shiva on industrial agriculture's use of war chemicals and food sovereignty versus the new colonialism



This is an excerpt of Vandana Shiva's talk about the role of war chemicals (pesticides, fertilizers) in industrial agriculture's new colonization in her talk on food and seed sovereignty at the International Meeting on Resisting Hegemony held 2-5 August 2010 in Penang, Malaysia.
I'm going to talk about the work I've been doing for the last 30 years on issues of biodiversity, food, and agriculture, largely because of the recognition this is the cutting edge of the new colonization and the new imperialism...

For me, 1984 was significant because of two major events, both very tragic. One was June 4, when the Sikh shrine, the Golden Temple, was invaded by the Indian Army, largely because of the unrest and the extremism that had built up in Punjab, and the extremists were hiding in the Golden Temple. And, later that year, we had the Bhopal tragedy where the pesticide plant leaked and killed 3,000 people in one night. 25,000 since then...

Bhopal is historically a watershed in terms of the structures. Part of it involves "shedding," First shedding hazards and then shedding liabilities related to hazards. Bhopal is a watershed where sacrificing the rights of people in the time of industrial genocide starts...

Someone mentioned Lawrence Summers who is currently Obama's chief economic advisor. But I first came across Lawrence Summers in 1992 when he was the chief economist of the World Bank because he wrote a memo saying it makes good economic sense to move pollution and hazards to developing countries. First because it's cheaper to find labor and therefore costs come down. And when people fall ill, it's cheaper. And when people die, it's cheaper, because their lives are worth less. So that's 3/5 of a human being on a scale issue. This continues in the contemporary calculus of what is a life worth.

Because of this series of violent episodes, I decided to start looking at what is really happening to agriculture....

Because of this series of these very violent episodes, I decided to start looking at what is really happening to agriculture. And in those days, I was associated with the peace and global transformation program that the CSDS that used to have...I decided to study what happened to Punjab...I was young, an innocent physicist with no idea of what was going on in agriculture...

A series of things I learned during that study. First, that agriculture had become the place to extend the war economy. Every input in agriculture is a war chemical. Every agrichemical is a war chemical. Herbicides were used in Vietnam. Pesticides were used to kill people which is why Bhopal killed people. Fertilizers came out of explosives factories...

The other day I was at some gathering and there was someone who is very close to the U.S. security establishment and they said Iraq was easy because the weapons were very evident. The weapons had been bought on global markets. Afghanistan is tough because the weapons are fertilizer bombs made from the fertilizer the U.S. distributed. So this is, in fact, the fertilizer coming back to its original purpose. And of course, it's not just that these are just war chemicals extending into agriculture.

But bringing them into agriculture is very much part of the new imperialism. The common narrative of the Green Revolution is India chose it. The reality of it is that the defense labs of the U.S. started to work in the '40's on how do you retool these chemicals for agriculture...So you had to change the plants to adapt to the chemicals...

Rather than calling them varieties bred for chemicals, they were now called "high-yielding" varieties. In fact, they were even called "miracle seeds." And the first 12 people they trained were called...the "wheat apostles" introducing these new seeds...

In the colonization through agriculture, land was emptied of its biodiversity...

This whole structure only worked because when these varieties were ready, the U.S. government was waiting for an opportunity to push them. And it was a drought that took place in 1965 that provided that opportunity because the need for additional imports became the time for imposing conditionalities: "We won't send you wheat unless you change our agriculture." Our prime minister at that time said "no." He died soon after, in Tashkent, under very mysterious conditions. And the conditions continued. The two foundations, the Rockefeller Foundation and Ford and the World Bank joined hands to create this package of conditionalities...

You couldn't borrow unless you proved you had taken money and subsidies for chemicals. You couldn't get any benefits from any government program unless you showed you were planting the new seeds. The Green Revolution didn't spread because of the choice farmers were making, but because of conditionalities...

A lot of my work in the Punjab study showed that actually food production went down. Rice and wheat production went up, but only because you displaced all the other crops. In an Indian diet, you need your pulses, your oil seeds, lots of vegetables. All of that disappeared. Now you had a monoculture...

We had a huge decline in pulses, the basic protein for a vegetarian diet. Quite clearly, the West never understood because they never had pulses in their diet...

Thursday, November 11, 2010

Vandana Shiva urges "Time to End War on the Earth" in Sydney Peace Prize speech

Dr. Vandana Shiva, recipient of this year's Sydney Peace Prize, urged the cessation of war on the earth (in the form of unsustainable environmentally destructive genetically modified, pesticide-intensive industrial agriculture); the end to the commodification of every aspect of life; and the promotion of "Earth Democracy" in her Nov. 5 acceptance speech:


When we think of wars in our times, our minds turn to Iraq and Afghanistan. But the bigger war is the war against the planet. This war has its roots in an economy that fails to respect ecological and ethical limits - limits to inequality, limits to injustice, limits to greed and economic concentration.

A handful of corporations and of powerful countries seeks to control the earth's resources and transform the planet into a supermarket in which everything is for sale. They want to sell our water, genes, cells, organs, knowledge, cultures and future.

The continuing wars in Afghanistan, Iraq and onwards are not only about "blood for oil."  As they unfold, we will see that they are about blood for food, blood for genes and biodiversity and blood for water.

The war mentality underlying military-industrial agriculture is evident from the names of Monsanto's herbicides - ''Round-Up'', ''Machete'', ''Lasso''. American Home Products, which has merged with Monsanto, gives its herbicides similarly aggressive names, including ''Pentagon'' and ''Squadron''. This is the language of war. Sustainability is based on peace with the earth.

The war against the earth begins in the mind. Violent thoughts shape violent actions. Violent categories construct violent tools. And nowhere is this more vivid than in the metaphors and methods on which industrial, agricultural and food production is based. Factories that produced poisons and explosives to kill people during wars were transformed into factories producing agri-chemicals after the wars.

The year 1984 woke me up to the fact that something was terribly wrong with the way food was produced. With the violence in Punjab and the disaster in Bhopal, agriculture looked like war. That is when I wrote The Violence of the Green Revolution and why I started Navdanya as a movement for an agriculture free of poisons and toxics.

Pesticides, which started as war chemicals, have failed to control pests. Genetic engineering was supposed to provide an alternative to toxic chemicals. Instead, it has led to increased use of pesticides and herbicides and unleashed a war against farmers...

Making peace with the earth was always an ethical and ecological imperative. It has now become a survival imperative for our species.

Violence to the soil, to biodiversity, to water, to atmosphere, to farms and farmers produces a warlike food system that is unable to feed people. One billion people are hungry. Two billion suffer food-related diseases - obesity, diabetes, hypertension and cancers.

There are three levels of violence involved in non-sustainable development. The first is the violence against the earth, which is expressed as the ecological crisis. The second is the violence against people, which is expressed as poverty, destitution and displacement. The third is the violence of war and conflict, as the powerful reach for the resources that lie in other communities and countries for their limitless appetites...

The elevation of the domain of the market, and money as man-made capital, to the position of the highest organising principle for societies and the only measure of our well-being has led to the undermining of the processes that maintain and sustain life in nature and society.

The richer we get, the poorer we become ecologically and culturally. The growth of affluence, measured in money, is leading to a growth in poverty at the material, cultural, ecological and spiritual levels.

The real currency of life is life itself and this view raises questions: how do we look at ourselves in this world? What are humans for? And are we merely a money-making and resource-guzzling machine? Or do we have a higher purpose, a higher end?

I believe that ''earth democracy'' enables us to envision and create living democracies based on the intrinsic worth of all species, all peoples, all cultures - a just and equal sharing of this earth's vital resources, and sharing the decisions about the use of the earth's resources...

We have to make a choice. Will we obey the market laws of corporate greed or Gaia's laws for maintenance of the earth's ecosystems and the diversity of its beings?

People's need for food and water can be met only if nature's capacity to provide food and water is protected. Dead soils and dead rivers cannot give food and water.

Defending the rights of Mother Earth is therefore the most important human rights and social justice struggle. It is the broadest peace movement of our times.
Find out more about Dr. Shiva's book, Earth Democracy: Justice, Sustainability, and Peace here at South End Press.

In "The Corporate Killing Fields" published at Asian Age in July of this year, Dr. Shiva reveals that pesticides kill 220,000 people every year and shows that " ecologically organic agriculture produces more food and better food at lower cost than either chemical agriculture or GMOs."

Read more about Navdanya, a network of seed keepers and organic producers spread across 16 states in India, here.

See Sarah Ruth van Gelder's great 2002 interview with Dr. Shiva about the "earth democracy" at Yes! Magazine:
There is, I think, a spontaneous resurgence of thinking that centers on protection of life, celebrating life, enjoying life as both our highest duty and our most powerful form of resistance...

Tuesday, November 9, 2010

How did Moscow come to claim the Ainu Kuriles? "Divine mission" & the fur trade • What fuels interest now? Fish, oil & gas, strategic location...

The volcanic island chain connecting Hokkaido with Kamchatka received their name from the Ainu, the islands' original inhabitants. "Kur" means "man" in Ainu. The latest manifestation of the 20th-century dispute between Japan and Russia over the Kuriles continues to obscure prior historical Ainu ownership of these tiny islands.

Tokyo's claim makes no sense within a contemporary indigenous rights framework that posits indigenous peoples as equals within a community of nations (not to mention historical rectification for historical wrongdoing against them). However, the Japanese claim may have made some sense in the past within an outdated "Age of Imperialism" territorial framework based on the idea of privilege over indigenous peoples and their lands—given proximity of the Kuriles to Japan. (Historian Leo Ching writes that Japanese colonialism needs to be viewed historically and spatially within the larger context of global colonialism by which European nations had seized 85% of the world's land mass by the turn of the 20th century).

In contrast, Russia's claim to the Kuriles is much more of a stretch, even within an imperialistic paradigm. How did Russia (ostensibly a European nation) come to control an empire over the vast breadth of Siberian Asia (first inhabited by indigenous peoples with rich cultures much older than Moscow's) beyond the Pacific to the Kuriles—even farther off the Asian mainland than Sakhalin)?

Revenge and a sense of divine mission (Russia's version of "Manifest Destiny") fueled its adventurers' and soldiers' violent predatory march across Asia, writes Scott Malcolmson in his 1994 history/travelogue, Borderlands: Nation and Empire:
The question of what Russians are doing in Asia has preoccupied Russians more or less since the birth of Russia itself...The traditional date for the founding of "Russia" is 862. By 882, Oleg had established a strong state with its capital at Kiev...

Kievan Russia broke up into principalities in 1054 and was destroyed in 1237 to 1240 by Mongols and Tatars. The latter proceeded to dominate the Russians until 1840...Russians know the 1240 to 1480 period as the "Tatar (or Mongol) yoke," and appear never to have forgiven Asians for humiliating them.

They also appear to have developed a strong sense of mission. Under Ivan III's successor, Basil III, some Russians came to imagine themselves as the army of God and Moscow as the Third Rome...Basil's successor, Ivan the Terrible, began Russia's conquest of Siberia, and Russians continued expanding their territory into Asia until Gorbachev withdrew Soviet troops from Afghanistan. That makes nearly five hundred years of steady imperialism...
Anna Reid provides an economic explanation for Russia's claim in her luminous history of the indigenous peoples of Siberia, The Shaman's Coat, in which she cites the fur trade (seal and sea otter in the Kuriles) as fueling Russia's march through Asia:
What drew them on, swiftly and surely as gold drew the conquistadores to Peru, was fur, especially that of the ferret-like sable. Blacker than night, softer than a snowfall, sable pelts had been the ultimate status symbol since history began...

In the 1500's European demand for fur expanded, thanks to the influx of New World buillion and rise of a showy new merchant class. Chief supplier to the growing market was Russia, whose European forests were soon hunted out...

There duly appeared in Siberia a hereogeneous breed of trapper-fighter-explorers, not unlike the French woodrunners who first penetrated Canada. In theory, they divided into two categories: commercial operators, self-financed or under hire to merchants, and 'servitors' — mostly the unruly soldiers known as Cossacks — in salaried government service. In practice, they behaved so similarly and worked together so often as to be virtually indistinguishable, giving rise to a continuing debate over whether Siberia's conquest was primarily the result of conscious government policy or of haphazard private enterprise. Both groups went armed...

Like their Canadian equivalents, they travelled as far as possible by river, dragging their boats from headwater to headwater and building wooden forts...at strategic confluences...From these they set off on fur-gathering expeditions, in the rouse of which they both trapped themselves and extracted pelts, by violence or by barter, from nearby native settlements. Seduced or subjugated, each tribe's duty regularly to produce furs in the future was made official by the imposition of an oath upon its leader...

Haphazard as it was, the conquest of Siberia transformed Muscovy, helping turn it from an obscure princedom on civilisation's fringes into a great European power. Until the end of the seventeenth century, one historian estimates, the fur trade contributed more to the country's economy than any other single activity save agriculture...In 1595 Boris Dogunov was embarassed by a request from the Holy Roman Emperor, Rudolf II, for military assistance from the Turks. Not wishing to jeopardise trade with Constantinople, he compromised by sending Rudolf the pelts of 337,235 squirrel, 40,360 sable, 20,760 marten, 3,000 beaver and 1,000 wolves...

In the meantime, Siberian furs had not only lured Russia into Asia, but helped poltically consolidate the Russia state...

(Stalin with the daughter of a Buryat Party chief. Two years after this once-popular propaganda photograph was taken, her father was shot and her mother sent to a labour camp. Image: Yury Artamonov's Photo Archive
)

In Siberia the Russians had won themselves a continent, a land on which the sun never set, one of the biggest empires the world had even known... The indigenous people overcome by Moscow included the Khant; the Buryat (the largest indigenous group in Siberia, practitioners of shamanism and Tibetan-inspired Buddhism from the 1700's); the Tuvans (known for throat-singing and shamanism); the Sakha (Russia subjugated Sakha into forced labor long before sending political prisoners to Siberia. Stalin established Gulag forced labor camps on their land where many thousands of Sakha disappeared along with ethnic Russians); the Chukchi (their land was also a site of the Soviet Gulag. Traditionally a nomadic reindeer herders, Chukchi who resisted collectivization were sent to forced labor in mining and logging camps. Between 2-3 million Chukchi died from forced labor); the Ainu; and the Nivkh (banning the Nivkh language and culture, Soviet Russia showcased the Nivkh as a 'model' for a culture that transformed from the Neolithic age to a socialist industrial model).

From 1945-1948, Moscow forcibly deported many Nivkh, Ainu, along with half of the Sakhalin Oroks, and most Japanese to Hokkaido. Since January 2005, the descendants of the remaining Nivkh, and the Uilta, another indigenous people of Sakhalin have engaged in nonviolent protest, demanding an independent ethnological assessment of Shell's and Exxon's oil exploration off the coast of Sakhalin.

(Contemporary Buryat. Image: "A Pearl in the Forest - the movie")

Russia also deported Ainu from Kuriles to Japan (in a related attempt to undermine prior indigenous claims on the seized islands and to shift indigenous social and historical burdens to Japan). However Moscow's attempt to deny the reality of the historically-based indigenous rights of the Ainu and other indigenous people in the Kuriles and Sakhalin has not succeeded. In the past two decades, as a global indigenous rights and historical rectification movement has strengthened indigenous power, Ainu have reasserted their prior claim to the Kuriles.

The Independent reported on the Ainu claim to the Kuriles during the 1992 eruption of the Russian-Japanese dispute in "Ainu people lay ancient claim to Kurile Islands: The hunters and fishers who lost their land to the Russians and Japanese are gaining the confidence to demand their rights:"
Mr. Akibe is from the Ainu people, an ethnic minority who live mostly on Hokkaido and who have been fighting discrimination by the Tokyo government for years. 'The Kuriles are not Russian, and they are not Japanese either,' said Mr Akibe, who was wearing traditional Ainu robes and an embroidered headband. 'We were the first inhabitants of these islands, and lived there before this territorial problem even appeared.' Some Russians laughed nervously while Japanese listeners studied their shoe-laces.

Mr. Akibe produced a map of the Russian Far East, the Kurile Islands and northern Japan, showing the extent of Ainu settlements throughout the region up to the beginning of this century. Fishers and hunters, the Ainu had occupied the Kuriles for centuries before the Russians and the Japanese discovered them in the 19th century. 'You (Russians and Japanese) should both remember the historical rights of the Ainu when you conduct your negotiations,' he said.
In 2005, Ainu representatives again objected to Russian and Japanese claims of ownership:
Representatives of the Ainu nation, an indigenous group in northern Japan, issued a joint statement on November 14 to the Japanese Foreign Ministry and the Russian Embassy in Tokyo claiming territorial rights to the South Kurile Islands and demanding that Japan and Russia cease talks of governmental ownership....

The Ainu explained in their statement that "the four Kurile Islands belong neither to Japan nor to Russia," and that the Ainu have inhabited the territory "since time immemorial," according to Itar-Tass News Agency.

The Ainu have asked that they be granted free access to the islands, and hope to make them an autonomous area of the Ainu nation in the future.

Scientists believe that several thousand years ago the Ainu ethnic group inhabited the whole of Japan, the lower reaches of the Amur River, the Kamchatka Peninsula, the Sakhalin and Kurile Islands.
For more on the Ainu and the breadth of their original territory, see the online presentation of The Smithsonian's pioneering exhibition, "Ainu: The Spirit of a Northern People" that reveals the magnificence of their sea-faring, trans-continental culture (incomparably more sophisticated, prosperous, and creative than the diminished and impoverished far-flung Russian satellite colony that exists in the Kuriles today).

The United Nations Declaration on the Rights of Indigenous Peoples, recognizing the individual and collective rights of the world's 370 million indigenous peoples (including the right to self-determination, and the right to give or withhold free, prior and informed consent when it comes to the exploitation of our lands, territories and resources) was adopted on September 13, 2007 following more than two decades of negotiations between governments and indigenous peoples' representatives. A majority of 143 states (including Japan, excluding Russia which abstained from voting) voted in favor of the Declaration. (Former British colonies Australia, Canada, New Zealand and the United States voted against the Declaration, but in the past three years, Australia and Canada reversed their position) In 2008, the Japanese government formally recognized the Ainu as "an indigenous people with a distinct language, religion and culture".

(For recent coverage on Russia's continuing conflict with the indigenous people of Sakahlin, see this 2009 AFP video report. "Sakhalin Energy Project Hampering the Nivkh's traditional lifestyle" that shows how Russian oil exploitation has been destroying what remains of the Nivkh landscape, people and culture.)

-JD

Follow-up: On November 12, Canada also reversed its position on the U.N. Declaration on the Rights of Indigenous Peoples.

Thursday, November 4, 2010

20th Sunagawa Aki Matsuri remembers past struggles as it celebrates autumn



The soaring birds seem to ask:
Who created borders between countries?
Grass, birds, humans…
All are the same living beings.


Yesterday, in a tiny park located within the western metropolitan Tokyo city of Tachikawa, a collection of artists, musicians, political activists, local food growers, and community folks of all ages gathered for the 20th annual Sunagawa Aki Matsuri (Autumn Festival).

While the food stalls, children’s games, and overall festive atmosphere may have made the event appear to be just like any other neighborhood gathering, in fact there was a deeper story lying underneath the surface. Put in context of events occurring in the same vicinity 54 years earlier, the energy of the festival resonated with what might be described as pain that has been transformed into joy.

In October 1956, in land adjacent to the park, a collection of farmers, students, Buddhist monks, and other sympathetic citizens gathered to stop a group of surveyors and police officers who had come to measure the land for expansion of the nearby Tachikawa Airbase. The facility served as a launchpad for U.S. B-29 bomber planes, and plans were afoot to swallow up even more local farmland surrounding the existing base. When the protesters refused to back down, police began attacking them with batons. 500 people were wounded, resulting in a national outcry. Three days later, largely as a result of this fallout, the government canceled the surveys.

Dennis Banks, a Native American organizer and co-founder of the American Indian Movement, was stationed at the airbase at the time and witnessed the bloody melee of officers brutalizing the defenseless crowd, which included students as well as monks rhythmically beating their drums. When I had the fortune to speak with him several years ago in Hiroshima, he told me that this experience had had a huge impact on his psyche—and was one of the factors that helped lead him away from the U.S. military and into a life of activism.

The organizers of the Sunagawa Autumn Festival include several people who vividly remember the protests, and who view the event as a chance to help keep history alive. One such person is Katsuko Kato, the founder of the watchdog group Tachikawa Self-Defense Force Tent-Mura (known simply as Tent-Mura, or "Tent Village"). In 2004, three members of the organization were arrested and prosecuted after placing anti-war flyers in the mailboxes of a Japanese Self-Defense Force housing unit. Despite eventually losing at the Tokyo High Court to charges of trespassing, members still remain determined that peace and justice will prevail.

One case in point: at the edge of the park stands a small sign stating that the land is government property and not to be trespassed on. Holding the annual autumn festival there, as well as growing vegetables year-round in the adjacent field, therefore serve as small acts of civil disobedience on the part of organizers. Even in the face of government opposition, they continue to utilize the land to farm in peace--the natural, life-affirming purpose for which they believe it was always intended.

The daikon radish leaves rustle in the blue sky:
Autumn has arrived in Sunagawa.
Even the persimmon trees in the park
Beckon smiling visitors
As they continue to yearn for a true peace.


Left: Panel display featuring this year's festival theme of U.S. military bases in Okinawa

Right: Dancers dressed as yanbaru kuina (a bird native to the Yanbaru forest of Okinawa, which is now under threat of U.S. military construction of helipads for Osprey helicopters)


For more on the history of the Sunagawa Struggle, see this excellent article by Hasegawa Kenji.

--Kimberly Hughes

Poetry is from the Sunagawa Aki Matsuri event flyer (translations are my own).

Photos by Ishihara Mikiko

Text by Kimberly Hughes

Wednesday, November 3, 2010

URBAN TYPHOON WORKSHOP NEW DELHI @Khirkee Village, Nov. 9-16

Matias Echanove, Geeta Mehta and Rahul Srivastavavarious conceived the idea of URBZ (user-generated cities) with fellow urban planners, architects, artists, and other people engaged in the organic formation and direction of the cities in which they live.

Their goal: to challenge bland generic redevelopment plans presented as urban rationalization and modernization and offer alternative visions of urban community generated by those who actually live in these communities.
While these redevelopment plans usually benefit real estate actors and financing institutions operating on a global scale, they are often threatening local social networks and economic activities.
They began their collaborations in the 2000's in Tokyo (focusing on saving Tokyo's most creative neighborhood, Shimokitazawa) and Mumbai:
The initial concept of URBZ was born in the mind of a restless group of urban planning students in New York in the early 2000’s. The idea was to exchange knowledge about cities, network and travel globally for events and conferences. URBZ was developed as an early and basic prototype of social networking sites such as Flickr and Facebook.

After various phases of trial and development the project nearly died. It was resuscitated in Tokyo and in Mumbai by Geeta Mehta, Matias Echanove and Rahul Srivastava as participatory urban planning, architecture and research tool. The recent spread of open source web content management systems such as Drupal and Worpress made it easier to develop media rich participatory websites.

www.urbz.net functions as a virtual office for projects in cities including New York, Tokyo, Mumbai, Goa and Geneva. In addition to maintaining its website and providing support to partner organizations and initiatives, URBZ members organize workshops where ideas and visions about localities are expressed and shared. URBZ believes that the encounter of local actors and global contributors unleashes new potentials at all levels.
Their latest gathering is upcoming in India:

The Urban Typhoon Workshop New Delhi will be held in Khirkee Village from November 9-16, 2010.

The Urban Typhoon Workshop invites artists, architects, academics, activists and other practitioners to work in Khirkee Village and conceptualize alternative scenarios for its future along with its inhabitants.

The workshop will start on November 9th with the self-formation of the participants into small groups and end on November 16th with collaborative output in the form of plans, projections, installations, multimedia events being presented to the inhabitants and the city at large.

Khirkee, where KHOJ International Artist's Association has its studios, is one of the several urban villages that make New Delhi's fabric unique. KHOJ is one of the leading contemporary art incubators in India. Its presence in Khirkee has made it possible for artists and inhabitants to interact and start a conversation about alternative ways of experiencing and developing the village.

URBZ brings its expertise of organizing cross-disciplinary dialogues in the area of urban planning. The partnership between URBZ and KHOJ hopes to forge new relations between art and urban practices along with encouraging constructive dialogues and collaborations between residents, civic officials and urban practitioners of all kinds.
For more info, see the Urban Typhoon New Delhi's website.

For more background on user-generated cities, see Urbanology (fascinating page on Tokyo), and Save the Shimokitazawa.

Monday, November 1, 2010

The Practice of the Wild featuring Gary Snyder comes to NY starting Nov. 10



John J. Healey's The Practice of the Wild featuring deep ecologist and poet-essayist Gary Snyder and author Jim Harrison comes to NY this month.

There will be a screening at the Jacob Burns Film Center on Wednesday, November 10. The second event will be an opening night screening at the Quad Cinema (13th Street in Manhattan between 5th & 6th Avenues) on Friday, November 12.

The San Francisco International Film Festival description:
The wild requires that we learn the terrain, nod to all the plants and animals and birds, ford the streams and cross the ridges, and tell a good story when we get back home.
So writes legendary Beat poet Gary Snyder in his influential 1990 collection from which this celebratory documentary takes its name and finds its restoring rhythms of nature, image and word. Occupying a hallowed yet humble position within the realms of poetry, academia, ecological activism and spiritual practice, Snyder has distinguished himself among peers such as Allen Ginsberg and Jack Kerouac by becoming both a countercultural hero and a Pulitzer Prize winner.

Director John J. Healey skillfully intertwines the many fascinating aspects of Snyder’s journey through nature and across the page, sagely pairing the poet with his cantankerous compadre and fellow scribe Jim Harrison. Together, the two old friends roam the verdant hills of the central California coast, musing eloquently and with hard-won wisdom and earthy humor on Bay Area bohemia, Zen Buddhism and the morally charged interdependence of all living things.

Whether reminiscing about a camping trip with Kerouac, recalling the writing of his seminal Turtle Island or being held by his ankles and dangled over a cliff in Japan as a test of truth-telling, Snyder is a warm and captivating presence.

“Life in the wild is not just eating berries in the sunlight,” the poet tells us, and true to his ageless inquisitiveness, The Practice of the Wild seeks out and finds so much more.
KJ's biodiversity issue features Snyder's seminal "Ecology, Place and the Awakening of Compassion" (first published in Buddhist Peace Fellowship's quarterly, Turning Wheel):
Oecology, as it used to be spelled, is a scientific study of relationships, energy-transfers, mutualities, connections, and cause-and-effect networks within natural systems. By virtue of its finding, it has become a discipline that informs the world about the danger of the breakdown of the biological world. In a way, it is to Euro-American global economic development as anthropology used to be to colonialism. That is to say, a kind of counter-science generated by the abuses of the development culture (and capable of being misused by unscrupulous science mercenaries in the service of the development culture). The word “ecological” has also come to be used to mean something like “environmentally conscious.”
Read Gary Snyder's entire essay — "Ecology, Place, and the Awakening of Compassion" — at KJ online at this page.

(Gary Snyder during his Japan years (1956-1964). Image: Modern American Poetry)

For more on Gary Snyder, see this comprehensive collection of background info at Modern American Poetry.

A set that includes The Practice of the Wild DVD and a companion book (The Etiquette of Freedom) is available at online book dealers for around $US20.