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Showing posts with label 2083 worldwide experimental nuclear explosions. Show all posts
Showing posts with label 2083 worldwide experimental nuclear explosions. Show all posts

Sunday, October 27, 2013

Japan as Number One in Radiation Education: Lessons for the World

"Children taught radiation studies: Nuke education now compulsory subject in schools in Fukushima" 
(Story and Photo: Mizuho Aoki, JT, March 24, 2012)

Today Martin Frid at Kurashi reminds us that Japan is now number one in the world in radiation education.

The Japanese educational system should have been number one in radiation education starting in 1946, when Japan's grassroots nuclear-free movement began, amidst US Occupation censorship of news about the consequences of radiation fallout from the nuclear bombings of Hiroshima and Nagasaki.

When the US Occupation ended in 1952, the Japanese nuclear-free movement gathered more steam, especially after the March 1954 irradiation of the fishing boat, "The Lucky Dragon #5," by fallout from the US hydrogen test bombing of the island of Bikini in the Marshall Islands.  Outrage increased after people learned irradiated tuna was sold and eaten in Japan.  The explosion provided the initial scenes of the film quasi-sci-fi film Godzilla which premiered eight months after the bombing.

With the raw hindsight of 3/11, it's astonishing to realize that Washington was able to explode 105 nuclear test bombs in the Pacific from 1946 to 1962, vaporizing entire islands, irradiating the Asia-Pacific region, and, simultaneously, in partnership with the Japanese postwar political establishment, was able to overcome the nascent Japanese nuclear-free protest movement, and successfully promote the idea of nuclear energy production as "safe." How did nuclear industry promoters subdue awareness and concern in Japan about the dangers of nuclear radiation?

Yuki Tanaka and Peter Kuznick detail how Washington's "Atoms for Peace" program worked to counter the widespread perception of the dangers of nuclear radiation in Japan.  This program was especially calculated to obscure the memory of the nuclear bombings of Hiroshima and Nagasaki. Atomic Energy Commissioner Thomas Murray and a US congressman even proposed that Japan's first nuclear energy plant be built in Hiroshima to push the images of radioactive carnage out of the Japanese public mind.  The Washington Post seconded their idea:
Many Americans are now aware … that the dropping of the atomic bombs on Japan was not necessary. … How better to make a contribution to amends than by offering Japan the means for the peaceful utilization of atomic energy. How better, indeed, to dispel the impression in Asia that the United States regards Orientals merely as nuclear cannon fodder!"
Japan's first nuclear power plant was not built in Hiroshima, of course, but The Daily Yomiuri's traveling exhibition "The Peaceful Use of Nuclear Energy” did make a stop in the atom-bombed city in 1958, incredibly with the support of the Hiroshima establishment:
Although in other cities the exhibition was sponsored exclusively by the Yomiuri with the assistance of the U.S. Information Service, in Hiroshima co-sponsors also included the Hiroshima City Council, Hiroshima Prefectural Government, Hiroshima University, and the Chugoku Newspaper... All praised the promotion and application of this new powerful energy.  By contrast, many A-bomb survivors were skeptical and cautious about this non-military application of nuclear power, claiming that there was still no solution to the problem of managing radioactive materials produced by operating nuclear power reactors.
The newly completed A-bomb Museum building in Hiroshima was even used as the pavilion for the  exhibition:
Thus, in the same building, exhibits related to the devastation caused by the atomic bombing were displayed together with various dream-like applications of nuclear energy.  Such things as nuclear powered planes, ships and trains, as well as medical, agricultural and industrial uses of radioactive materials were displayed.
Hundreds of thousands of people throughout Japan, including 155,000 in Kyoto, visited the exhibition when it stopped in their cities. However, nuclear-free activists, including many Hibakusha, and some media, notably The Mainichi, countered:
First, baptism with radioactive rain, then a surge of shrewd commercialism in the guise of 'atoms for peace' from abroad. 
Nuclear power propaganda efforts continued, and the nuclear industry made inroads by the 1960's. In 1966, Tokai, Japan's first nuclear power plant began operating, and in the 1970's, nuclear plants were constructed throughout the archipelago.  The nuclear reactors at Fukushima Daiichi are from this era.

Even throughout the heyday of nuclear boosterism, the Japanese nuclear-free movement stayed strong, with notable local successes. The movement strengthened after the Chernobyl meltdown and during the 1990's, a period of numerous nuclear accidents in Japan.

Local communities, Japanese civil society and nuclear-free activists stopped the construction of nuclear power plants, notably in Iwaishima, where the Chugoku Electric Power Company has attempted to build a nuclear power plant in the Inland Sea National Park. In 2006, musician Ryuichi Sakamoto and  Greenpeace launched an international awareness project protesting the Rokkasho [plutonium] Reprocessing Plant under a campaign called "Wings of Peace – No more Hiroshima Nagasaki."  Japanese nuclear-free activists warned of the risks at Fukushima Daiichi long before 3/11.


Gavan McCormack says it's no longer possible to kick Japan's radioactive cans down the road in "Japan as a Plutonium Superpower."  He suggests a way forward for Japan (and the world) in "Hubris Punished: Japan as Nuclear State."  It's the same choice that Japanese nuclear-free,  carbon-free, renewable energy, energy conservation, organic, and Slow Life advocates have been calling for and working towards: turning the ongoing disaster into a time of change towards a sustainable future.
Successive generations of Japan’s bureaucratic, political, corporate, and media elite have insisted that Japan pursue the nuclear power path at all costs. In retrospect, they drove the country forward, as the elite of the Kwantung Army drove it in the pre-war era, towards disaster, ignoring, coopting, or crushing all opposition. Only now, facing the costs—human, environmental and economic—the long-postponed debate opens...

What is called for, in short, is the reversal of a half century of core national policies and the switch to a renewable energy system beyond carbon and uranium.  Such a strategic decision, turning the present disaster into the opportunity to confront the key challenge of contemporary civilization, amounts to a revolutionary agenda, one only possible under the pressure of a mobilized and determined national citizenry.

At this crucial juncture, how Japan goes, the world is likely follow. The challenge is fundamentally political: can Japan’s civil society accomplish the sovereignty guaranteed it under the constitution and wrest control over the levers of state from the irresponsible bureaucratic and political forces that have driven it into the present crisis?
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Background:

"Children taught radiation studies: Nuke education now compulsory subject in schools in Fukushima" (Mizuho Aoki, JT, March 24, 2012)

Anti-Nuke Who's Who (Citizens' Nuclear Information Center, Tokyo)

"The Kaminoseki Nuclear Power Plant: Community Conflicts and the Future of Japan’s Rural Periphery" (Tomomi Yamaguchi, The Asia-Pacific Journal, Oct. 10, 2011)

"Japan, the Atomic Bomb, and the “Peaceful Uses of Nuclear Power” (Yuki Tanaka and Peter Kuznick, The Asia-Pacific Journal, May 2, 2011)

"Hubris Punished: Japan as Nuclear State 驕れる者は久しからず−−核国家としての日本" (Gavan McCormack, The Asia-Pacific Journal, April 18, 2011)

Japan's Once-Powerful Nuclear Industry is Under Siege" (Caroline Fraser, Environment 360, March 17, 2011)

Japan as a Plutonium Superpower" (Gavan McCormack, The Asia-Pacific Journal, Dec. 9, 2007)

"The Power of Protest: The campaign against nuclear weapons was not simply an ideological movement; it was a potent political force"  (Lawrence Wittner,  Bulletin of Atomic Scientists, July-August 2004)

Monday, March 4, 2013

ICAN: "What Nuclear Weapons Really Do to People & the Environment"



Int. Campaign to Abolish Nuclear Weapons (ICAN) Statement at the conference on the Humanitarian Impact of Nuclear Weapons in Oslo on March 2 & 3, 2013: "We wanted governments and diplomats to see what nuclear weapons really do to people and the environment. Happy to share with you the Civil Society video statement at the conference on the Humanitarian Impact of Nuclear Weapons in Oslo"

During the US military occupation of Japan, US authorities censored all media discussions of the nuclear bombings of Hiroshima and Nagasaki. But by 1952, the end of the Occupation, accounts of nuclear survivors’ ongoing struggles with radiation sickness became widespread.

 In 1954, 23 crew members of the Lucky Dragon Japanese fishing trawler were irradiated when the US nuclear test bombed the Bikini Atoll in the Marshall Islands. In protest, 30 million Japanese people — over a third of the population — signed a petition demanding the end of nuclear test bombings.

The US nuclear test bombed islands in the Asia-Pacific over 100 times from 1946 to 1962. Survivors of the Bikini Atoll bombings have suffered from miscarriages, profound birth defects, and high rates of cancer. The US also nuclear test bombed the American Southwest over 1,000 times.*  Washington's most recent (underground) nuclear test bombing took place in December 2012, with almost no media coverage. Hiroshima mayor Kazumi Matsui commented,  “I wonder why President Obama, who said he would seek a nuclear-free world, carried out the test."

Despite the well-known health and environmental consequences of nuclear radiation, and widespread protest, France nuclear bombed Mururoa, and its sister atoll Fangataufa in French Polynesia from 1966 to 1995.  Greenpeace reported that France's first nuclear (plutonium) bombing sucked all the water from the lagoon, "raining dead fish and mollusks down on the atoll", and  spread radioactive contamination across the Pacific to Peru and New Zealand.

The UK nuclear test bombed Australia from 1955 to 1963, exposing Australians, especially aboriginal Australians, to nuclear radiation. The Australian government forcibly removed tribal members from their homelands; when they attempted to return, they developed radiation-related health disorders. Radioactive contamination destroyed their way of life.

Although the human costs of the Hiroshima and Nagasaki bombings are now known, the suffering of many hundreds of thousands of other nuclear (test bombings, depleted uranium weapons, uranium mining, nuclear weapons production, nuclear waste dumping) survivors worldwide remain much less known. However their suffering reflect a globally interrelated web of nuclear violence that touches us all.

* The National Cancer Institute runs a program to help Americans identify if they were exposed to radioactive 1-131 fallout from US nuclear test bombings  between 1951 and 1963; this isotope can cause thyroid disorder or cancer.

Friday, June 17, 2011

Filmmaker Hitomi Kamanaka on the effects of nuclear weapons & nuclear energy plants

Interview with filmmaker Hitomi Kamanaka featured in "Atomic Mom" (a documentary about two mothers: a scientist who facilitated the US nuclear bomb program and a survivor of the Hiroshima bombing).

In this clip filmed shortly after 3/11,  prophetic filmmaker Hitomi Kamanaka talks about her trilogy of documentaries exploring the effects of nuclear weapons and energy industry on the lives of people worldwide.

They include Hibakusha at the End of the World (about victims of nuclear radiation exposure from Japan (nuclear bombings) to Iraq (depleted uranium) to the US (nuclear test bombings), also called Radiation: A Slow Death), Rokkasho-mura Rhapsody, about the decrepit nuclear reprocessing (plutonium) plant at the northeastern tip of Tohoku, and Ashes to Honey, about local residents' and environmentalists' 30-year resistance to the planned Kaminoseki nuclear plant in the Inland Sea National Park.

Kamanaka concludes by predicting the revival of active grassroots democratic participation in Japan. (The mass protests of the Hydrangea Revolution are not new to Japan. In the late 1950's and 1960's, millions of Japanese people from all walks of life demonstrated against the US-Japan Security Treaty (ANPO) which allowed the US to maintain nuclear weapons and military bases in the mainland Japan and Okinawa. The impetus behind this earlier movement was the same as today's: the desire to live a nuclear-free, peaceful life. Despite the protests from all sectors of Japanese society, Prime Minister Kishi rammed ANPO through parliament; it was during this same period that the first nuclear power plant in Japan (Tokai) was built in the 1960's in Ibaraki.)

Background: 

Hitomi Kamanaka's website: http://kamanaka.com/

 "Complicity and Victimhood: Director Kamanaka Hitomi's Nuclear Warnings" published at The Asia-Pacific Journal last year.

Sunday, March 7, 2010

Chris Barnard's "Full Spectrum" Dominance" exhibiting at Sam Lee Gallery in LA through March 13

Chis Banard: "Dogfight", 2007, Oil on canvas

LA-based visual artist Chris Barnard's series of paintings, "Full Spectrum Dominance," is on exhibition at the Sam Lee Gallery in LA's Chinatown.
Chris Barnard’s Full Spectrum Dominance — a subversive reference to the strategic United States military doctrine "Joint Vision 2020" – features large-scale, oil on canvases that examine connections between landscape painting and contemporary socio-political concerns.

Challenging this US military dogma, which calls for total armed supremacy in space, sea, land, air and information, Barnard’s work critiques the country’s ongoing ideology for power and military expansion by focusing on ideas of authority, imperialism, and environmental degradation.
Barnard's brilliantly conceived and executed work reflects both the emotional and actual landscapes embroiled in this sad, anti-democratic, violent, destructive, apocalyptic worldview conceived by neo-con ideologues.

The gallery describes Barnard’s most recent painting " Pile Going Critical (Source of Friction: Humans):"
Here, an ominous piece, measuring 54-by-64 inches, showcases a series of dark strips of horizontal blocks and a few bands of colorful paints, all of which become increasingly drippy towards the top of the canvas.

Seen from a distance, this work resembles an apocalyptic infernal (its form referencing the world’s first nuclear reactor built for the Manhattan Project), foreshadowing a world where existence can be annihilated by a human-made smoldering mound of blackness.